★ 11/15/2017 Inspired by several BBC historical re-creation series including Victorian Farm (2008), which Langlands (lecturer, Swansea Univ.; The Ancient Ways of Wessex) participated in, this book dissects medieval British cræft as a lost amalgam of "knowledge, power, skill." The intersection of the author's archaeological background and love of historical farming yields a fascinating analysis of the disappearing arts of wattlework, hedgerow maintenance, thatch rooves, pond making, pottery, and basket weaving. "To be cræfty is all about resourceful living and about going back to the basics: a mindful life achieved through beautiful simplicity." It's not just about how you replicate the arts in the modern sense, but what we can learn about past civilizations of Great Britain. The enduring virtues of increasingly obscure tools such as scythes, pitchforks, skeps (straw beehives) and hedging hooks are extolled. Langlands isn't only writing about research, he's actually farming in his daily life with these lost arts. He's a living experiment, just as he depicted in his television work. VERDICT An engaging read imparting a wealth of historical knowledge with a touch of infotainment. With the current interest in authentic arts and handmade goods, this unparalleled scholarly work will appeal to both specialists and casual readers.—Jessica Bushore, Xenia, OH
"Hypnotic... In reconnecting with craeft , [Langlands] begins to see not just the beauty of an object or a building or a landscape, but the deeper purpose for which each has been created. And he understands, too, the environment they shape and upon which they depend.... At a time where our disconnection from the world around us is not just tragic but downright dangerous, recovering our status as Homo faber, the species that makes things, may be our salvation."
New York Times - Michael Bierut
"A coherent and enjoyable argument for ‘not just a knowledge of making but a knowledge of being.’"
"Part how-to, part memoir, the book gets at what it means to make things with your own hands, and how this experience connects us both to the past and to our present sense of place."
"Alexander Langlands is spot-on: crafting isn’t just about creating beautiful, useful objects. It’s about reclaiming the knowledge, wisdom, and power that link us to the collective history of civilization. Cræft is what makes us human."
"I am in no way crafty, but this book had me yearning to thatch my own roof just to be in touch with the physical and attendant mental labor of putting something useful together."
"Archaeologist and BBC presenter Alexander Langlands offers a fascinating and surprisingly relevant dive into a subject that might seem niche to many—the origins of traditional crafts in medieval Europe... Readers get a richly atmospheric peek into “craefts” like the thatching of roofs, the spinning of wool, and the tanning of hides... What Langlands is advocating for in his book is more widespread knowledge about the time when craft was integral to daily life. In the era he studies, activities like beekeeping weren’t escapes from reality, but essential to it."
"Whether it’s the small-batch hot sauce or the rage for craft beer, today’s consumer wants tradition, quality, and artisan everything. Langlands offers a fascinating history of what’s setting trends today."
"Erudite, deftly argued, well written and timely—Langlands weaves together the basic human desire to use our hands to make things with tradition, landscape and the natural world. A delightful book that should be widely read."
"Using a combination of memoir, history and cultural commentary – in the first chapter Langlands has his own Poldark moment with a scythe – Langlands makes a coherent and enjoyable argument for 'not just a knowledge of making but a knowledge of being.'"
"In Craeft , Mr. Langlands excavates the scintillating history of our truest super power: making clever things with our hands. This history is rife with real-life magic and affection, for our earth as well as one another. I am damn grateful for this book."
"Alex Langlands is probably the only person who could have written this wonderful book, drawing as it does upon his extraordinary combination of experiences as an archaeologist and as somebody who has actively learned such a huge range of the traditional crafts which he explains. This is literally heritage in action, and artistry which produces practical rewards."