05/06/2019
As a child, Helen Frankenthaler, an Abstract Expressionist who created the Color Field painting movement, shirked rules in favor of free expression. “Instead of going to bed, Helen filled the sink with water. She dribbled in drops of ruby red nail polish and watched the color flow.” With sweeping strokes, Sicuro conveys the young artist’s joy in the act of creation, her images of seaside landscapes spilling off the canvasses, and waves trailing from the beach she’s painting into her bedroom. Following her father’s death when she was 11, “her canvases remained blank, her world of colors and light...dark,” Frankenthaler attends art school, where she adheres to rigid expectations. But the work of Jackson Pollock reawakens her, liberating her to paint emotively. Back matter provides biographical content, insight into Frankenthaler’s creative process, and an art activity. Ages 4–8. (Mar.)
"Brown uses lyrical text full of action words and ranges of color to describe this lesser-known yet influential abstract expressionist artist from the twentieth century . . . [Sicuro's] loosely drawn illustrations with thick strokes of watercolor, ink, and charcoal pencil evoke both Helen’s moods and her abstract style."
"Brown’s debut picture-book biography limns [Frankenthaler's] creative and imaginative childhood, dutiful art study in college, and early career in mid-twentieth-century NYC . . . Sicuro’s compositions—in watercolor, ink, and charcoal pencil . . . consistently reinforce the ideas of movement and color saturation."
"The textual descriptions of Frankenthaler's process are gorgeous . . . [and] Sicuro's watercolor, ink, and charcoal pencil illustrations are spirited."—Kirkus Reviews
"Sicuro’s bold illustrations are a wonderful match for a biography on an abstract artist; the saturated colors, thick lines, and rounded shapes work well with Brown’s descriptive text to immerse readers in Frankenthaler’s world . . . A pitch-perfect expression of a little-known artist in text and illustration alike, this is a top-notch example of the picture book biography."—School Library Journal
"Brown uses lyrical text full of action words and ranges of color to describe this lesser-known yet influential abstract expressionist artist from the twentieth century . . . [Sicuro's] loosely drawn illustrations with thick strokes of watercolor, ink, and charcoal pencil evoke both Helen’s moods and her abstract style."—Booklist
"Brown’s debut picture-book biography limns [Frankenthaler's] creative and imaginative childhood, dutiful art study in college, and early career in mid-twentieth-century NYC . . . Sicuro’s compositions—in watercolor, ink, and charcoal pencil . . . consistently reinforce the ideas of movement and color saturation."—Horn Book Magazine
"With sweeping strokes, Sicuro conveys the young artist’s joy in the act of creation."—Publishers Weekly
"Brown uses lyrical text full of action words and ranges of color to describe this lesser-known yet influential abstract expressionist artist from the twentieth century . . . [Sicuro's] loosely drawn illustrations with thick strokes of watercolor, ink, and charcoal pencil evoke both Helen’s moods and her abstract style."
03/01/2019
Gr 2–5—A prominent abstract expressionist whose career spanned six decades but who is not as well known as her male contemporaries today, Helen Frankenthaler loved color and celebrated it through an artistic style that came to be known as "soak-stain painting." In this picture book biography, Frankenthaler's early life and career are recounted in language that is every bit as vibrant as the illustrations that recall her paintings. Students with a creative bent will relish reading about Frankenthaler's difficulty conforming to the expectations of her art teachers and, later, those of the art world at large. Then, the story recalls her childhood vacations to the mountains and seaside to demonstrate the techniques Frankenthaler developed for creating paintings as boundless as those natural phenomena. Sicuro's bold illustrations are a wonderful match for a biography on an abstract artist; the saturated colors, thick lines, and rounded shapes work well with Brown's descriptive text to immerse readers in Frankenthaler's world. Two pages of back matter include a more formalized biography of Frankenthaler and examples of her paintings. VERDICT A pitch-perfect expression of a little-known artist in text and illustration alike, this is a top-notch example of the picture book biography.—Katherine Barr, Cameron Village Regional Library, Raleigh, NC
2019-01-15
Abstract expressionist painter Helen Frankenthaler (1928-2011) carries a deep fascination with color and light from childhood to adulthood.
In Frankenthaler's wealthy, white Manhattan family, her parents nurture her artistic tendency toward abstraction—but her schools demand realism. A downcast Frankenthaler creeps past eight easels displaying eight identical pear paintings, while across the page, another version of her dances in midair, brushes in both hands, trailing swirls of nonrepresentational orange. In adulthood, she embraces her own path. The narration frames her artistic motivations as primarily emotional, undermining her deliberate aesthetic decisions. Moreover, though the textual descriptions of Frankenthaler's process are gorgeous ("Colors jetéd across the painting, merged and connected, like rivers into oceans"), neither the colorist's groundbreaking "soak-stain" technique—oils thinned with turpentine so they seep like watercolors—nor her level of influence as "one of the major Abstract Expressionists of the twentieth century" are mentioned until the bountiful backmatter. Sicuro's watercolor, ink, and charcoal pencil illustrations are spirited, the ones about art process especially buoyant; her use of watercolor is actually a better match for Frankenthaler's look than oils would have shown without Frankenthaler's own soak-stain technique. However, there's one enormous visual mismatch: Frankenthaler's work features paint that soaks, flows, bleeds, and wetly saturates canvas, while Sicuro uses mostly controlled and neatly identifiable brush strokes.
Greatly enthusiastic, but it waters down Frankenthaler's actual work and importance. (timeline, activities, author's notes, quotes and sources, primary and secondary bibliography) (Picture book/biography. 5-9)
