Darwin's Bards: British and American Poetry in the Age of Evolution

Darwin's Bards: British and American Poetry in the Age of Evolution

by John Holmes
Darwin's Bards: British and American Poetry in the Age of Evolution

Darwin's Bards: British and American Poetry in the Age of Evolution

by John Holmes

Paperback(Reprint)

$29.95 
  • SHIP THIS ITEM
    Qualifies for Free Shipping
  • PICK UP IN STORE
    Check Availability at Nearby Stores

Related collections and offers


Overview

The first comprehensive study of how poets have responded to the ideas of Charles Darwin in over fifty years
In Darwin’s Bards John Holmes argues that poetry can have a profound impact on how we think and feel about the human condition in a Darwinian world. Including over fifty complete poems and substantial extracts from several more, Holmes shows how poets from Tennyson and Browning, through Hardy and Frost, to Ted Hughes, Pattiann Rogers and Edwin Morgan have responded to the discovery of evolution. Written for scientists, philosophers and ecologists, as well as poets, critics and students of literature, Darwin’s Bards is a timely intervention into the heated debates over Darwin’s legacy for religion, ecology and the arts.
The book will appeal to readers for its discussion of the existential implications of Darwinism, for its close readings of poetry, and for the reprinted poems themselves.
Key Features
Covers poetry and ecology, as well as the implications of Darwinism for religionThe combination of complete poems and long extracts with an interpretative framework and close readings makes the book an effective and attractive text book


Product Details

ISBN-13: 9780748692071
Publisher: Edinburgh University Press
Publication date: 10/16/2013
Edition description: Reprint
Pages: 304
Sales rank: 645,603
Product dimensions: 6.20(w) x 9.20(h) x 1.10(d)
Age Range: 18 Years

About the Author

John Holmes is Professor of Victorian Literature and Culture at the University of Birmingham. He is the author of Dante Gabriel Rossetti and the Late Victorian Sonnet-Sequence: Sexuality, Belief and the Self (Ashgate, 2005) and the editor of Science in Modern Poetry: New Directions (Liverpool UniversityPress, 2012).

Table of Contents

AcknowledgementsPreface 1. Poetry in the Age of DarwinScience, poetry and literary criticismWhose ‘Darwinism’? The Darwinian tradition in modern poetryPoetry and Darwinism in practice: Three poems by Edwin Morgan 2. Poetry and the ‘Non-Darwinian Revolution’Non-Darwinian evolution in late Victorian poetryPseudo-Darwinism and bad faith: A. C., Swinburne and Mathilde BlindReading A Reading of Earth: George Meredith’s later poetryDoubting progress: Science and evolution in Tennyson’s last poems 3. God: Darwinism, Christianity and theologyHappenstance or design? Two sonnetsNatural theology: Robert Browning’s ‘Caliban upon Setebos’ God after Darwin: Three contemporary American poets and the Book of Job 4. Death: Darwinism, death and immortality‘In the Woods;: George MeredithDeath and dying: Robinson JeffersLove and loss: Thomas Hardy 5. Humanity’s Place in Nature‘The exact centre’, or just another African ape? ‘An idiot on a crumbling throne’: The cosmic perspective‘Earths catastrophe’: The planetary perspective‘All we’ve got’: The human perspective 6. Humans and Other AnimalsMore than kin and less than kindAt ‘the master-fulcrum of violence’: Hawks and falcons‘A diminished thing’: Songbirds and birdsong‘Someone else additional to him’: Deer in modern poetry 7. Love and SexDarwinism and sexA Darwinian sex comedy: Constance Haden’s ‘Evolutional Erotics’The Darwinian love sonnet: George Meredith and Edna St Vincent MillayMetamorphosis: Thom Gunn and the human animal 8. On BalanceFor better or for worse‘The just proportion of good to ill’: Weighing up evolutionDisenchantment and re-enchantment: The power of paradoxDarwin’s pagans: Meredith’s ‘Ode3’ and Tennyson’s ‘Lucretius’Conclusion BibliographyIndexPoems in Darwin’s Bards:A. R. Ammons: ‘Questionable Procedures’Philip Appleman: ‘How Evolution Came to Indiana’, ‘Waldorf-Astoria Euphoria’D. M. Black: ‘Kew Gardens’Mathilde Blind: The Ascent of Man [extracts] Robert Browning: ‘Caliban upon Setebos’ [extracts] William Canton: ‘The Latter Law’ [sonnet from a sequence]Stephen Crane: ‘A man said to the universe’Richard Eberhart: ‘Sea-Hawk’Robert Frost: ‘Design’, ‘The Oven Bird’, ‘The Most of It’, ‘Our Hold on the Planet’ Thom Gunn: ‘Adultery’, ‘The Garden of the Gods’Thomas Hardy: ‘Hap’, ‘Your Last Drive’, ‘Rain on a Grave’, ‘At Castle Boterel’, ‘An August Midnight’, ‘The Darkling Thrush’, ‘Shelley’s Skylark’, ‘The Fallow Deer at the Lonely House’, ‘To Outer Nature’, ‘On a Fine Morning’Robinson Jeffers: ‘Vulture’, Cawdor [extract], ‘Rock and Hawk’George Meredith: ‘The Woods of Westermain’ [opening lyric], ‘In the Woods’ [8 lyrics out of a sequence of 9], ‘The Lark Ascending’ [extracts], Modern Love [3 sonnets from a sequence], ‘Ode to the Spirit of Earth in Autumn’ [extracts]Edna St Vincent Millay: ‘The Fawn’, ‘I shall forget you presently, my dear’, Fatal Interview [2 sonnets from a sequence]Edwin Morgan: ‘Eohippus’, ‘The Archaeopteryx’s Song’, ‘Trilobites’Lewis Morris: ‘Ode of Creation’ [extract]Constance Naden: ‘Natural Selection’Agnes Mary Robinson: ‘Darwinism’Pattiann Rogers: ‘Against the Ethereal’, ‘The Possible Suffering of a God During Creation’, ‘Geocentric’Neil Rollinson: ‘My Father Shaving Charles Darwin’John Addington Symonds: ‘An Old Gordian Knot’ [sonnet from a sequence]Alfred Tennyson: ‘Flower in the Crannied Wall’, ‘By an Evolutionist’, ‘The Dawn’, ‘The Making of Man’, ‘Frater Ave atque Vale’, ‘Lucretius’ [extracts]

What People are Saying About This

John Holmes’s coverage of the relationship between science and poetry is remarkably complete. He has a scientist’s grasp of evolutionary theory and a thorough understanding of both the controversies the theory has engendered and the difficulty many have had in finding meaning in an existence framed by Darwinism. Holmes’s investigation of how poetry addresses these problems is unique.

Douglas Shedd

John Holmes's coverage of the relationship between science and poetry in Darwin's Bards: British and American Poetry in the Age of Evolution is remarkably complete. He has a scientist's grasp of evolutionary theory and a thorough understanding of the controversies the theory has engendered. He also understands the difficulty many have had in finding meaning in an existence framed by Darwinism. Holmes's investigation of how poetry addresses these problems is unique, and he is correct in thinking that, "poems can even change how we think about Darwinism itself." Evolutionary science provides many of the details for understanding why the world is the way it is, but we need "Darwin's Bards" to help us interpret these details, incorporate them into our collective consciousness, and fully understand what it means to live in a Darwinian world.

Douglas Shedd, Thoresen Professor of Biology, Randolph College

From the B&N Reads Blog

Customer Reviews