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CHAPTER 1
Although it began in solitude and menial chores, everything changed that day, June 28, 1934. Dawn burst through the window and hurled itself at the copper teakettle, sparking off of it like flint, but the sun quickly rose over the house, turning its attention elsewhere, and by mid-afternoon the light had begun to weaken. All I could think was She's coming today. I did not yet know that Maria Cristina's arrival would be, for some of us, overshadowed by that of another: a young man who was at that moment being gently caressed by the receding tide in Kingston Cove.
These were our last moments of innocence; had I but known, I might have savored the simplicity of the morning. But I turned mindlessly from the sink to the hardwood cabinets and back until the last plate from breakfast had been dried and put away, then took off the apron Mrs. Hatcher made for me. I frowned, my mouth pursed unattractively, as Father was fond of pointing out. I could feel the crease between my eyebrows deepening, but I didn't care. I tossed the apron over the back of a chair and climbed the kitchen stairs to take one more look at Maria Cristina's room.
I stood in the doorway and bit my lip, frowning. Will she like it? I wondered. I had agonized over this — such a small detail, really, which room to put her in. We certainly had plenty to choose from, but I felt compelled to get it right. I finally settled on the room next to mine. It wasn't the biggest, but the ceilings were high, and there was a small fireplace with a mantel in one corner with white oak panels above. It had a large window, and I knew that on a clear day Maria Cristina would be able to see the sun sparkling on the whitecaps in the cove at Ezra's boatyard, just as I could from my window. I hadn't done much to prepare the room for her, but had managed, with Mrs. Hatcher's help, to sew new curtains that matched the yellow squares in the quilt I had used as a child, and which I had placed on the bed. The wallpaper was old and a little faded, but the small bouquets of yellow and blue flowers on a white background seemed hopeful.
I walked to the bed and smoothed the covers again, though they didn't need it. There didn't seem to be anything else I could do, so I went back downstairs, my solitary footsteps echoing off the woodwork, resounding through the empty house, muffled only slightly by the white sheets covering the furniture we never used. The house was absurdly large for us, but Father had insisted we stay. He had told me years ago that if we carried on as if nothing at all had happened we might avoid pity and gossip. I was no more eager for the town's scrutiny than he, but I thought we called attention to ourselves by rattling around in that old mansion year after year.
I glanced in the beveled mirror hanging in the hall and tucked a long strand of dark, curling hair behind my ear in an attempt to smooth its wild appearance. My father was an important man in Providence, as was his father before him. I had learned early that we were Rhode Island. As the daughter of Samuel Dodge, I had a responsibility to uphold — a responsibility I did not always meet, despite being almost twenty-four years old. But I wanted Maria Cristina to think well of me.
Shaking off my distraction, I looked at the clock on the table beside the telephone. I could hear it ticking, but the hands did not appear to have moved at all. There was still an hour, maybe more, before I had to leave. The waiting was torture. I made a sudden decision and left the house, closing the front door behind me and pausing just long enough to run my hand over its surface, which teemed with thousands of intertwining carved figures. The writhing sea serpents, surfacing whales, floundering ships, glowering thunder clouds, leaping mermaids, towering waves, jagged lightning, capsized boats, grasping, giant squid, hurtling harpoons, and drowning men were all in motion, their lives and their stories tumbling into and through one another. Like the work of Hieronymus Bosch, it was beautiful but primitive and repellant and violent, a nightmarish vision of every seafaring legend and ocean life form I had ever heard of.
I turned from the door and hurried toward our still-shiny black Ford parked in the crushed-shell driveway. The car was clean and reliable, but whereas before the Crash its luxury would have announced our social and economic standing, five years later it merely served to remind everyone of better days. I reached for the car door, my handbag clutched in my other hand, just as Mr. Hatcher ambled into view on the sidewalk in front of the house.
"Going to get her, are you, Annie?" he called. I could hear in his voice the phlegm from a lifetime of smoking. "Esther says today is the day!"
"I am, Mr. Hatcher, and it is. Father and I are going together in a little while. I'm heading down to Ezra's right now, though, while I wait."
Mr. Hatcher nodded a half dozen times, carefully considering this information. He turned to go, clearing his throat loudly, then stopped, remembering something. "You tell your dad I'm grateful he put in a good word for me with Mr. Dekker. Me and Mrs. Hatcher, we both appreciate his help."
"I certainly will," I said quickly. "I know he was happy to do it. How are you liking the work at Dekker's?" I was far too anxious for a leisurely chat, but I didn't want to be rude.
"I like it just fine. Bookkeeping suits me. I'm too old for mill work anyway, so it's all worked out the way I'm sure the good Lord intended," he concluded, waving and continuing on, passing the house without another word.
I climbed into the car, tossing my handbag and the lawyer's letter onto the seat, then pushed the starter and drove — too fast, I'm sure — the two blocks to the courthouse. I glanced at the old building as I paused in the intersection. Milford was a small town, and all public business was conducted at the courthouse, including town council meetings, over which my father, as president, presided. On the opposite corner sat the Milford Congregational Church, where Reverend Brown stood trimming the hedges in his shirtsleeves. I waved as I turned right and drove down the mill road, turning once more onto the narrow sand-and-shell path that led to Ezra's.
Ezra's road was scarcely wide enough for a car, and the low-hanging tree branches and underbrush scraped its sides as I drove, the tires slipping a little, making the car slide as if it were moving across ice. The sun had long since risen past the tree line into a cloudless summer sky.
Ezra Johnson's place wasn't recognizable at first glance as either someone's home or a working boatyard. He had cleared much of the land himself, a bit at a time, leaving narrow stands of trees at what he thought each time would be the far edge of the new section he had cleared. Grass grew more or less regularly down toward the water, giving way to sea grass, and then sand about twenty feet above the high tide mark. Thirty yards or so from the northern edge of the property, between the house and the retreating forest, was a crumbling, smoke-blackened stone foundation. Ezra's father had told him the Indians burned out the family, but that they had come back and built another house, and had lived there for many years. Ezra didn't know any of the details, but I had liked the story as a child, imagining myself a daughter of that family, bravely fighting the Indians, surviving the flames as they engulfed our home, maybe saving a baby brother as I leapt from the highest window to safety.
I pulled the car close to the workshop, wondering too late if I would have time to do any work. Anything was better than wandering around the house, I thought, waiting and worrying. But before I could even turn the engine off, I saw two boys running toward Ezra's house from the water's edge. Although they were still twenty yards away, I did not see them as children playing. There was a tension in their bodies, a determination, and the second boy, who lagged a little behind, glanced over his shoulder as he sped toward Ezra's house.
They were running from something — something or someone.
I opened the car door and climbed out, calling to them. "Hi! Boys! What's wrong?"
They turned toward me, startled, but did not slow down as they veered from their course and raced up the inclined yard toward me, their relief apparent. I recognized one of them.
"Finbar Sullivan, what are you doing down here?" I asked as they stopped in front of me, breathing hard and exuding excitement — and something else that made my scalp crawl.
"We're lookin' for Ezra," he panted, and the other boy nodded. "We were clammin'," he said, his explanation rushed, words tumbling over each other as he pointed beyond where the beach curved out of sight, back up toward the mill. "We've been out since dawn, and we found somethin'— somethin' bad. We need to tell somebody, an' Ezra's was closest."
The other boy had not stopped nodding, and when I looked at him more closely I could see that his eyes were wide and unblinking, his hands trembling.
"What did you find?" I asked.
They looked at each other, conferring in silence. Fin looked back at me, as though they'd reached a decision. "It's bad. And scary. And you're a girl. We should tell Ezra."
"Okay, let's go get him," I said, assuming that I'd hear the details sooner if I let them tell Ezra.
We walked quickly up to the house, and I climbed the steps to Ezra's door. I knocked. I glanced back at the boys, who'd waited below in the yard, but nothing happened. I knocked again, harder. "Ezra! It's Anne. Are you home?" I yelled at the door. When we heard nothing, I walked back down to where they stood, waiting.
"I'm all you've got, boys. Whatever it is, I can take it." They hesitated, but before they could refuse me, I decided they weren't in charge, after all. "Come on, let's go see what you found," I said, turning and walking toward the water.
After a moment they ran to catch up with me, and we walked swiftly, Fin leading the way in single file along the shoreline from Ezra's up toward the mill. The hard-packed sand began to turn mucky, pulling at my shoes as we approached the edges of the marsh that separated Ezra's property from the mill.
"It's ... it's right over here," stammered the other boy, whose name I had not asked.
Something in his voice made me stop and turn around. His face was pale, and tears stood in the corners of his eyes.
"You don't have to go the rest of the way," I said gently. "Just point out where I should go."
"I'll take you," said Fin. "It's just right there, up ahead."
I turned and followed him, the tall grass clutching at my skirt. I looked down as we walked, noting the mud and silt splattered on my ankles. My shoes were completely ruined. I would have to change them before I picked up Father.
I pulled up short to avoid running into Fin, who had stopped in front of me. I looked over the top of his head at the body of a man lying facedown in the marsh not three feet from where we stood.
"Oh, no ..." I whispered.
"Yeah," said Fin. I put my hand on his shoulder, and we stood there, taking it all in. The course black hair, matted with mud and seaweed, the face turned away from us toward the horizon. The sodden clothes, stiff with drying salt water. I couldn't look away.
Get a hold of yourself, I thought. I tightened my grip on Fin's shoulder and turned him around to face me. He was pale and shaking, but he looked me steadily in the eye.
"Fin, here's what we're going to do. You and — What's your name?" I asked, turning back to the other boy who stood a few yards behind us.
"Paul," he said.
I turned back to Fin. "You and Paul are going to go straight to the sheriff and tell him there's been an accident, looks like one of the local fishermen has drowned. Tell him you found me at Ezra's and showed the — showed it to me, too. But that I couldn't wait, I had to go to the train station. Tell him I'll talk to him later. Can you do that?"
Fin nodded without taking his eyes off mine.
"It's okay," I said. "You boys were very brave, and you did the right thing. Let the sheriff take care of it now."
They turned and raced back the way we'd come, and I knew they wouldn't stop until they'd reached Sheriff Tucker's door. I realized suddenly that I was alone. My heart pounding, I turned back to the body, took a few steps closer, and knelt down beside it.
I knew better than to touch him — even had I wanted to, which I certainly didn't — but I found myself leaning over him to get a glimpse of his face. I couldn't help it. I'd never seen a dead person before, and I had to learn if he was someone I'd known.
Leaning over him, I could see his ear and half of his face in profile. The other side of his head appeared to be partly buried in the sand — fresh, wet sand. He'd been in water earlier and must have been here long enough for the high tide to go back out, I reasoned. Maybe he'd died at sea and washed up on shore. His skin was dark — darker than mine — but it had a pale, bluish tinge to it, and while I couldn't quite put my finger on why, something about that skin made me know he was dead, even without listening to his chest for a heartbeat or some small trace of breath. I knew if I touched him he would feel cold, like meat taken from the icebox, still chilled but in danger of spoiling if left out too long.
I did not know him. He might be one of the local fishermen, someone I'd seen around town — he looked vaguely familiar — but I did not know him. I stood up, ashamed of my relief. I reminded myself that others did know this man, and there would be shock and loss and pain. This day would always be a tragedy for some family.
And just that quickly I remembered: Maria Cristina. She's coming today. I turned and made my way as quickly as I could back to Ezra's, back to my car. I drove home and went upstairs to bathe my hands and face and feet, and to change into fresh shoes and stockings. I drove into town, a little anxious when I saw the clock in the square. As soon as Father was finished, we would drive to meet Maria Cristina at the train station in Warwick, a good fifteen miles away.
My hands shook on the steering wheel. I tightened my grip against their tremor, eased the car up to the curb in front of the courthouse, and pulled on the parking break. I took a deep breath and willed myself to calm down. Everything will be fine, I thought, repeating it over and over again. You've just looked at a dead man, and Maria Cristina is coming today, but everything will be fine. I forced myself to look around, to note the familiarity of the town I knew so well. A few people were sitting on the steps of the courthouse, enjoying the warmth of the afternoon sun. People walked along the sidewalk, drove their cars along the street. The building right in front of me loomed large and comforting. I had looked at the courthouse nearly every day of my life, watching it change and grow along with me, like the town. It had been the centerpiece of Milford since the town was settled in the late 1600s, though it had been altered numerous times, not always wisely. Broad steps had been added leading up to the courthouse's front doors and, later, columns along the front of the building. I felt a great deal of affection for its quirky appearance.
I grabbed my handbag and ran up the steps and through the doors into the cavernous room where the council meeting was just breaking up. In marked contrast to the raw oak beams and exposed pins at their joints, an ornate crystal chandelier — six feet deep and nine feet across — illuminated every corner, as well as the portrait of an illustrious Dodge ancestor, the same one whose likeness graced the rotunda of the Rhode Island State House in Providence. These adornments were supposed to lend a certain formality to the proceedings, but I thought they highlighted the dirty, workday clothes worn by most of those present.
The members of the council were gathering up papers, some still sitting, others standing and conferring with one another. The reporter for the Warwick Post who covered local politics was finishing his notes for tomorrow's column. A dozen or so townspeople were clustered in small groups, talking or moving toward the door.
And there, up at the front of the room, of course, was Father: a tall, angular man in an immaculate suit and spats, with a youthful color to his face despite the thick, startlingly white hair. He stood with the other elected officials, as serious and solemn as the room, then took the pocket watch out of his old-fashioned waistcoat, checked the time, and snapped it closed again with a brisk, commanding motion. Though in a hurry, he took care to keep his papers in order, making the stack neat before laying it in his soft leather briefcase in such a way that no corner would be bent, no page creased.
(Continues…)
Excerpted from "Daughter of Providence"
by .
Copyright © 2011 Julie Drew.
Excerpted by permission of Abrams Books.
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