Decelerate Blue

by Adam Rapp, Mike Cavallaro

Overview

From award-winning playwright Adam Rapp and veteran cartoonist and animator Mike Cavallaro comes Decelerate Blue, a dark, breath-taking new vision of an all-too-plausible future for America.

The future waits for no one.

In this new world, speed and efficiency are everything, and the populace zooms along in a perpetually stimulated haze. Angela thinks she's the only person in her family—maybe the only person on the planet—who sees anything wrong with this picture. But the truth is she's not alone.

Angela finds herself recruited into a resistance movement where the key to rebellion is taking things slow. In their secret underground hideout, they create a life unplugged from the rapid-fire culture outside. Can they free the rest of the world before the powers that be shut down their utopian experiment?

Product Details

ISBN-13:	9781250155122
Publisher:	First Second
Publication date:	02/14/2017
Sold by:	Macmillan
Format:	eBook
Pages:	208
File size:	72 MB
Note:	This product may take a few minutes to download.
Age Range:	14 - 17 Years

About the Author

Mike Cavallaro’s comics include Parade (with fireworks), a Will Eisner Award-nominee; The Life and Times of Savior 28, with Eisner Award-winning writer J.M. DeMatteis; and the Foiled series with Jane Yolen. Mike is an instructor at the School of Visual Arts and is the Vice-Chairman of the Manhattan Chapter of the National Cartoonists Society.

Adam Rapp is a novelist, playwright, screenwriter, and filmmaker. His young adult novels include Missing the Piano, The Buffalo Tree, and 33 Snowfish, and his first adult was The Year of Endless Sorrows. Rapp directed his first film, Winter Passing, with Zooey Deschanel and Will Ferrell, in 2005.

Adam Rapp is an OBIE Award-winning playwright and director, as well as a novelist, filmmaker, actor, and musician. His play The Purple Lights of Joppa Illinois had its world première last month at South Coast Repertory. His other plays include Red Light Winter (Citation from the American Theatre Critics Association, a Lucille Lortel Nomination for Best New Play, two OBIE Awards, and was named a finalist for the 2006 Pulitzer Prize), Blackbird, The Metal Children, Finer Noble Gases, Through The Yellow Hour, The Hallway Trilogy, Nocturne, Ghosts in the Cottonwoods, Animals and Plants, Stone Cold Dead Serious, Faster, Gompers, Essential Self-Defense, American Slingo, and Kindness. For film, he wrote the screenplay for Winter Passing; and recently directed Loitering with Intent. Rapp has been the recipient of the 1999 Princess Grace Award for Playwriting, a 2000 Roger L. Stevens Award from the Kennedy Center Fund for New American Plays, the 2001 Helen Merrill Award for Emerging Playwrights, and Boston’s Elliot Norton Award; and was short-listed for the 2003 William Saroyan International Prize for Writing, received the 2006 Princess Grace Statue, a 2007 Lucille Lortel Playwriting Fellowship, and the Benjamin H. Danks Award from the American Academy of Arts and Letters.
Mike Cavallaro is from New Jersey and has worked in comics and animation since the early 1990s. His comics include Eisner Award–nominated Parade (with fireworks), The Life and Times of Savior 28 (written by J.M. DeMatteis), Foiled and Curses! Foiled Again (written by Jane Yolen), Decelerate Blue (written by Adam Rapp), and the Nico Bravo series.

Editorial Reviews

02/20/2017
In a futuristic riff on Romeo and Juliet, Rapp (The Children and the Wolves) and Cavallaro (Foiled) run with the idea that humanity is in the midst of a “great acceleration,” imagining a not-so-distant America in which speed, brevity, and commerce are prized above all else. Fifteen-year-old Angela feels innately uncomfortable in a world in which everyone says “Go” when they’re finished speaking (as though hurling conversation back and forth), farm animals are branded with corporate logos, and cybernetic implants in citizens are just one aspect of a surveillance state. After Angela receives an illicit copy of a cult classic book, she discovers a literal underground movement striving to create a slower, more considered existence, and she finds unexpected (and tragic) romance with a fellow rebel, Gladys. It’s a world of absolutes, strikingly reflected in Cavallaro’s jittery, angular illustrations, which largely forgo shading in favor of stark black-and-white scenes; color is used only twice, powerfully heightening the emotions in each scene. Rapp’s rapid-fire dialogue eerily evokes a society hurtling down a troubling road and raises haunting questions about sacrifices made in the name of safety, productivity, and progress. Ages 14–up. (Feb.)

Publishers Weekly

"Predominantly black-and-white artwork complement this gripping, thought-provoking narrative...and the spare use of full color heightens the emotion of the piece." —School Library Journal, starred review

"It’s a rare graphic novel that dives into romance and dystopia, so this will garner a wide readership." —Bulletin of the Center for Children's Books

"Slim-lined cartooning imbues a helping of personality, and...inventive page compositions keep visual interest high." —Booklist

"This is a strikingly illustrated book set in a potentially massive world, and readers will hope this isn't the only story to come from it." —Kirkus

From the Publisher

01/01/2017
Gr 10 Up—Welcome to a brave new world that is marketing-forward and tech-heavy. Culture has been reduced to snippets of perfectly packaged and abbreviated elements. It's a world run by the Guarantee Committee (GC), and the inhabitants are "protected" and monitored to ensure that they are keeping everything short. Students at Hyper High no longer study the classics; instead, they take Brief Lit, which abridges the classics and simplifies the language. It's a world that 15-year-old Angela hates. She wants to revel in language and luxuriate in art, so it isn't difficult for her to commit to an Underground community that she discovers by accident in Blackhawk Caves. In the Underground, Angela falls in love with Gladys and becomes an active part of the resistance. As with all great tragedies, it is a love destined for heartbreak. Rapp and Cavallaro successfully rely on the problem play format and use it to weave a cautionary tale about our fast-paced world. Cavallaro's choices of predominantly black-and-white artwork complement this gripping, thought-provoking narrative. Frames are employed to create unique panels that propel readers to the conclusion, and the spare use of full color heightens the emotion of the piece. VERDICT Fans of George Orwell's 1984 and Ray Bradbury's Fahrenheit 451 will find much to ponder in this notable graphic novel.—Jodeana Kruse, R. A. Long High School, Longview, WA

School Library Journal

2016-12-06
The U.S.A. is governed by forces dedicated to accelerated living, monitoring everyone with implants and countless cameras and harshly punishing sedition. Speech is streamlined, literature and media are truncated, and teenager Angela's parents fall into line, shrugging off horrifying punishments doled out to those resisting the new order as what they deserve. After Angela learns that her parents are sending her grandfather to a "reduction colony" for not keeping his heart rate up to government standards, she visits him and learns that he buried something for her by the biggest trees by the sprawling, oxygenated Megamall. She cuts class to get it but is grabbed by someone who leads her into a literal underground movement—and she doesn't want to leave. At 208 pages of stark black-and-white illustration by Cavallaro, punctuated by color in powerful moments (as when Angela experiences her first "girl kiss"), this is a substantial graphic novel. But despite moments of brilliance in the story, it suffers from its own acceleration, narrowing what could be a vast world. There's enough here for three or more books to give readers more time with Angela as she decelerates, learns, and finds love in resistance fighter Gladys and to introduce more than the singular obviously nonwhite character met here. This is a strikingly illustrated book set in a potentially massive world, and readers will hope this isn't the only story to come from it. (Graphic science fiction. 14 & up)

Kirkus Reviews