Depression Glass: Documentary Photography and the Medium of the Camera-Eye in Charles Reznikoff, George Oppen, and William Carlos Williams

by Monique Vescia

Overview

First Published in 2006. This is part of the literary critcism and cutlural theory collection. Situated within the larger narrative of the symbiosis between photography and modern poetry in America during the 1930s, each text examined by the author is a discrete object constituting a series of empirical statements, expressing certain empirical truths particular to its time and place.

Product Details

ISBN-13:	9781135493271
Publisher:	Taylor & Francis
Publication date:	02/04/2014
Series:	Literary Criticism and Cultural Theory
Sold by:	Barnes & Noble
Format:	eBook
Pages:	174
File size:	1 MB

About the Author

Monique Claire Vescia

Table of Contents

Acknowledgments Preface List of Figures Introduction Chapter 1: The Poem in a Climate of Fact Chapter 2: Documentary Matters: Charles Reznikoff's 1934 Testimony Chapter 3: The Lyrical Apertures of George Oppen's Discrete Series Chapter 4: Machines for Seeing: William Carlos Williams's Collected Poems 1921-1931 Bibliography Index