Desert Solitaire: A Season in the Wilderness
When Desert Solitaire was first published in 1968, it became the focus of a nationwide cult. Rude and sensitive. Thought-provoking and mystical. Angry and loving. Both Abbey and this book are all of these and more. Here, the legendary author of The Monkey Wrench Gang, Abbey's Road, and many other critically acclaimed books vividly captures the essence of his life during three seasons as a park ranger in southeastern Utah. This is a rare view of a quest to experience nature in its purest form-the silence, the struggle, the overwhelming beauty. But this is also the gripping, anguished cry of a man of character who challenges the growing exploitation of the wilderness by oil and mining interests, as well as by the tourist industry.

Abbey's observations and challenges remain as relevant now as the day he wrote them. Today, Desert Solitaire asks if any of our incalculable natural treasures can be saved before the bulldozers strike again.
1100014581
Desert Solitaire: A Season in the Wilderness
When Desert Solitaire was first published in 1968, it became the focus of a nationwide cult. Rude and sensitive. Thought-provoking and mystical. Angry and loving. Both Abbey and this book are all of these and more. Here, the legendary author of The Monkey Wrench Gang, Abbey's Road, and many other critically acclaimed books vividly captures the essence of his life during three seasons as a park ranger in southeastern Utah. This is a rare view of a quest to experience nature in its purest form-the silence, the struggle, the overwhelming beauty. But this is also the gripping, anguished cry of a man of character who challenges the growing exploitation of the wilderness by oil and mining interests, as well as by the tourist industry.

Abbey's observations and challenges remain as relevant now as the day he wrote them. Today, Desert Solitaire asks if any of our incalculable natural treasures can be saved before the bulldozers strike again.
19.99 In Stock
Desert Solitaire: A Season in the Wilderness

Desert Solitaire: A Season in the Wilderness

by Edward Abbey

Narrated by Michael Kramer

Unabridged — 11 hours, 31 minutes

Desert Solitaire: A Season in the Wilderness

Desert Solitaire: A Season in the Wilderness

by Edward Abbey

Narrated by Michael Kramer

Unabridged — 11 hours, 31 minutes

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Overview

When Desert Solitaire was first published in 1968, it became the focus of a nationwide cult. Rude and sensitive. Thought-provoking and mystical. Angry and loving. Both Abbey and this book are all of these and more. Here, the legendary author of The Monkey Wrench Gang, Abbey's Road, and many other critically acclaimed books vividly captures the essence of his life during three seasons as a park ranger in southeastern Utah. This is a rare view of a quest to experience nature in its purest form-the silence, the struggle, the overwhelming beauty. But this is also the gripping, anguished cry of a man of character who challenges the growing exploitation of the wilderness by oil and mining interests, as well as by the tourist industry.

Abbey's observations and challenges remain as relevant now as the day he wrote them. Today, Desert Solitaire asks if any of our incalculable natural treasures can be saved before the bulldozers strike again.

Editorial Reviews

From the Publisher

This book may well seem like a ride on a bucking bronco. It is rough, tough, combative. The author is a rebel and an eloquent loner. His is a passionately felt, deeply poetic book. It has philosophy. It has humor. It has its share of nerve-tingling adventures . . . set down in a lean, racing prose, in a close-knit style of power and beauty.”—Edwin Way Teale, The New York Times Book Review

MARCH 2012 - AudioFile

Michael Kramer delivers an outstanding narration of Edward Abbey's classic account of his time as a park ranger in the desert of Utah. He tells tall tales, relates desert lore and history, and spends many hours meditating on nature and the offenses of modern American culture. This book was originally published in 1968, yet most of his complaints are still timely. Alternating between the social and the solitary, Abbey's memoir is engaging, humorous, and fascinating. His wit is as arid as the desert he loves, and Kramer emulates him perfectly, using a raspy drawl and such perfect timing and tone that he has us convinced it’s Abbey himself speaking. K.O. © AudioFile 2012, Portland, Maine

Product Details

BN ID: 2940170979967
Publisher: Tantor Audio
Publication date: 12/19/2011
Edition description: Unabridged
Sales rank: 895,052

Read an Excerpt

The First Morning


This is the most beautiful place on earth. There are many such places. Every man, every woman, carries in heart and mind the image of the ideal place, the right place, the one true home, known or unknown, actual or visionary. A houseboat in Kashmir, a view down Atlantic Avenue in Brooklyn, a gray gothic farmhouse two stories high at the end of a red dog road in the Allegheny Mountains, a cabin on the shore of a blue lake in spruce and fir country, a greasy alley near the Hoboken waterfront, or even, possibly, for those of a less demanding sensibility, the world to be seen from a comfortable apartment high in the tender, velvety smog of Manhattan, Chicago, Paris, Tokyo, Rio or Rome—there's no limit to the human capacity for the homing sentiment. Theologians, sky pilots, astronauts have even felt the appeal of home calling to them from up above, in the cold black outback of intersteller space.

For myself I'll take Moab, Utah. I don't mean the town itself, of course, but the countty which surrounds it—the canyonlands. The slickrock desert. The red dust and the burnt cliffs and the lonely sky—all that which lies beyond the end of the roads.

The choice became apparent to me this morning when I stepped out of a Park Service hoυsetrailer—my caravan—to watch for the first time in my life the sun come up over the hoodoo stone of Arches National Monument.

I wasn't able to see much of it last night. After driving all day from Albuquerque—450 miles—I reached Moab after dark in cold, windy, clouded weather. At park headquarters north of town I met the superintendent and the chief ranger, the only permanent employees, except for one maintenance man, in this particular unit of America's national park system. After coffee they gave me a key to the hpusetrailer and directions on how to reach it; I am required to live and work not at headquarters but at this one-man station some twenty miles back in the interior, on my own. The way I wanted it, naturally, or I'd never have asked for the job.

Leaving the headquarters area and the lights of Moab, I drove twelve miles farther north on the highway until I came to a dirt road on the right, where a small wooden sign pointed the way: Arches National Monument Eight Miles. I left the pavement, turned east into the howling wilderness. Wind roaring out of the northwest, black clouds across the stars—all I could see were clumps of brush and scattered junipers along the roadside. Then another modest signboard:

WARNING: QUICKSAND
DO NOT CROSS WASH
WHEN WATER IS RUNNING

The wash looked perfectly dry in my headlights. I drove down, across, up the other side and on into the night. Glimpses of weird humps of pale rock on either side, like petrified elephants, dinosaurs, stone-age hob-goblins. Now and then something alive scurried across the road: kangaroo mice, a jackrabbit, an animal that looked like a cross between a raccoon and a squirrel— the ringtail cat. Farther on a pair of mule deer started from the brush and bounded obliquely through the beams of my lights, raising puffs of dust which the wind, moving faster than my pickup truck, caught and carried ahead of me out of sight into the dark. The road, narrow and rocky, twisted sharply left and right, dipped in and out of tight ravines, climbing by degrees toward a summit which I would see only in the light of the coming day.

Snow was swirling through the air when I crossed the unfenced line and passed the boundary marker of the park. A quarter-mile beyond I found the ranger station—a wide place in the road, an informational display under a lean-to shelter, and fifty yards away the little tin government housetrailer where I would be living for the next six months.

A cold night, a cold wind, the snow falling like confetti. In the lights of the truck I unlocked the housetrailer, got out bedroll and baggage and moved in. By flashlight I found the bed, unrolled my sleeping bag, pulled off my boots and crawled in and went to sleep at once. The last I knew was the shaking of the trailer in the wind and the sound, from inside, of hungry mice scampering around with the good news that their long lean lonesome winter was over—their friend and provider had finally arrived.

This morning I awake before sunrise, stick my head out of the sack, peer through a frosty window at a scene dim and vague with flowing,mists, dark fantastic shapes looming beyond. An unlikely landscape.

I get up, moving about in long underwear and socks, stooping carefully under the low ceiling and the lower doorways of the housetrailer, a machine for living built so efficiently and compactly there's hardly room for a man to breathe. An iron lung it is, with windows and Venetian blinds.

The mice are silent, watching me from their hiding places, but the wind is still blowing and outside the ground is covered with snow. Cold as a tomb, a jail, a cave; I lie down on the dusty floor, on the cold linoleum sprinkled with mouse turds, and light the pilot on the butane heater. Once this thing gets going the place warms up fast, in a dense unhealthy way, with a layer of heat under the ceiling where my head is and nothing but frigid air from the knees down. But we've got all the indispensable conveniences: gas cookstove, gas refrigerator, hot water heater, sink with running water (if the pipes aren't frozen), storage cabinets and shelves, everything within arm's reach of everything else. The gas comes from two steel bottles in a shed outside; the water comes by gravity flow from a tank buried in a hill close by Quite luxurious for the wilds. There's even a shower stall and a flush toilet with a dead rat in the bowl. Pretty soft. My poor mother raised five children without any of these luxuries and might be doing without them yet if it hadn't been for Hitler, war and general prosperity.

Time to get dressed, get out and have a look at the lay of the land, fix a breakfast. I try to pull on my boots but they're stiff as iron from the cold. I light a burner on the stove and hold the boots upside down above the flame until they are malleable enough to force my feet into. I put on a coat and step outside. In the center of the world, God's navel, Abbey's country, the red wasteland.

The sun is not yet in sight but signs of the advent are plain to see. Lavender clouds sail like a fleet of ships across the pale green dawn; each cloud, planed flat on the wind, has a base of fiery gold. Southeast, twenty miles byline of sight, stand the peaks of the Sierra La Sal, twelve to thirteen thousand feet above sea level, all covered with snow and rosy in the morning sunlight. The air is dry and clear as well as cold; the last fogbanks left over from last night's storm are scudding away like ghosts, fading into nothing before the wind and the sunrise.

The view is open and perfect in all directions except to the west where the ground rises and the skyline is only a few hundred yards away. Looking toward the mountains I can see the dark gorge of the Colorado River five or six miles away, carved through the sandstone mesa, though nothing of the river itself down inside the gorge. Southward, on the far side of the river, lies the Moab valley between thousand-foot walls of rock, with the town of Moab somewhere on the valley floor, too small to be seen from here. Beyond the Moab valley is more canyon and tableland stretching away to the Blue Mountains fifty miles south. On the north and northwest I see the Roan Cliffs and the Book Cliffs, the two-level face of the Uinta Plateau. Along the foot of those cliffs, maybe thirty miles off, invisible from where I stand, runs U.S. 6-50, a major east-west artery of commerce, traffic and rubbish, and the main line of the Denver-Rio Grande Railroad. To the east, under the spreading sunrise, are more mesas, more canyons, league on league of red cliff and arid tablelands, extending through purple haze over the bulging curve of the planet to the ranges of Colorado—a sea of desert.

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