Dialogue on Partition: Literature Knows No Borders

Dialogue on Partition: Literature Knows No Borders

by Syrrina Ahsan Ali Haque
Dialogue on Partition: Literature Knows No Borders

Dialogue on Partition: Literature Knows No Borders

by Syrrina Ahsan Ali Haque

Hardcover

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Overview

Dialogue on Partition explores dialogic possibilities in Indo-Pak English novels on partition of India in 1947 and expounds upon the potential of art and literature to offer dialogue. The book locates the inherent individualities of voices of narrators, characters and writers of these novels, as promulgators of dialogue in the face of the contentious event of partition and post-partition conflict. The book shows how the authors of these novels objectify their religious stance and present a regional affiliation attributed to a shared existence in the subcontinent, while locating and dissecting shared symbols, regional fraternity, sufi and mystic eclecticism and diversity of heteroglot and polyphonic voices in the chronotopal space and time of partition. The objective of the book is to critique the role of Indo-Pak novels in propagating dialogue, thereby proposing ways of reducing fissures implanted in the psycho-social terrain of the inhabitants of the region by offering junctures within the literary domain. Thus, the book expounds upon how these novels may be perceived as tools of integration between sects, races and nations at large. It can aid in opening borders to shared art and literature which inherently engenders response and dialogue leading to possibilities of coalition and integration.


Product Details

ISBN-13: 9781793636249
Publisher: Lexington Books
Publication date: 03/04/2021
Pages: 188
Product dimensions: 6.35(w) x 8.96(h) x 0.80(d)

About the Author

Syrrina Ahsan Ali Haque is assistant professor of English at the University of Lahore.

Table of Contents

Chapter I: Dialogization of Identities in Bapsi Sidhwa’s Ice-Candy-Man

Chapter II: The Heteroglot World in Khushwant Singh’s Train to Pakistan

Chapter III: Chronotopal Movement in Anita Desai’s Clear Light of Day

Chapter IV: The Coexistence of Polyphonic Voices in Mehr Nigar Masroor’s Shadows of Time

Chapter V: Creation of Dialogic Paradigms

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