Prince spent the latter half of the '80s courting the
pop audience, and by the time of
Graffiti Bridge, he had lost much of his
R&B fan base. As a response, he formed
the New Power Generation and recorded
Diamonds and Pearls, his first record to reconnect with the urban audience since
1999, as well as his first to acknowledge the
hip-hop revolution. Although he still has a problem with
rap --
"Jughead" is simply embarrassing -- he manages to skillfully reinvent himself as an urban soulman without sacrificing his musical innovation.
The New Power Generation is a more skilled band than
the Revolution, and they are able to make
Prince's
funk jazzier, particularly on
"Willing and Able," the breezy
"Strollin'" and
"Walk Don't Walk." It's clear that these subtly textured songs are where his heart is at, but the songs designed to win back his audience -- the slamming dancefloor rallying cry
"Gett Off," the sexy
T. Rex groove
"Cream," the extraordinary
Philly soul of the neglected masterpiece
"Money Don't Matter 2 Night," and the drippy mainstream
ballad "Diamonds and Pearls" -- are all terrific
pop singles. However, much of the rest of
Diamonds and Pearls is comprised of middling
funk and
R&B that sounds less like inspired workouts than stylistic exercises. Even with such weak moments,
Diamonds and Pearls is a fine record, even though it's only marginally better than
Lovesexy and
Graffiti Bridge. ~ Stephen Thomas Erlewine
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