Dimitry's Shade: A Reading of Alexander Pushkin's <I>Boris Godunov</I>

Dimitry's Shade: A Reading of Alexander Pushkin's Boris Godunov

by J. Douglas Clayton
Dimitry's Shade: A Reading of Alexander Pushkin's <I>Boris Godunov</I>

Dimitry's Shade: A Reading of Alexander Pushkin's Boris Godunov

by J. Douglas Clayton

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Overview

In an ambitious reinterpretation of the premier work of Russia's national poet, J. Douglas Clayton reads Boris Godunov as the expression of Alexander Pushkin's thinking about the Russian state, especially the Russian state of his own time (some two hundred years distant from the events of the play), and even his own place within that state. Here we see how the play marks a sharp break with the Decembrists and Pushkin's own youthful liberalism, signaling its author's emergence as a Russian conservative. Boris Godunov, Clayton argues, can be best understood as an ideologically conservative defense of autocracy.

Sure to shock readers even as it persuades them, Dimitry's Shade reveals, incarnated in Boris Godunov, those three elements that were to become the slogan of Nicholas's Russia in the 1830s: autocracy, orthodoxy, and nationality.

Product Details

ISBN-13: 9780810119383
Publisher: Northwestern University Press
Publication date: 07/15/2004
Series: Studies in Russian Literature and Theory
Edition description: 1
Pages: 216
Product dimensions: 6.12(w) x 9.25(h) x 0.90(d)
Age Range: 18 Years

About the Author

J. Douglas Clayton is a professor in the Department of Modern Languages and Literatures at the University of Ottawa. His other works include Wave and Stone: Essays on the Prose and Poetry of Alexander Pushkin (Slavic Research Group, 2000) and Pierrot in Petrograd: Commedia dell'arte / Balagan in Twentieth Century Russian Theatre and Drama (McGill-Queen's University Press, 1994).

Table of Contents

Chapter OneThe Genesis and Reception of Boris Godunov
Chapter TwoBoris Godunov and the Theatre
Chapter ThreePushkin, Russia, Revolution
Chapter FourBoris Godunov as Metahistory and Metapoetry
Chapter FiveThe Montage of Genres
Chapter SixHorse and Rider: The Semantics of Power
Chapter SevenThe Codes of Speaking and Seeing
Chapter EightPoet and Tsar
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