Table of Contents
List of Illustrations
Acknowledgments
Introduction
1. Disciplining Traumatic History: Goldhagen’s “Impropriety
Goldhagen’s Impropriety • Trauma and the Disciplinary Imaginary
2. The Aesthetics of Restraint: Peter Eisenman’s “Jewish” Solution to Germany’s Memorial Question
Memorial Culture before and after Reunification: Between Revisionism and Jürgen Habermas’s “Western Consensus” • “What have we done to ourselves by doing away with the Jews?”: The Memorial and Its Interlocutors • Deconstructivist Architecture between Libeskind and Eisenman: Toward a “Jewish” Antimemorial Genre?
3. “Auschwitz” after Lyotard
The Wound of Nihilism • Improper Ends • Expropriating the We • Affective Evidence • Survivor Memory and the Limits of Empathy
4. “Working through” the Holocaust? Toward a Psychoanalysis of Critical Reflection
Libidinal Reflections • Against Catharsis • Sadomasochism and the Disciplinary Imaginary
5. Unspeakable Differences, Obscene Pleasures: The Holocaust as an Object of Desire
The Discipline of Compassion between Testimony and Confession • The Holocaust as a Feminist Object of Desire
Notes
Index