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Distracted Subjects: Madness and Gender in Shakespeare and Early Modern Culture
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Distracted Subjects: Madness and Gender in Shakespeare and Early Modern Culture
264Hardcover
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Overview
Neely's final chapter provides a startling challenge to the critically alluring analogy between Bedlam and the early modern stage by documenting that Bethlem hospital offered care, not spectacle, whereas stage Bedlamites served metatheatrical and prophylactic, not mimetic, ends. An epilogue places this particular historical moment within the longer history of madness and shows how our own attitudes toward distraction are haunted by those earlier debates and representations.
Product Details
ISBN-13: | 9780801442056 |
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Publisher: | Cornell University Press |
Publication date: | 04/09/2004 |
Series: | 2/25/2005 |
Pages: | 264 |
Product dimensions: | 6.12(w) x 9.25(h) x 0.88(d) |
Age Range: | 18 Years |
About the Author
What People are Saying About This
"No one working in early modern English studies today knows more about madness and the representations of madness than Carol Thomas Neely, and no one can hold a candle to her when it comes to acute readings of the plays in which the mad or those accused of madness or possession appear. Distracted Subjects contains some of the best readings of canonical Shakespeare plays that I have read in years. This is a major book, one that will become required reading for scholars and students, both advanced and undergraduate."
Distracted Subjects makes the discourses, therapies, and dramatic representations of madness central to the interpretation of early modern subjects. Carol Thomas Neely's broad research and alert critical eye discover in conceptions of 'distraction' a subtle, complex fluidity and a humane sympathy.
"In this interesting, well-written, and readable book, Carol Thomas Neely analyzes the mobility of discourses of madness in late sixteenth- and early seventeenth-century England. Throughout the book she provides fascinating discriminations among types of madness, explaining historically the changing cultural investments in melancholia, lovesickness, madness as heroic passion, distraction, and insanity. A pleasure to read, this book makes a very important contribution to studies of Renaissance drama, to cultural studies, and to gender studies."
"Distracted Subjects makes the discourses, therapies, and dramatic representations of madness central to the interpretation of early modern subjects. Carol Thomas Neely's broad research and alert critical eye discover in conceptions of 'distraction' a subtle, complex fluidity and a humane sympathy."
"Despite two decades of historical scholarship challenging and modifying the conclusions of Michel Foucault's famous Madness and Civilization, surprisingly little of that work has focused on the English Renaissance, and there has been no adequate treatment of madness in the great literature of the era. Carol Neely's book does far more than fill in the blankest spots in our mental map: it combines the methods and sources of literary and social history to produce what is easily the best cultural history of the topic ever published. Neely's close readings of playwrights' representations of madness offer new insights into some of the greatest dramas of the age. Distracted Subjects makes a major advance in both our understanding of the history of insanity and also the theories and methodologies we use to study it. It is a book that should be read by everyone interested in the literature and culture of early modern England."