Depending on which album you get from
Graham Parker these days, he's either set on reminding us that he's still capable of serving up the sort of lean and feisty
rock & roll that made him a cult hero years ago, or demonstrating that he's matured into a pithy and very gifted singer/songwriter with the passage of time. 2007's
Don't Tell Columbus falls into the latter category (and follows his 2005 studio set
Songs of No Consequence, which happened to fit into the former scenario), and while there are several examples of his acerbic side on display (most notably
"England's Latest Clown," which concerns someone quite a bit like
Pete Doherty, and
"Stick to the Plan," a witty but poison-penned meditation on
George W. Bush's handling of Hurricane Katrina),
Parker's more gentle side dominates
Don't Tell Columbus, and it serves him well on these tunes. The title cut is a cautious celebration of his adopted home in the guise of a road story,
"The Other Side of the Reservoir" and
"Suspension Bridge" are richly detailed slice-of-life stories,
"Love of Delusion" is an intelligent but uncompromising story of a relationship gone sour, and
"Somebody Saved Me" is an equally honest story from the other side of the coin. While
Parker doesn't rock especially hard here, the arrangements are taut, concise and full-bodied even when the electric guitars fade into the backdrop, and
Parker handles the lion's share of the guitar work himself with an easy confidence, while
Mike Gent shines on drums and
Ryan Barnum adds some well-placed keyboard textures that give the tunes welcome color and balance. If
Don't Tell Columbus doesn't sound like it's markedly superior to such recent
Graham Parker efforts as
Your Country and
Songs of No Consequence, those were both strong albums and so is this, and what impresses most at this stage of
Parker's career is his consistency -- he's writing first-rate songs and putting them on record with heart, soul and conviction, and he hasn't sounded this reliably inspired since the mid-'80s. It's a fine thing he's still around. ~ Mark Deming
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