Down the River unto the Sea
Winner of the Edgar Award for Best Novel of the Year: bestselling author Walter Mosley "is back with a whole new character to love...As gorgeous a novel as anything he's ever written" (Washington Post).*

Joe King Oliver was one of the NYPD's finest investigators until he was framed for sexual assault by unknown enemies within the force. A decade has passed since his release from Rikers, and he now runs a private detective agency with the help of his teenage daughter. Physically and emotionally broken by the brutality he suffered while behind bars, King leads a solitary life, his work and his daughter the only lights. When he receives a letter from his accuser confessing that she was paid to frame him years ago, King decides to find out who wanted him gone and why.*

On a quest for the justice he was denied, King agrees to help a radical black journalist accused of killing two on-duty police officers. Their cases intertwine across the years and expose a pattern of corruption and brutality wielded against the black men, women, and children whose lives the law destroyed. All the while, two lives hang in the balance: King's client's and his own.*

"A wild ride that delivers hard-boiled satisfaction while toying with our prejudices and preconceptions."*-Steph Cha,*Los Angeles Times
1126512809
Down the River unto the Sea
Winner of the Edgar Award for Best Novel of the Year: bestselling author Walter Mosley "is back with a whole new character to love...As gorgeous a novel as anything he's ever written" (Washington Post).*

Joe King Oliver was one of the NYPD's finest investigators until he was framed for sexual assault by unknown enemies within the force. A decade has passed since his release from Rikers, and he now runs a private detective agency with the help of his teenage daughter. Physically and emotionally broken by the brutality he suffered while behind bars, King leads a solitary life, his work and his daughter the only lights. When he receives a letter from his accuser confessing that she was paid to frame him years ago, King decides to find out who wanted him gone and why.*

On a quest for the justice he was denied, King agrees to help a radical black journalist accused of killing two on-duty police officers. Their cases intertwine across the years and expose a pattern of corruption and brutality wielded against the black men, women, and children whose lives the law destroyed. All the while, two lives hang in the balance: King's client's and his own.*

"A wild ride that delivers hard-boiled satisfaction while toying with our prejudices and preconceptions."*-Steph Cha,*Los Angeles Times
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Down the River unto the Sea

Down the River unto the Sea

by Walter Mosley

Narrated by Dion Graham

Unabridged — 7 hours, 44 minutes

Down the River unto the Sea

Down the River unto the Sea

by Walter Mosley

Narrated by Dion Graham

Unabridged — 7 hours, 44 minutes

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Overview

Winner of the Edgar Award for Best Novel of the Year: bestselling author Walter Mosley "is back with a whole new character to love...As gorgeous a novel as anything he's ever written" (Washington Post).*

Joe King Oliver was one of the NYPD's finest investigators until he was framed for sexual assault by unknown enemies within the force. A decade has passed since his release from Rikers, and he now runs a private detective agency with the help of his teenage daughter. Physically and emotionally broken by the brutality he suffered while behind bars, King leads a solitary life, his work and his daughter the only lights. When he receives a letter from his accuser confessing that she was paid to frame him years ago, King decides to find out who wanted him gone and why.*

On a quest for the justice he was denied, King agrees to help a radical black journalist accused of killing two on-duty police officers. Their cases intertwine across the years and expose a pattern of corruption and brutality wielded against the black men, women, and children whose lives the law destroyed. All the while, two lives hang in the balance: King's client's and his own.*

"A wild ride that delivers hard-boiled satisfaction while toying with our prejudices and preconceptions."*-Steph Cha,*Los Angeles Times

Editorial Reviews

From the Publisher

"Walter Mosley is back with a whole new character to love. . . . As gorgeous a novel as anything he's ever written. And with Joe King Oliver I'm betting, and hoping, he's given us a character we haven't see the last of."—Richard Lipez, Washington Post

"Gritty . . . The plot soars . . . Few mystery writers can examine issues of race—how it divides and binds people—as clearly and unflinchingly as Walter Mosley."—Oline Cogdill, Associated Press

"Great stuff . . . The vibrant characters and pulsating dialogue are primo Mosley."—Marilyn Stasio, New York Times Book Review

"A wild ride that delivers hard-boiled satisfaction while toying with our prejudices and preconceptions . . . The darker and uglier the story gets, the more Joe King Oliver comes alive. . . . The journey is fun and joyful. . . . A fitting work for a world riddled with dark contradiction."—Steph Cha, Los Angeles Times

"Remarkable . . . Walter Mosley's latest novel [is] all the more relevant in Black Lives Matter era."—Lloyd Sachs, Chicago Tribune

"Down the River Unto the Sea is a well-constructed crime novel, urgent in its plotting and carefully observed in the behaviors and the voices of its supporting cast. Mosley makes it all look simple, creating in Joe King Oliver another fascinatingly flawed detective brimming with potential."—Michael Berry, San Francisco Chronicle

"This is one of those books that leaves you a little breathless—not only while you're reading, but once the back cover's closed, too. For anyone who loves hard-bitten PI thrillers, reading Down the River unto the Sea couldn't be more right."—Teri Schlichenmeyer, Miami Times

"Juicy"—NPR

"Rekindles some of the remarkable energy that drove the early Rawlins novels. . . . Mosley writes with great power here about themes that have permeated his work: institutional racism, political corruption, and the ways that both of these issues affect not only society at large but also the inner lives of individual men and women. And he has created a new hero in Joe Oliver with the depth and vulnerability to sustain what readers will hope becomes a new series. . . . It's the perfect moment for Mosley to unveil an exciting new hero and a series set in the present and confronting the issues that drive today's headlines."—Booklist (starred review)

"[An] excellent standalone . . . The novel's dedication—to Malcolm, Medgar, and Martin—underlines the difference that one man can make in the fight for justice."—Publishers Weekly (starred review)

"A heady stew of racial politics and seedy characters that Mosley's fans are sure to eat up."—AARP

"It's Mosley's signature style—rough-hewn, rhythmic, and lyrical—that makes you ready and eager for whatever he's serving up. . . . Let the good times roll."—Kirkus Reviews

"Mosley's poetic descriptions of not only New York City but his character's deepest souls elevate the story to beauty. Although the characters, large and small, are all compelling, in the end it is King's story to tell, as he struggles to decide how much he's willing to risk to get the truth."—Strand Magazine

"Mosley's newest standalone has the markings of a classic hard-boiled New York novel... It's also a poignant page-turner whose larger themes—corruption, institutional racism, and the horrors of solitary confinement—speak to some of today's most pressing issues."—Charles Perry, LitHub

"[An] engaging standalone . . . Mosley fans will welcome another imaginative page-turning from a mystery grand master."—Library Journal

FEBRUARY 2018 - AudioFile

Think rich, dark, smooth red wine—each sip revealing different tones. That is Dion Graham’s voice performing Mosley’s P.I., Joe King Oliver. His voice projects the violence, fear, and frustration that Oliver, an honest cop, experienced 10 years ago, when he was thrown in jail on fabricated charges. Now as a P.I., he’s given the opportunity to get to the truth behind that setup and to help free a black man accused of killing two corrupt police officers. For assistance, Oliver turns to a criminal he busted years ago, Melquarth Frost. Graham is skilled at delivering female voices. The dialogue between people of different races, levels of education, and types of work flows flawlessly, making for highly engaging listening. E.Q. Winner of AudioFile Earphones Award © AudioFile 2018, Portland, Maine

Kirkus Reviews

2017-10-31
Mosley (Charcoal Joe, 2016, etc.) begins what looks to be a new series with a protagonist whose territory covers New York City's outer boroughs—and, yes, that means Staten Island, too.Joe King Oliver was an ace investigator with the NYPD until his roving eye helped him get framed for sexual assault. "Trouble ambushed me with my pants down and my nose open," as he explains to an acquaintance. He is kicked off the force and thrown into Riker's Island, where he faces the kind of demeaning and vicious attacks a jailed cop would expect from inmates until a stretch in solitary confinement and an abrupt release save his life. Eleven years later, King (as some of his friends call him) is making a living as a private eye based on Brooklyn's Montague Street when his mundane existence is jolted by two events: a letter from a woman admitting she was coerced into setting him up years before and a case involving a radical black activist who's been sentenced to death for killing two corrupt, abusive officers. King sees serendipity in the convergence of these two cases, believing that if he could exonerate the activist, it'd be a way of finally exorcising his rueful memories. His dual inquiries carry him from glittering Wall Street offices to seedy alleyways all over the city, and he encounters double-dealing lawyers, shady cops, drug addicts, hired killers, and prostitutes along the way. The only people King can count on are his loyal and precocious 17-year-old daughter, Aja-Denise, and an equally loyal but tightly wound career criminal named Melquarth "Mel" Frost, whose capacity for violence will remind Mosley devotees of Mouse, the homicidal thug who either helps or hinders Easy Rawlins in the author's first and best-known series. Indeed, so many aspects of this novel are reminiscent of other Mosley books that it tempts one to wonder whether he's stretching his resources a little thin. But ultimately it's Mosley's signature style—rough-hewn, rhythmic, and lyrical—that makes you ready and eager for whatever he's serving up.It's getting to be a bigger blues band on Mosley's stage, with Joe King Oliver now sitting in with Easy Rawlins and Leonid McGill. But as long as it sounds sweet and smoky, let the good times roll.

Product Details

BN ID: 2940173458360
Publisher: Hachette Audio
Publication date: 02/20/2018
Series: King Oliver Series , #1
Edition description: Unabridged
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