This, like so many
Enigma releases, was literally a dream project, and carries a lot of energy and love with it, in the music and the performance. Recorded in London in 1968, when
Buckley was just beginning to be really successful and had yet to move out of his folk-oriented phase. The band he's working with here is simple --
Buckley's voice and fairly simple guitar;
Lee Underwood providing subtle, almost jazz-like electric accompaniment;
Pentangle's
Danny Thompson sitting in on bass (with a minimum of rehearsal); and vibraphone player
David Friedman. There's an assortment of songs from the three albums
Buckley had released up to then, plus a couple that would turn up on later albums, and six songs that he never released in any form. This album, however, was released for the first time in 1989, and what you get is the complete concert -- no cuts, no edits, no rearranging. It's a spectacular piece of work, too. It's difficult to believe that the tape was made in 1968 -- there's almost no noise, the music seems perfectly recorded, and the ambience is breathtaking.
Buckley's voice is right up front, hovering over the acoustic guitar, clear as a bell. It's a tribute to CD mastering wizard
Bill Inglot, who co-produced the release, that it has such a gorgeous, broad sound. The instruments are carefully separated, clean, and glitch free; if there are tape dropouts here, one can't hear them. Musically, it's a spirited affair.
Buckley is a beautiful singer, and had a broad selection of excellent, often breathtaking, songs. Even when the songs are a bit of a mish-mash, as happens with the unfortunately over-energetic
"Who Do You Love" (one of the unreleased songs), you're caught by the vocal pyrotechnics he displays -- he can be seductive, and he can be a shouter, and he's always very, very good. Other than this, there's very little to say about
Dream Letter. If you're at all interested in
Buckley, or in various hybrids of folk music, then this album is a must. If you just want to hear one of hell of a good CD, check it out. ~ Steven McDonald
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