Duke Ellington's Music for the Theatre

Duke Ellington's son Mercer has said that his father was frustrated in only one area of musical ambition: his desire to do his own Broadway show. Though Ellington wrote many theatrical pieces, he was never able to achieve success as a composer for the stage, and today his stage shows receive little attention from music historians. Nevertheless, these works occupied a significant place in Ellington's creative imagination, and many of the ideas he employed in their composition found their way into his other work.

Here is the first book to acknowledge Duke Ellington's contribution to the stage. It offers a survey of every theater piece Ellington is known to have worked on during his lifetime, beginning with the 1925 revue The Chocolate Kiddies and ending with the unfinished "street opera" Queenie Pie. This large body of work includes full-length musicals, African American revues, ballets, and incidental music. The plot of each work is described and the score analyzed according to its dramatic function in the piece. Musical phrases are reproduced in the text, and associations with other well-known Ellington compositions are noted. An appendix provides a chronological listing of Ellington's shows with song titles conveniently listed under each.

"1004337178"
Duke Ellington's Music for the Theatre

Duke Ellington's son Mercer has said that his father was frustrated in only one area of musical ambition: his desire to do his own Broadway show. Though Ellington wrote many theatrical pieces, he was never able to achieve success as a composer for the stage, and today his stage shows receive little attention from music historians. Nevertheless, these works occupied a significant place in Ellington's creative imagination, and many of the ideas he employed in their composition found their way into his other work.

Here is the first book to acknowledge Duke Ellington's contribution to the stage. It offers a survey of every theater piece Ellington is known to have worked on during his lifetime, beginning with the 1925 revue The Chocolate Kiddies and ending with the unfinished "street opera" Queenie Pie. This large body of work includes full-length musicals, African American revues, ballets, and incidental music. The plot of each work is described and the score analyzed according to its dramatic function in the piece. Musical phrases are reproduced in the text, and associations with other well-known Ellington compositions are noted. An appendix provides a chronological listing of Ellington's shows with song titles conveniently listed under each.

39.95 In Stock
Duke Ellington's Music for the Theatre

Duke Ellington's Music for the Theatre

by John Franceschina
Duke Ellington's Music for the Theatre

Duke Ellington's Music for the Theatre

by John Franceschina

Paperback

$39.95 
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Overview

Duke Ellington's son Mercer has said that his father was frustrated in only one area of musical ambition: his desire to do his own Broadway show. Though Ellington wrote many theatrical pieces, he was never able to achieve success as a composer for the stage, and today his stage shows receive little attention from music historians. Nevertheless, these works occupied a significant place in Ellington's creative imagination, and many of the ideas he employed in their composition found their way into his other work.

Here is the first book to acknowledge Duke Ellington's contribution to the stage. It offers a survey of every theater piece Ellington is known to have worked on during his lifetime, beginning with the 1925 revue The Chocolate Kiddies and ending with the unfinished "street opera" Queenie Pie. This large body of work includes full-length musicals, African American revues, ballets, and incidental music. The plot of each work is described and the score analyzed according to its dramatic function in the piece. Musical phrases are reproduced in the text, and associations with other well-known Ellington compositions are noted. An appendix provides a chronological listing of Ellington's shows with song titles conveniently listed under each.


Product Details

ISBN-13: 9780786408566
Publisher: McFarland & Company, Incorporated Publishers
Publication date: 03/29/2001
Pages: 256
Product dimensions: 6.00(w) x 9.00(h) x 0.51(d)
Age Range: 18 Years

About the Author

John Franceschina is a retired distinguished professor of theatre arts at Pennsylvania State University. He lives in Sarasota, Florida.

Table of Contents

Table of Contents

Acknowledgments     
Introduction: Dramatis Felidae     

1. Jungle Music     
2. The Sun-Tanned Revu-sical     
3. “I’m Afraid I’ll Live”     
4. “Here's a Strange Mess”     
5. “Night Time”     
6. “What Color Is Virtue?”     
7. “Skillipoop”     
8. Fallen Angel     
9. Water Music     
10. Gilbert and Sullivan on Hallucinogens     
11. “Play On!”     

Appendix: Duke Ellington’s Compositions for the Stage, 1925-1999     
Notes     
Bibliography     
Index     
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