Many holiday books focus on the traditions and stories of one particular religion—or ignore faith altogether. Shulevitz opts for a more evenhanded approach that seems just right for a city as proudly diverse—but far from secular—as New York. On one side street, the boy and grandfather look up at an apartment building where three windows show equally festive displays of a menorah, a Kwanzaa candelabrum and a Christmas tree, all ablaze with lights. Three little faces peek out, excited by their own observances. Though his text leaves much unsaid, Shulevitz's art suggests that in their reverence for light, these holy days have much in common and go well together, each doing its part to brighten the New York night.
The New York Times - Sarah Harrison Smith
It’s easy to fall prey to melancholy when darkness begins to fall, especially in winter when “Days are short. Nights are long.” In this quirky, cozy companion to the Caldecott Honor–winning Snow, a “boy with dog,” out for a walk with his “grandfather with beard,” comes to realize that a city (especially if it’s New York City) can come alive in magical ways at dusk. The sidewalks and streets fill with people (and one extraterrestrial) headed home or out for a night’s adventure. As manmade illumination gradually replaces “nature’s lights,” the whole world glows and sparkles, while lights belonging to Christmas trees, menorahs, and kinaras promise wonderful celebrations—and presents. “It’s as light as day,” marvels the boy. Shulevitz reprises the stripped-down, staccato storytelling of Snow, and his highly stylized cityscape—with its snug streets, toylike cars, and confidently striding (and eccentrically dressed) population—is both familiar and wonderfully strange. It’s delightful to see such an outgoing and sociable offering from Shulevitz, as he exuberantly embraces the bright joys of a winter night. Ages 3–8. (Sept.)
[a] quirky, cozy companion to the Caldecott Honor–winning Snow....It's delightful to see such an outgoing and sociable offering from Shulevitz, as he exuberantly embraces the bright joys of a winter night.” —Publishers Weekly, starred review
“*Shulevitz elegantly captures the magical quality of twilight as well as the gleaming allure of the bright lights of the big city.” —Kirkus Reviews, starred review
“The brightly colored lights of the various festivals show that, though dusk may be the end of day, it may also be the beginning of a magical, memorable night.” —School Library Journal
“This is an experience rather than a plot.” —BCCB
“Luminous.” —The Horn Book
09/01/2013
★ 2013-09-01Dawn (1974) almost 40 years ago, with a similar odyssey by a grandfather and grandson in a country setting. This time, the "[b]oy with dog and grandfather with beard" head for the city, a fantastical location with tall, narrow buildings that have an Art Deco look and cars and clothing that suggest the 1930s. The boy and his grandfather meet several odd characters from different time periods and places; they speak in rhyming text about their shopping quests. As daylight fades, the lights of the city come on, including streetlights, lighted store windows and brightly lit Christmas decorations. The glowing windows of apartments display candles for Christmas, Hanukkah and Kwanzaa, shown equally in three adjoining windows, and children celebrating the three holidays parade through the town. The pacing speeds up and the amount of artificial light gradually increases until the luminous final page, on which the boy exclaims, "It's as light as day." With the comic-relief exception of the rhyming shoppers, the text is spare and polished, strung together in measured prose like a string of bright holiday lights. Shulevitz elegantly captures the magical quality of twilight as well as the gleaming allure of the bright lights of the big city. (Picture book. 4-8)
