The Class [Blu-ray]

Director: Laurent Cantet Laurent Cantet

Overview

Fran?ois is a tough but fair teacher working in one of France's toughest schools, and his honest demeanor in the classroom has made him a great success with the students. But this year things are different, because when the students begin to challenge his methods Fran?ois will find his classroom ethics put to the ultimate test. Fran?ois B?gaudeau stars in director Laurent Cantet's entry into the 2008 Cannes Film Festival.

Product Details

Release Date:	08/11/2009
UPC:	0043396300385
Original Release:	2008
Rating:	PG-13
Source:	SONY PICTURES HOME ENTERTAINMT
Language:	English
Time:	2:10:00
Sales rank:	38,492

Special Features

Making-of Featurette; Commentary on Select Scenes Exclusive to Blu-ray; Actors' Workshop; Actors' Self-Portraits

Cast & Crew

Performance Credits

François Bégaudeau	François Marin
Wei Huang	Wei,Qifei
Agame Malembo-Emene	Actor
Angélica Sancio	Actor
Juliette Demaille	Juliette
Arthur Fogel	Arthur
Boubacar Toure	Boubacar
Carl Nanor	Carl
Burak Özyilmaz	Burak
Dalla Doucoure	Dalla
Damien Gomes	Damien
Esmeralda Ouertani	Esmeralda
Eva Paradiso	Eva
Henriette Kasaruhanda	Henriette
Justine Wu	Justine
Rachel Regulier	Khoumba
Laura Baquela	Laura
Louise Grinberg	Louise
Lucie Landrevie	Lucie
Nassim Amrabt	Nassim
Rabah Nait Oufella	Rabah
Samantha Soupirot	Samantha
Franck Keïta	Souleymane
Anne Wallimann-Charpentier	Les Profs - Anne
Cécile Lagarde	Les Profs - Cécile
Frédéric Faujas	Les Profs - Fred
Vincent Robert	Les Profs - Hervé
Olivier Dupeyron	Les Profs - Olivier
Patrick Dueruil	Les Profs - Patrick
Dorothée Guilbot	Les Profs - Rachel
Anne Langlois	Les Profs - Sophie
Vincent Gaire	Les Profs - Vincent
Yvette Mournetas	Les Profs - Yvette
Julie Athenol	La CPE
Jean-Michel Simonet	Le principal
Olivier Pasquier	L'intendant
Esmerelda Ouertani	Sandra
Stéphane Longour	Les surveillants
Abdoul Drahamane Sissoko	Les surveillants
Cherif Bounaidja Rachedi	Cherif
Daila Doucouré	Actor
Rabah Naït Oufella	Actor
Burak Ozyilmaz	Actor
Angelica Sancho	Actor
Francois Begaudeau	Actor
Vincent Caire	Actor
Patrick Dureuil	Actor

Technical Credits

Laurent Cantet

François Bégaudeau

Robin Campillo

Francois Begaudeau

Laurent Cantet	Director,Screenwriter
François Bégaudeau	Screenwriter
Robin Campillo	Screenwriter
Caroline Benjo	Producer
Carole Scotta	Producer
Barbara Letellier	Producer
Simon Arnal	Producer
Olivier Mauvezin	Sound/Sound Designer,Sound Effects
Agnès Ravez	Sound Editor,Sound/Sound Designer
Antoine Baudouin	Sound Effects
Edouard d'Heucqueville	Sound Effects
Jean-Pierre Laforce	Sound Effects,Sound/Sound Designer
Antoine Mercier	Sound Effects
Francois Begaudeau	Screenwriter
Simon Amal	Producer

Editorial Reviews

Teaching is tough all over, and being a good educator means not only taking as much away from the classroom experience as you put into it, but also accepting the towering responsibility of holding sway over impressionable minds. So goes the story in The Class, a film about the efforts made by a bright young French teacher to reach his uninterested students, as well as an honest examination of how people interact in an environment where everyone is expected to get along. Inspired by writer/star
eal-life teacher François Bégaudeau's memoir of the same name, The Class permits us a tantalizing look into a typical French classroom. François Marin (Bégaudeau playing a fictionalized version of himself) isn't content to simply teach French, he wants to challenge his students to think as well. But while Marin's intentions may be noble, his students are rebellious and decidedly strong-headed. Most have little interest in the subject at hand, though by assigning them projects in which they must master the language while learning about themselves in the process, Marin works hard to keep them learning. Some students, like Chinese immigrant Wei (Wey Huang), are up to the challenge, while others like the tempestuous Souleymane (Franck Keita) and outspoken sports fan Nassim (Nassim Amrabt) seem more interested in shaking things up than bettering themselves. When Souleymane erupts during a heated exchange between the teacher and his students, the school board schedules a meeting to determine if he should be expelled. Marin's account of the incident will play a pivotal role in determining whether Souleymane stays or goes, but when it comes to light that the teacher himself made some questionable comments in front of his students that day, his fellow board members begin to suspect that he may have inadvertently escalated the situation. When a concerned student reveals that Souleymane's father will send the boy back to Mali if he's expelled, Marin realizes that his actions may have greater consequences than he intended. The Class may feel more like a documentary than a straightforward narrative feature, but therein lies its effectiveness in revealing the many challenges faced by contemporary educators -- or at least the ones who give a damn. Every caring teacher strives to give his or her students something useful to take away from the classroom, but few are able to accomplish the monumental task of convincing them to listen long enough to actually let those lessons sink in. Being a teacher just might be the most thankless job out there, but it's also one of the most important. Marin realizes this, and it obviously matters to him. With naturalistic grace, Bégaudeau's screenplay makes use feel like we're sitting in the classroom observing rather than sitting in a darkened theater -- and it matches perfectly with director Laurent Cantet's handheld shooting style. The students look like average kids as opposed to aspiring actors dressed by a professional costume designer, and their dialogue sounds as if it was actually spoken by 13-year-olds rather than penned by a fortysomething screenwriter seeking to create a conflict scenario instead of allowing the natural tensions of the classroom to drive the story. In a Hollywood film, the troubled student would come back to the school after being expelled and hold the classroom hostage at gunpoint until the teacher found some miraculous means of breaking through to him just as the police were about to storm the building. But Bégaudeau is less concerned with contrived drama than in providing us with the opportunity to actually listen to what these kids are saying. The dilapidated public education system appears constantly poised on the verge of collapse, and there's no denying that the students can sense this. So do they just play along with the game until the inevitable happens, or do they rise to the challenge in an attempt to take control of their futures? In raising these questions, The Class may hit too close to home to be considered "entertainment" for many. But for those of us who remain curious about the current state of public education and are willing to listen to what these students have to say, hearing their thoughts is as engaging as it is educational.

The Class is a prime document of French postcolonial blues, though its relevance to American urban education could not be any greater if it had been made in the Bronx or Trenton or South Los Angeles.” –David Denby, The New Yorker


“François Bégaudeau's award-winning [The Class ] . . . trains the reader to look anew at the republican school and study the republican legacy with fresh eyes.” –Yale Review

From the Publisher