Early American Cinema in Transition: Story, Style, and Filmmaking, 1907-1913

by Charlie Keil

Overview

The period 1907-1913 marks a crucial transitional moment in American cinema. As moving picture shows changed from mere novelty to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. In Early American Cinema in Transition, Charlie Keil looks at a broad cross-section of fiction films to examine the formal changes in cinema of this period and the ways that filmmakers developed narrative techniques to suit the fifteen-minute, one-reel format.
Keil outlines the kinds of narratives that proved most suitable for a single reel's duration, the particular demands that time and space exerted on this early form of film narration, and the ways filmmakers employed the unique features of a primarily visual medium to craft stories that would appeal to an audience numbering in the millions. He underscores his analysis with a detailed look at six films: The Boy Detective; The Forgotten Watch; Rose O'Salem-Town; Cupid's Monkey Wrench; Belle Boyd, A Confederate Spy; and Suspense.

Product Details

ISBN-13:	9780299173647
Publisher:	University of Wisconsin Press
Publication date:	12/03/2001
Series:	Wisconsin Studies in Film
Pages:	320
Product dimensions:	6.00(w) x 9.00(h) x 0.70(d)

Table of Contents

	Tables	ix
	Acknowledgments	xi
1	Introduction	3
2	"Boom Time in the Moving-Picture Business": Industrial Structure, Production Practices, and the Trade Press	20
3	"A Story Vital and Unified in Its Action": The Demands of Narrative	45
4	"An Immeasurably Greater Freedom": Time and Space in Transitional Cinema	83
5	"The Modern Technique of the Art": The Style of Transitional Cinema	125
6	Analyzing Transition: Six Sample Films	175
7	Conclusion	205
Appendix A	Notes on Method	217
Appendix B	Shot-by-Shot Analyses for Chapter 6	220
	Notes	236
	Filmography: Viewed Titles, 1907-1913	270
	Works Cited	287
	Film Index	296
	General Index	301

Editorial Reviews

Keil (cinema studies & history, Univ. of Toronto) examines early American silent cinema in terms of narrative, showing how narrative film techniques evolved in terms of length, complexity, and popularity with the changing of the medium. Taking a scholarly approach and basing his work on films in the archives of the Museum of Modern Art in New York and the London film archives, among others, Keil offers a shot-by-shot analysis of six sample one-reel films from 1907 to 1913, focusing on the film company (e.g., Biograph or Vitagraph) rather than on an auteur. One weakness of the book is the initial citation of the sample films by title, company, and date, which fails to provide a quick frame of reference for director or cast. Nevertheless, the book presents a good alternative to the usual D.W. Griffith perspective. For collections in film history and analysis. Barbara Kundanis, Batavia P.L., IL Copyright 2001 Cahners Business Information.

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