Ecstasy

by Irvine Welsh

Overview

From the celebrated author of the bestselling cult classic Trainspotting, a new work of fiction that triumphantly puts the E back in Eros.

With three delightful tales of love and its ups and downs, the ever-surprising Irvine Welsh virtually invents a new genre of fiction: the chemical romance .

In "Lorraine Goes to Livingston," a bestselling authoress of Regency romances, paralyzed and bedridden, plans her revenge on gambling, whoring husband with the aid of her nurse Lorraine. In "Fortune's Always Hiding," flawed beauty Samantha Worthington enlists a smitten young soccer thug to find the man who marketed the drug that crippled her from birth—in order to give his a taste of his own disastrous medicine. In the upbeat final tale "The Undefeated," we experience the transfiguring passion of the miserably married young yuppie Heather and the raver Lloyd from Leith—a grand affair played out to a house music beat.

As these fools for love pursue it in all the wrong places, Ecstasy is guaranteed to set pulses racing and hearts aflutter.

Product Details

ISBN-13:	9780393352412
Publisher:	Norton, W. W. & Company, Inc.
Publication date:	04/13/2015
Sold by:	Barnes & Noble
Format:	eBook
Pages:	288
File size:	537 KB

About the Author

Irvine Welsh is the best-selling author of Trainspotting, Ecstasy, Glue, Porno, Filth, Marabou Stork Nightmares, The Acid House, Skagboys, and, most recently, Dead Men's Trousers.

Editorial Reviews

The ecstasy involved in rave-writer Welsh's three novellas at first may seem exclusively the chemical kind ("e," "ecky," "MDMA") downed at Dionysian dance parties by alienated post-Thatcher youth and nearly every character here. But Welsh's latest misfits are also looking (however incoherently) for a higher ecstasy too: in a half-articulated credo, one eckied-out character thinks: "you had to party harder than ever.... It was your duty to show that you were still alive. Political sloganeering and posturing meant nothing; you had to celebrate the joy of life." Meantime, though, they are hooked on other drugs, petty crime, pub brawls, casual/kinky sex and bodice-buster novels. "Lorraine Goes to Livingston: A Rave and Regency Romance," the weakest of the three novellas, mixes Will Self-style grotesque social satire with an increasingly sick parody of trashy paperbacks. Welsh's own version of true love goes even farther over the top in "Fortune's Always Hiding" as a sociopathic Cockney criminal falls for a woman deformed by a thalidomide-like drug and they take gruesome revenge on its corporate manufacturers. The last and best, "The Undefeated," presents modern love in Edinburgh as a "chemical romance" between the party-addict Lloyd, whose acidified life consists only of weekend house bashes, and straight-peg Heather, who trades her bougie existence for e. Ecstasy exports Welsh's pitch-perfect slang, black humor and surreal imagination in an exhilarating, mutable style like the written equivalent of techno music, cutting right through to his characters' lives. (Sept.)

Publishers Weekly - Publisher's Weekly

"Reading Irvine Welsh is like watching Tarantino—exciting, urgent, thrilling, repulsive."

The Spectator

"Effortlessly readable prose, which uniquely captures the mood of contemporary England."

Spike Magazine - Chris Mitchell

"It is Irvine Welsh’s infectious Scottish humor, balancing wry observation with a cavalier canniness, which keeps the reader turning the pages . . . unforgettably original."

The Literary Review

"[O]ne of the most significant writers in Britain. He writes with style, imagination, wit, and force, and in a voice which those alienated by much current fiction clearly want to hear."

Times Literary Supplement

"Welsh's world is piky, trashy, and brutal. It is also brilliant, hilarious, and infused with a kind of punkish morality...outrageously funny."

Sunday Express

"Welsh writes with a skill, wit and compassion that amounts to genius. He is the best thing that has happened to British writing in decades."

Sunday Times [London]

Welsh’s world is spiky, trashy and brutal. It is also brilliant, hilarious and infused with a kind of punkish morality.”
—Sunday Express

From the Publisher