Egyptian Cinema and the 2011 Revolution: Film Production and Representing Dissent
Egypt's film industry is the largest in the Middle East, with an output that spreads across the region and the world. In the run-up to and throughout the 2011 Revolution, a complex relationship formed between the industry and the people's uprising. Both a form of political expression and a documentation of historical events, 'revolutionary' film techniques have contributed to the cultural memory of 2011. At the same time, these films and their makers have been the target of increasing state control and intervention.

Ahmed Ghazal, drawing upon his own background in film-making, looks at the way in which Egyptian film has shaped, and been shaped by, the events leading up to and beyond Egypt's 2011 revolution. Drawing on interviews with protagonists in the industry, analysis of films, and archival research, he analyses the critical issues affecting the political economy of the industry. He also explores the technological developments of independent productions and the cinematic themes of dictatorship, poverty, corruption and police brutality that have accompanied the people's calls for freedom - and the counterrevolution that has tried to suppress them.
1137467287
Egyptian Cinema and the 2011 Revolution: Film Production and Representing Dissent
Egypt's film industry is the largest in the Middle East, with an output that spreads across the region and the world. In the run-up to and throughout the 2011 Revolution, a complex relationship formed between the industry and the people's uprising. Both a form of political expression and a documentation of historical events, 'revolutionary' film techniques have contributed to the cultural memory of 2011. At the same time, these films and their makers have been the target of increasing state control and intervention.

Ahmed Ghazal, drawing upon his own background in film-making, looks at the way in which Egyptian film has shaped, and been shaped by, the events leading up to and beyond Egypt's 2011 revolution. Drawing on interviews with protagonists in the industry, analysis of films, and archival research, he analyses the critical issues affecting the political economy of the industry. He also explores the technological developments of independent productions and the cinematic themes of dictatorship, poverty, corruption and police brutality that have accompanied the people's calls for freedom - and the counterrevolution that has tried to suppress them.
40.95 In Stock
Egyptian Cinema and the 2011 Revolution: Film Production and Representing Dissent

Egyptian Cinema and the 2011 Revolution: Film Production and Representing Dissent

by Ahmed Ghazal
Egyptian Cinema and the 2011 Revolution: Film Production and Representing Dissent

Egyptian Cinema and the 2011 Revolution: Film Production and Representing Dissent

by Ahmed Ghazal

Paperback

$40.95 
  • SHIP THIS ITEM
    Qualifies for Free Shipping
  • PICK UP IN STORE

    Your local store may have stock of this item.

Related collections and offers


Overview

Egypt's film industry is the largest in the Middle East, with an output that spreads across the region and the world. In the run-up to and throughout the 2011 Revolution, a complex relationship formed between the industry and the people's uprising. Both a form of political expression and a documentation of historical events, 'revolutionary' film techniques have contributed to the cultural memory of 2011. At the same time, these films and their makers have been the target of increasing state control and intervention.

Ahmed Ghazal, drawing upon his own background in film-making, looks at the way in which Egyptian film has shaped, and been shaped by, the events leading up to and beyond Egypt's 2011 revolution. Drawing on interviews with protagonists in the industry, analysis of films, and archival research, he analyses the critical issues affecting the political economy of the industry. He also explores the technological developments of independent productions and the cinematic themes of dictatorship, poverty, corruption and police brutality that have accompanied the people's calls for freedom - and the counterrevolution that has tried to suppress them.

Product Details

ISBN-13: 9780755635429
Publisher: Bloomsbury Academic
Publication date: 05/19/2022
Pages: 208
Product dimensions: 6.14(w) x 9.21(h) x 0.43(d)

About the Author

Ahmed Ghazal was awarded a PhD in Media and Communication Studies from the University of Auckland, New Zealand, in 2018. He has an extensive filmography, including having directed Bey'oulo (2011), winner of the Tropfest Arabia Short Film Festival.

Table of Contents

1. Introduction
2. International Cinema and Revolutions
3. Historicising Egyptian Cinema
4. The Crisis of the Egyptian Film Industry
5. Representing the National Crisis: Films Before the Revolution
6. Constructing Cultural Memory: Fiction and Documentary Films
7. Technology and Revolution: The Continuity of 'Independent' Films
8. Conclusion
9. Bibliography
10. Index

From the B&N Reads Blog

Customer Reviews