Embodied Economies: Diaspora and Transcultural Capital in Latinx Caribbean Fiction and Theater
How do upwardly mobile Latinx Caribbean migrants leverage their cultural heritage to buy into the American Dream? In the neoliberal economy of the United States, the discourse of white nationalism compels upwardly mobile immigrants to trade in their ties to ethnic and linguistic communities to assimilate to the dominant culture. For Latinx Caribbean immigrants, exiles, and refugees this means abandoning Spanish, rejecting forms of communal inter-dependence, and adopting white, middle-class forms of embodiment to mitigate any ethnic and racial identity markers that might hinder their upwardly mobile trajectories. This transactional process of acquiring and trading in various kinds of material and embodied practices across traditions is a phenomenon author Israel Reyes terms “transcultural capital,” and it is this process he explores in the contemporary fiction and theater of the Latinx Caribbean diaspora.

In chapters that compare works by Lin-Manuel Miranda, Nilo Cruz, Edwin Sánchez, Ángel Lozada, Rita Indiana Hernández, Dolores Prida, and Mayra Santos Febres, Reyes examines the contradictions of transcultural capital, its potential to establish networks of support in Latinx enclaves, and the risks it poses for reproducing the inequities of power and privilege that have always been at the heart of the American Dream. Embodied Economies shares new perspectives through its comparison of works written in both English and Spanish, and the literary voices that emerge from the US and the Hispanic Caribbean.
1140498491
Embodied Economies: Diaspora and Transcultural Capital in Latinx Caribbean Fiction and Theater
How do upwardly mobile Latinx Caribbean migrants leverage their cultural heritage to buy into the American Dream? In the neoliberal economy of the United States, the discourse of white nationalism compels upwardly mobile immigrants to trade in their ties to ethnic and linguistic communities to assimilate to the dominant culture. For Latinx Caribbean immigrants, exiles, and refugees this means abandoning Spanish, rejecting forms of communal inter-dependence, and adopting white, middle-class forms of embodiment to mitigate any ethnic and racial identity markers that might hinder their upwardly mobile trajectories. This transactional process of acquiring and trading in various kinds of material and embodied practices across traditions is a phenomenon author Israel Reyes terms “transcultural capital,” and it is this process he explores in the contemporary fiction and theater of the Latinx Caribbean diaspora.

In chapters that compare works by Lin-Manuel Miranda, Nilo Cruz, Edwin Sánchez, Ángel Lozada, Rita Indiana Hernández, Dolores Prida, and Mayra Santos Febres, Reyes examines the contradictions of transcultural capital, its potential to establish networks of support in Latinx enclaves, and the risks it poses for reproducing the inequities of power and privilege that have always been at the heart of the American Dream. Embodied Economies shares new perspectives through its comparison of works written in both English and Spanish, and the literary voices that emerge from the US and the Hispanic Caribbean.
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Embodied Economies: Diaspora and Transcultural Capital in Latinx Caribbean Fiction and Theater

Embodied Economies: Diaspora and Transcultural Capital in Latinx Caribbean Fiction and Theater

by Israel Reyes
Embodied Economies: Diaspora and Transcultural Capital in Latinx Caribbean Fiction and Theater

Embodied Economies: Diaspora and Transcultural Capital in Latinx Caribbean Fiction and Theater

by Israel Reyes

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Overview

How do upwardly mobile Latinx Caribbean migrants leverage their cultural heritage to buy into the American Dream? In the neoliberal economy of the United States, the discourse of white nationalism compels upwardly mobile immigrants to trade in their ties to ethnic and linguistic communities to assimilate to the dominant culture. For Latinx Caribbean immigrants, exiles, and refugees this means abandoning Spanish, rejecting forms of communal inter-dependence, and adopting white, middle-class forms of embodiment to mitigate any ethnic and racial identity markers that might hinder their upwardly mobile trajectories. This transactional process of acquiring and trading in various kinds of material and embodied practices across traditions is a phenomenon author Israel Reyes terms “transcultural capital,” and it is this process he explores in the contemporary fiction and theater of the Latinx Caribbean diaspora.

In chapters that compare works by Lin-Manuel Miranda, Nilo Cruz, Edwin Sánchez, Ángel Lozada, Rita Indiana Hernández, Dolores Prida, and Mayra Santos Febres, Reyes examines the contradictions of transcultural capital, its potential to establish networks of support in Latinx enclaves, and the risks it poses for reproducing the inequities of power and privilege that have always been at the heart of the American Dream. Embodied Economies shares new perspectives through its comparison of works written in both English and Spanish, and the literary voices that emerge from the US and the Hispanic Caribbean.

Product Details

ISBN-13: 9781978827851
Publisher: Rutgers University Press
Publication date: 05/13/2022
Series: Latinidad: Transnational Cultures in the United States
Pages: 252
Product dimensions: 6.12(w) x 9.25(h) x 0.70(d)
Age Range: 18 Years

About the Author

ISRAEL REYES is a professor of Spanish and Portuguese at Dartmouth College in Hanover, New Hampshire. He is the author of Humor and the Eccentric Text in Puerto Rican Literature.

Table of Contents

Note on Translations and Terminology ix

Introduction 1

1 A Future for Cuban Nostalgia in Plays Nilo Cruz Eduardo Machado 19

2 Decolonizing Queer Camp in Novels Edwin Sánchez Angel Lpzada 50

3 Zero-Sum Games in Fiction Junot Díaz Rita Indiana Hernández 86

4 The Gentrification of Our Dreams in Lin-Manuel Miranda's Musical Theater 131

5 Race, Sex, and Enterprising Spirits in Works Dolores Prida Mayra Santos Febres 155

Conclusion 186

Acknowledgments 191

Notes 193

Bibliography 215

Index 229

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