Engaging Music: Essays in Music Analysis / Edition 1

by Deborah Stein

Overview

The first collection of its kind, Engaging Music: Essays in Music Analysis includes twenty-two selections by highly esteemed contemporary music theorists, sixteen of which were written especially for this volume. Featuring work by such luminaries as Charles Burkhart, Edward T. Cone, Allen Forte, David B. Lewin, and Carl Schachter, the book is an ideal text for undergraduate and graduate courses in form and analysis. It also serves as an invaluable reference for music teachers, students, and musicians.
Opening with an introduction to writing analytical essays, Engaging Music then presents introductory readings that describe analytical approaches to rhythm, meter, and phrase; pitch (twelve-tone music); form in jazz and rock music; and musical ambiguity. The following essays offer exemplary models of analysis that cover a wide range of composers, from the Baroque (Purcell and Bach) and the Classical (Beethoven, Haydn, and Mozart) to the 19th-century (Brahms, Chopin, Schubert, Schumann, and Wagner) and the early 20th-century (Bartók, Schoenberg and Webern). The selections explore a diversity of genres—from opera to music for computer-generated tape—and a variety of analytical approaches, from Schenkerian to feminist. The volume also includes analyses of popular music (from jazz to a Sarah MacLachlan song) and of a relatively recent work by Barbara Kolb. A comprehensive glossary defines terms and concepts that may be unfamiliar to students, and a selected bibliography suggests other appropriate readings. Reflecting the broad spectrum of current interests and perspectives in the field, Engaging Music provides a unique window into the multifaceted world of music theory and analysis.

Product Details

ISBN-13:	9780195170108
Publisher:	Oxford University Press
Publication date:	11/04/2004
Edition description:	New Edition
Pages:	368
Product dimensions:	6.54(w) x 9.54(h) x 0.85(d)

About the Author

New England Conservatory of Music

Table of Contents

PrefaceIntroduction to Writing Analytical Essays, William MarvinPart I. Introduction to Analytical Topics and Techniques, Rhythm, Meter, and Phrase1. The Phrase Rhythm (and willful slurs) of Chopin's A-flat Mazurka, Op. 59, No. 2, Charles Burkhart2. Hypermeter and Hypermetric Irregularity in the Songs of Josephine Lang, Harald Krebs, Pitch3. Schenker's Conception of Musical Structure, Allen Forte4. "Learn to Draw Bob Hope!" Mort Drucker, Arnold Schoenberg, and Twelve-Tone Music, Andrew Mead, Form5. Analyzing the Unity within Contrast: Chic Corea's "Starlight", Ramon Satyendra6. Form in Rock Music: A Primer, John Covach, Musical Ambiguity7. Introduction to Musical Ambiguity, Deborah Stein8. Attacking a Brahms Puzzle, Edward T. ConePart II. Model Essays: Text and Music9. Figaro's Mistakes, David B. Lewin10. Motive and Text in Four Schubert Songs, Carl Schachter11. Isolde's Transfiguration in Words and Music, Patrick McCreless12. Meaning in a Popular Song: The Representation of Masochistic Desire in Sarah McLachlan's "Ice", Lori Burns13. In Search of Purcell's Dido, Janet SchmalfeldtPart III. Model Essays: Instrumental, Performance and Analysis14. The Presto from Bach's G-Minor Sonata for Violin Solo: Style, Rhythm, and Form in a Baroque Moto Perpetuo, Joel Lester15. Dramatic Progression in Haydn, Sonata No. 46 in A-flat, Adagio, Marion A. Gluck, Form16. Formal and Expressive Intensification in Shostakovich's String Quartet No. 8, Second Movement, Roger Graybill17. Playing with Forms: Mozart's Rondo in D Major, K. 485, William Rothstein, Pitch18. Two Post-tonal Analyses, Webern, "Wie bin ich froh!" from Three Songs, Op. 25; Schoenberg, "Nacht," from Pierrot Lunaire, Op. 21, Joseph N. Straus19. "This music crept by me upon the waters": Introverted Motives in Beethoven's "Tempest" Sonata, Richard Cohn20. Rounding Up the Usual Suspects?: The Enigmatic Narrative of Chopin's C-sharp Minor Prelude, Charles J. Smith, Texture21. Texture and Timbre in Barbara Kolb's Millefoglie for Chamber Orchestra and Computer-Generated Tape, Judith LochheadScoresGlossarySelected BibliographyIndex