Table of Contents
1. The Break with Renascence Tradition: New French Influences i) Neo-Classicism ii) More Liberal Doctrines 2. The Transitional Stage: Davenant, Hobbes, Cowley, Sprat and Dryden i) Poetry ii) Prose Style iii) Drama 3. New French Influences: Rymer, Mulgrave, Temple, Wotton, Phillips, Wolseley and Collier i) Influence of Rapin and Boileau ii) Reaction to Perrault and Fontenelle iii) Interest in Early Native Literature iv) Contemporary Problems 4. ‘The Father of English Criticism’ Dryden i) Nature and Art of Poetry ii) Forms of Poetry: Epic iii) Critical Standards and Judgments 5. Neo-Classicism Challenged: Dennis, Addison, Pope, Swift, Welsted and Blackwell 6. The Widening Outlook: Lowth, Young, Gray, the Wartons, Hurd i) Influence of ‘Longinus’ ii) Antiquarian Interests 7. Shakespeare Criticism: Rowe, Pope, Theobald, Johnson, Kames, Mrs. Montagu and Morgann i) Work of Editors ii) Shakespeare Studies 8. The Great Cham of Literature: Johnson i) Critical Standards and Methods ii) Literary Theory 9. Critical Cross-Currents: Fielding, Sheridan, Cowper, Shaftesbury, Hume, Burke, Kames, Reynolds and Beattie i) Littérateurs ii) Philosophers iii) Art Critics iv)Minor Contributors 10. Conclusion
