Evidence (Alex Delaware Series #24)

by Jonathan Kellerman

Overview

BONUS: This edition contains an excerpt from Jonathan Kellerman's Victims.

In a half-built mansion in Los Angeles, a watchman stumbles onto the bodies of a young couple—murdered and left in a gruesome postmortem embrace. Veteran homicide cop Milo Sturgis is shocked at the sight: a twisted crime that only Milo and psychologist Alex Delaware can hope to solve. While the female victim’s identity remains in question, her companion is ID’d as eco-friendly architect Desmond Backer, notorious for his power to seduce women. The deeper Milo and Alex dig for clues, the longer the list of suspects grows. But when the investigation veers suddenly in a startling direction, it’s the investigators who may wind up on the wrong end of a cornered predator’s final fury.

Product Details

ISBN-13:	9780345518149
Publisher:	Random House Publishing Group
Publication date:	10/06/2009
Series:	Alex Delaware Series
Sold by:	Random House
Format:	eBook
Pages:	368
Sales rank:	21,651
File size:	3 MB

About the Author

Jonathan Kellerman is the #1 New York Times bestselling author of more than three dozen bestselling crime novels, including the Alex Delaware series, The Butcher’s Theater, Billy Straight, The Conspiracy Club, Twisted, and True Detectives. With his wife, bestselling novelist Faye Kellerman, he co-authored Double Homicide and Capital Crimes. With his son, bestselling novelist Jesse Kellerman, he co-authored the first book of a new series, The Golem of Hollywood. He is also the author of two children’s books and numerous nonfiction works, including Savage Spawn: Reflections on Violent Children and With Strings Attached: The Art and Beauty of Vintage Guitars. He has won the Goldwyn, Edgar, and Anthony awards and has been nominated for a Shamus Award. Jonathan and Faye Kellerman live in California, New Mexico, and New York.

Hometown:

Beverly Hills, California

Date of Birth:

August 9, 1949

Place of Birth:

New York, New York

Education:

B.A. in psychology, University of California-Los Angeles; Ph.D., University of Southern California, 1974

Website:

http://www.jonathankellerman.com/

Read an Excerpt

Chapter One



I tell the truth. They lie.
I'm strong. They're weak.
I'm good.
They're bad.


This was a zero job but Doyle was getting paid.

Why anyone would shell out fifteen bucks an hour, three hours a day, five times a week, to check out the empty shell of a rich-idiot monster-house was something he'd never get.

The look-see took fifteen minutes. If he walked slow. Rest of the time, Doyle sat around, ate his lunch, listened to Cheap Trick on his Walkman.

Thinking about being a real cop if his knee hadn't screwed up.

The company said go there, he went.

Disability all run out, he swallowed part-time, no benefits. Paying to launder his own uniform.

One time he heard a couple of the other guys talking behind his back.

Gimp's lucky to get anything.

Like it was his fault. His blood level had been .05, which wasn't even close to illegal. That tree had jumped out of nowhere.

Gimp made Doyle go all hot in the face and the chest but he kept his mouth shut like he always did. One day . . .

He parked the Taurus on the patch of dirt just outside the chainlink, tucked his shirt tighter.

Seven a.m., quiet except for the stupid crows squawking.

Rich-idiot neighborhood but the sky was a crappy milky gray just like in Burbank where Doyle's apartment was.

Nothing moving on Borodi Lane. As usual. The few times Doyle saw anyone it was maids and gardeners. Rich idiots paying to live here but never living here, one monster-mansion after another, blocked by big trees and high gates. No sidewalks, either. What was that all about?

Every once in a while, some tucked-tight blonde in Rodeo Drive sweats would come jogging down the middle of the road looking miserable. Never before ten, that type slept late, had breakfast in bed, massages, whatever. Laying around in satin sheets, getting waited on by maids and butlers before building up the energy to shake those skinny butts and long legs.

Bouncing along in the middle of the road, some Rolls-Royce comes speeding down and kaboom. Wouldn't that be something?

Doyle collected his camouflage-patterned lunch box from the trunk, made his way toward the three-story plywood shell. The third being that idiot castle thing-the turret. Unfinished skeleton of a house that would've been as big as a . . . as a . . . Disneyland castle.

Fantasyland. Doyle had done some pacing, figured twenty thousand square feet, minimum. Two-acre lot, maybe two and a half.

Framed up and skinned with plywood, for some reason, he could never find out why, everything stopped and now the heap was all gray, warping, striped with rusty nail-drips.

Crappy gray sky leaking in through rotting rafters. On hot days, Doyle tucked himself into a corner for shade.

Out behind in the bulldozed brown dirt was an old Andy Gump accidentally left behind, chemicals still in the john. The door didn't close good and sometimes Doyle found coyote scat inside, sometimes mouse droppings.

When he felt like it, he just whizzed into the dirt.

Someone paying all that money to build Fantasyland, then just stopping. Go figure.

He'd brought a good lunch today, roast beef sandwich from Arby's, too bad there was nothing to heat the gravy with. Opening the box, he sniffed. Not bad. He moved toward the chain-link swing gate . . . what the-

Stupid thing was pulled as wide as the chain allowed, which was about two, two and a half feet. Easy for anyone but a fat idiot to squeeze through.

The chain had always been too long to really draw the gate tight, making the lock useless, but Doyle was careful to twist it up, make it look secure when he left each day.

Some idiot had monkeyed with it.

He'd told the company about the chain, got ignored. What was the point of hiring a professional when you didn't listen to his advice?

Sidling through the gap, he rearranged the chain nice and tight. Leaving his lunch box atop raw-concrete steps, he began his routine. Standing in the middle of the first floor, saying, "Hel-lo," and listening to his voice echo. He'd done that first day on the job, liked the echo, kinda like honking in a tunnel. Now it was a habit.

Didn't take long to see everything was okay on the first floor. Space was huge, big as a . . . as a . . . some rooms framed up but mostly pretty open so you had clear views everywhere. Like peeking through the skeleton bones of some dinosaur. In the middle of what would've been the entry hall was a humongous, swooping, double staircase. Just plywood, no railings, Doyle had to be careful, all he needed was a fall, screw up some other body part.

Here we go, pain with every step. Stairs creaked like a mother but felt structurally okay. You could just could imagine what it would be like with marble on it. Like a . . . big castle staircase.

Nineteen steps, each one killed.

The second floor was just as empty as the first, big surprise. Stopping to rub his knee and take in the western treetop view, he continued toward the rear, stopped again, kneaded some more but it didn't do much good. Continuing to the back, he reached the smaller staircase, thirteen steps but real curvy, a killer, tucked behind a narrow wall, you had to know where to find it.

Whoever had paid for all this was some rich idiot who didn't appreciate what he had. If Doyle had a hundredth-a two-hundredth of something like this, he'd thank God every day.

He'd asked the company who the owner was. They said, "Don't pry."

Climbing the curvy staircase, every step crunching his knee,

the pain riding up to his hip, he began counting out the thirteen stairs like he always did, trying to take his mind off the burning in his leg.

When he called out "Nine," he saw it.

Oh Jesus.

Heart thumping, mouth suddenly dry as tissue paper, he backed down two steps, reached along the right side of his gear belt.

Touching air.

Now he was the idiot, there'd been no gun for a long time, not since he stopped guarding jewelry stores downtown.

Company gave him a flashlight, period, and it was in the trunk of the Taurus.

He forced himself to look.

Two of them.

No one else, one good thing about the turret, it was round, mostly open to the sky, nowhere to hide.

Doyle kept looking, felt his guts heave.

The way they were lying, him on top of her, her legs up, one hooked around his back, it was pretty clear what they'd been doing.

Before . . .

Doyle felt short of breath, like someone was choking him. Struggling to regain his air, he finally succeeded. Reached for his phone.

Right in his pocket. At least something was going okay.

Editorial Reviews

The double murder could not have been more grisly; a young couple slaughtered in the midst of sex and posed grotesquely. From the first, psychologist Alex Delaware and LAPD detective Milo Sturgis are convinced that they are confronting a twisted madman incapable of resting on his grisly laurels. Before long, however, they begin to suspect that there might be more than one madman lurking in the wings…. Jonathan Kellerman's Evidence builds suspense like a Hitchcock thriller.

L.A. police lieutenant Milo Sturgis investigates a double homicide at the site of an unfinished, obscenely large mansion in bestseller Kellerman's nerve-tingling 24th Alex Delaware novel (after Bones). Construction halted on the house two years earlier, and ownership can be traced only to a defunct holding company in Washington, D.C. The male victim is easily identified—Desmond Backer, who worked for an odd little architectural firm—but the female victim's identity isn't immediately apparent. Alex serves as a sounding board while Milo pursues assorted rumors and false leads: the site owners are Arabs, Asians, Muslims; the killings were vengeance; the victims were eco-terrorists; the deaths are linked to the disappearance of a Swedish or Swiss woman years before. Without magic, just steady, inspired police work, including horse-trading with the FBI and skillful interrogations, Milo uncovers the unsavory truth. (Oct.)

Publishers Weekly

Jonathan Kellerman’s novels are an obsession; once started it is hard to quit.”—Orlando Sentinel
 
“Kellerman really knows how to keep those pages turning.”—New York Times Book Review
 
“Kellerman doesn’t just write psychological thrillers—he owns the genre.”—Detroit Free Press

From the Publisher

Some of Jonathan Kellerman fans will welcome his latest book; others may be disappointed. But neither of the two groups will be disappointed by John Rubinstein's narration. Kellerman’s usual protagonist, deep-thinking detective Alex Delaware, stays in the background here, and his buddy Milo Sturgis ultimately solves the murder of a couple who seem to have been involved in a romantic tryst. There are plenty of suspects as Milo—and sometimes Delaware—wade through the case. Rubinstein's performance is sensational as Milo battles the FBI, and he's especially credible as an Arabian prince. There's only one way to tell whether you're going to enjoy this one—examine the evidence yourself. A.L.H. © AudioFile 2010, Portland, Maine

FEBRUARY 2010 - AudioFile