Table of Contents
Contents
Introduction: Experiencing Liveness in Contemporary Performance
Matthew Reason and Anja Mølle Lindelof
Part 1: Audiencing
Section Introduction: Matthew Reason and Anja Mølle Lindelof
Chapters
- Coming (a)live: A Prolegomenon to any Future Research on ‘Liveness’
Martin Barker
- Orange Dogs and Memory Responses: Creativity in Spectating and Remembering
Katja Hilevaara
- Fandom, Liveness and Technology at Tori Amos Music Concerts: Examining the Movement of Meaning within Social Media Use
Lucy Bennett
- Social and Online Experiences: Shaping Live Listening Expectation in Classical Music
Stephanie E. Pitts
- The Meaning of Lived Experience
Paddy Scannell
- Affect and Experience
Matthew Reason
Shorts
- Live Art, Death Threats: The Theatrical Antagonism of First Night
Alexis Soloski
- Attention as a Tension: Affective Experience between Performer and Audience in the Live Encounter
Victoria Gray
- Empathy and Resonant Relationships in Performance Art
Lynn Lu
- Embodied Traces: Co-presence, Kinaesthesia and Bodily Inscription
Imogene Newland
- An Experience of Becoming: Wearing a Tail and Alpine Walking
Catherine Bagnall
- Sisters Academy: Radical Live Intervention into the Educational System
Gry Worre Halberg
- One-to-One Performance: Who’s in Charge?
Sarah Hogarth and Emma Bramley
- A Performatic Archive
Kerrie Reading
- Theatre of Bone
Rebecca Schneider
Part 2: Materialising
Section Introduction: Matthew Reason and Anja Mølle Lindelof
Chapters
- What is a Live Event?
Gary Peters
- Improvising Music Experience: The Eternal Ex-temporisation of Music Made Live
Steve Tromans
- The Place of Performance: A Critical Historiography on the Topos of Time
Jonah Westerman
- Objectifying Liveness: Labour, Agency and the Body in the 11 Rooms Exhibition
Lisa Newman
- Reconsidering Liveness in the Age of Digital Implication
Eirini Nedelkopoulou
- Environmental Performance: Framing Time
Anja Mølle Lindelof, Ulrik Schmidt and Connie Svabo
Shorts
- Three Performances: A Virtual (Musical) Improvisation
Mathias Maschat and Christopher Williams
- Chronography
Craig Dworkin
- Memory, Time and Self: A Text Work based on a Conceptual Performance
Paul Forte
- Broken Magic: The Liveness of Loudspeakers
Dugal McKinnon
- Managing Live Audience Attention in the Age of Digital Mediation: The Good, The God and The Guillotine:
Martin Blain
- Enlivened Serendipity
Allen S. Weiss
- National Theatre Wales’s Coriolan/us: A ‘Live Film’
Mike Pearson
- Machines in Queer Gardens: Performance as Mixed Surreality
Judd Morrissey and Mark Jeffery
Afterword
So Close and Yet So Far Away: The Proxemics of Liveness
Philip Auslander
List of Contributors
Index