Experiment and Experience: Women's Writing in France 2000-2010

by Gill Rye (Editor), Amaleena Damlé (Editor)

Overview

Experiment and Experience is a collection of critical essays on twenty-first-century women-authored literature in France. In particular, the volume focuses on how contemporary women’s writing engages creatively with socio-political issues and real-life experiences. Authors covered include well-established names, the ‘new generation’ of writers who first came to the fore of the French literary scene in the 1990s and whose work has now matured into an important œuvre, as well as new emerging writers of the 2000s, whose work is already attracting scholarly and critical attention. Within the overarching theme of ‘experiment and experience’, the contributors explore a range of issues: identities, family relations, violence, borders and limits, and the environment. They consider fiction, autobiography, writing for the theatre, autofiction and other hybrid genres and forms. Their analyses highlight difficult issues, refreshing perspectives and exciting new themes at the start of the new millennium and moving forward into the coming decades.

Product Details

ISBN-13:	9783034308854
Publisher:	Peter Lang AG, Internationaler Verlag der Wissenschaften
Publication date:	07/29/2013
Series:	Studies in Contemporary Women's Writing , #1
Pages:	246
Product dimensions:	5.91(w) x 8.86(h) x 0.02(d)

About the Author

Gill Rye is Professor Emerita and Associate Fellow at the Institute of Germanic & Romance Studies, University of London, where she is Director of the Centre for the Study of Contemporary Women’s Writing and editor of the series Studies in Contemporary Women’s Writing.
Amaleena Damlé is Research Fellow in French at Girton College, Cambridge. She is a specialist in modern literature and thought and has written various articles, book chapters and a forthcoming monograph in the field of contemporary women’s writing.

Table of Contents

Contents: Amaleena Damlé: The Mutant Metamorphic Subject: Femininity and Embodiment in Virginie Despentes’s King Kong théorie – Jeri English: Writing the Self, Writing the Other: New Reflections of Beauvoir in Camille Laurens’s Dans ces bras-là – Ania Wroblewski: Rewriting the Feminine: Sophie Calle and Annie Ernaux Experience and Exploit the Absolute Crime – Siobhán McIlvanney: Fighting for Independence: Leïla Marouane’s La Jeune Fille et la mère and Maïssa Bey’s Cette fille-là – Julie Rodgers: Rewriting the Mother-Daughter Plot: Fête des mères by Florence Emptaz – Jean Anderson: No Second Chances? Grandmothering and Storytelling in the Work of Dominique Mainard – Gill Rye: Marginal Identities and New Kinship Paradigms: Surrogate Motherhood in Contemporary Women’s Writing in France – Alexandra Kurmann: Foreclosed Fatherhood: A Decade of Psychoanalytical Experimentation in Linda Lê’s Fiction – Margaret E. Gray: The Cook, Her Narrative, Its Recipes and the Textual Body in Calixthe Beyala’s Comment cuisiner son mari à l’africaine – Lucile Desblache: Women and Apes in Twenty-First-Century French Writing: New Narratives of Experience – Mary Noonan: Un corps vivant de symbôles: Noëlle Renaude’s Staging of the Writing Self – Marie-Claire Barnet: Off Limits: Trans-Border Land and Language in Marie Darrieussecq.