Eyes Glowing at the Edge of the Woods: Fiction and Poetry from West Virginia

by Laura Long (Editor), Doug Van Gundy (Editor)

Overview

The sixty-three fiction writers and poets within this anthology delve deep into the many senses of place that modern West Virginia, the core of Appalachia, inspires.
Throughout this collection, we see profound wonder, questioning, and conflicts involving family, sexual identity, class, discrimination, environmental beauty, and peril, and all the sorts of rebellion, error, contemplation, and contentment that an intrepid soul can devise. These stories and poems, all published within the last fifteen years, are grounded in what it means to live in and identify with a complex place.
With a mix of established writers like Jayne Anne Phillips, Norman Jordan, Ann Pancake, Maggie Anderson, and Denise Giardina and fresh voices like Matthew Neill Null, Ida Stewart, Rajia Hassib, and Scott McClanahan, this collection breaks open new visions of all-American landscapes of the heart. By turns rowdy and contemplative, hilarious and bleak, and lyrical and gritty, it is a collage of extraordinary literary visions.
 

Product Details

ISBN-13:	9781943665549
Publisher:	West Virginia University Press
Publication date:	03/01/2017
Edition description:	1st Edition
Pages:	336
Product dimensions:	5.90(w) x 8.90(h) x 0.80(d)

About the Author

Laura Long is the author of the novel Out of Peel Tree and two poetry collections. She teaches at Lynchburg College in Virginia.
Doug Van Gundy’s poems, essays, and reviews have appeared in the Oxford American, Ecotone, Appalachian Heritage, Poetry Salzburg Review, and elsewhere. He is the author of the poetry collection A Life Above Water, and he teaches writing at West Virginia Wesleyan College.
 

Editorial Reviews

"Editors Long and Van Gundy bring together fiction and poetry to show a region as diverse as the people who make it up. . . .A collage of a region that is greater than the sum of its parts."
Kirkus Reviews

"Beautiful and important."
Silas House, author of Clay’s Quilt, The Coal Tattoo, and Eli the Good

 

“This book is a literary treasure for West Virginia and the rest of the Appalachian region. It is a rumination on what it means to be of a mountain place in this day and time. In vivid, fresh language West Virginians explore place, identity, family, and so much more. A rich and important addition to mountain letters, I think this book will be regarded for a long time.”
Crystal Wilkinson, author of The Birds of Opulence, Water Street, and Blackberries, Blackberries

 

“Never sentimental or clichéd, this essential collection captures the complexity and richness of West Virginia today. Revealing a deep, sometimes uneasy connection to home, these stories and poems carry us into the coalfields and hollers, cities, and small towns across West Virginia, and take surprising turns along the way to illuminate its beauty, darkness, violence, and grace.”
Carter Sickels, author of The Evening Hour


“Representing the rich diversity of West Virginians, these writers offer historical, contemporary, and timeless reflections of life and death in the great mountain state through poignant, at times haunting, poetry and prose.”
Theresa L. Burriss is the Chair of Appalachian Studies at Radford University in Radford, Virginia 
 

From the Publisher

2016-12-18
Sixty-three contemporary writers from West Virginia provide a sense of place through its people.Editors Long (Out of Peel Tree, 2014) and Van Gundy (A Life Above Water, 2007) bring together fiction and poetry to show a region as diverse as the people who make it up. The characters in these pages struggle to understand and to be understood. There is the Hindu grandfather in Rahul Mehta's "Quarantine." He is a stubborn man who insists on tradition and frustrates his grandson, but—like his grandson—he does not feel like home is where he belongs. In Jonathan Corcoran's "Through the Still Hours," a now-loveless gay couple celebrates their fourth anniversary with a crowd of straight friends. It's a sad, lonely affair for the protagonist. "This means a lot to them," his partner stresses. "We're the only gay couple they know." Voices of children and the elderly feature prominently. The child of Scott McClanahan's "Picking Blackberries" is rendered in beautiful, realistic detail, from the hat he longs for and then resents to the Velcro tennis shoes that he believes give him special speed. An excerpt from Jayne Anne Phillips' novel Lark and Termite is particularly memorable. A young girl takes care of her nonverbal half brother, a boy nicknamed Termite. It is clear she will be his caretaker all her life. She can see him as others do, but she knows him much more deeply. "I think he's in himself like a termite's in a wall," she says. Similarly, in Jessie van Eerden's "Edna," the pain of the eponymous elderly protagonist is only one part of her dynamic character. Nostalgia is a frequent theme in many of the poems and stories, including those of Ron Houchin, Cheryl Denise, and Kent Shaw. The natural world plays a role too, as in Matthew Neill Null's "Natural Resources," which traces the patterns of the bear population and the human causes for it. Even characters with jobs more commonly associated with Appalachia are seen with a depth that makes them new. Maiden Estep, the miner in Sheryl Monks' "Robbing Pillars," suffers a loss that is almost magical in its abruptness. Not every piece in this thick volume is noteworthy, but those that are shine, and the cumulative effect is powerful. A collage of a region that is greater than the sum of its parts.

Kirkus Reviews