Working through a generational mix of writers, from Sarah Kane, the iconoclastic "bad girl" of the stage, to the "canonical" Caryl Churchill, Elaine Aston charts the significant political and aesthetic changes in women's playwriting at the end of the twentieth century. Aston also explores "new" writing for the 1990s in theater by Sarah Daniels, Bryony Lavery, Phyllis Nagy, Winsome Pinnock, Rebecca Prichard, Judy Upton and Timberlake Wertenbaker.
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Feminist Views on the English Stage: Women Playwrights, 1990-2000
Working through a generational mix of writers, from Sarah Kane, the iconoclastic "bad girl" of the stage, to the "canonical" Caryl Churchill, Elaine Aston charts the significant political and aesthetic changes in women's playwriting at the end of the twentieth century. Aston also explores "new" writing for the 1990s in theater by Sarah Daniels, Bryony Lavery, Phyllis Nagy, Winsome Pinnock, Rebecca Prichard, Judy Upton and Timberlake Wertenbaker.
41.99
In Stock
5
1
Feminist Views on the English Stage: Women Playwrights, 1990-2000
250Feminist Views on the English Stage: Women Playwrights, 1990-2000
250
41.99
In Stock
Product Details
ISBN-13: | 9780521804677 |
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Publisher: | Cambridge University Press |
Publication date: | 06/24/2010 |
Series: | Cambridge Studies in Modern Theatre |
Pages: | 250 |
Product dimensions: | 6.00(w) x 8.90(h) x 0.70(d) |
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