Wendy Gimbel
… in Finding Mañana, Mirta Ojito's impressive evocation of growing up in Havana in the 1970's, there is no place for nostalgia. In trenchant, muscular prose suitable for describing Cuba's increasingly grim realities, Ms. Ojito, a reporter for The New York Times, writes about her coming-of-age and her family's rescue in the Mariel boatlift of 1980 … Ms. Ojito triggers the memory of a papaya on a hot day in the Cuban countryside: bright color, sweet pulp, bitter seeds.
— The New York Times
Publishers Weekly
Twenty-five years ago, between April and September 1980, 125,000 Cuban refugees arrived in Florida. Dubbed Marielitos for the port from which they departed and viewed by the press as the refuse of Castro's prisons and mental institutions, these people found a less warm welcome than earlier Cuban groups had. Pulitzer-winning journalist Ojito, then 16, and her family were among them. Her book is both a history of the exodus (which became known as the Mariel boatlift) and a restoration of the reputations of the thousands who "quietly slipped into the fabric of the city that had reluctantly welcomed them." Journalistic sketches of significant figures (the powerful Miami banker who negotiated the 1979 liberation of Cuban political prisoners; the used-car salesman and Bay of Pigs veteran who helped organize the flotilla; the captain of the boat the Ojito family sailed on; etc.) alternate with personal episodes, yet, strangely, the book lacks color. The action is dramatic, but the detail is deadening. For example, Ojito manages to make reading about her adolescent miseries-which can certainly be affecting-tedious and laden with boring rather than illuminating tidbits. And in telling of the duplicities of life under a repressive regime and the anxieties of escape and exile, she isn't able to weed out the important from the trivial. Agent, Heather Schroder. (On sale Apr. 11) Copyright 2005 Reed Business Information.
Library Journal
In May 1980, at aged 16, Ojito and her family-mother Mirta, father Orestes, and sister Mabel-found themselves among the thousands of other Cuban refugees, tired, half starved, and hopeful, trying to cross the Florida Strait and reach Miami in what became known as the Mariel boatlift. Here she pieces together the events-both personal and political-that brought her family and so many others like it out of a Cuba whose government they could no longer tolerate. In alternating chapters, we see Ojito in Cuba-where she is ridiculed by a zealous teacher for believing in God and passed over for a scholarship because of her parents' lack of revolutionary fervor-and meet the colorful cast of characters, from Cuban exiles to a Vietnam vet, who set the emigration in motion and carry it through. Although occasionally the narrative jumps can be disorienting, journalist Ojito (a Pulitzer Prize winner for her contribution to the New York Times series "How Race Is Lived in America") manages to weave the disparate threads of the story into a cohesive whole. What results is a rich, but nuanced picture of life in Cuba under Castro and the intimately personal nature of politics. Recommended for public libraries and academic libraries supporting journalism or cultural studies programs.-Tania Barnes, Library Journal Copyright 2005 Reed Business Information.
School Library Journal
Adult/High School-For her first 16 years, Ojito was torn between loyalty to the Cuban Revolution and the desire of her parents to leave the country. At school, she learned to be a good Revolutionary child. Extensive dossiers were kept on each student and family; ideological zeal was essential when one's future was controlled by the state. In the neighborhood, block captains tried to force attendance at political assemblies. The girl's parents simply wanted the state to stop interfering in their personal lives. They worked hard to obtain illegal "extras"-including adequate food. In 1980, despite Ojito's ambivalence, the family left in the Mariel boat lift, a five-month exodus during which more than 125,000 Cubans arrived in Florida on small, overcrowded craft. The book alternates between the author's memoir and the stories of others whose actions influenced the boat lift, among them a Cuban American negotiating secretly for the release of Cuban political prisoners and the captain of the Manana, which carried the Ojitos to Florida. The author gives a thoroughly researched account of events before, during, and after they left. Sometimes the narrative bogs down with unnecessary details. The strongest parts, with the most appeal for teens, are about growing up in Cuba, the warmth of family and friends, and the sudden departure and difficult trip into exile. Ojito's voice is honest throughout. She is critical of both governments and initially unimpressed by American culture. Above all, she advocates for the "Marielitos," scorned as criminal scum by Castro and white Floridians alike.-Sandy Freund, Richard Byrd Library, Fairfax County, VA Copyright 2005 Reed Business Information.
Kirkus Reviews
A thorough and exciting account of the events leading to the daring, massive exodus of more than 125,000 people from Cuba's Mariel harbor in 1980. Cuban-American journalist Ojito's mission here is not only to tell her own family's story-they were finally allowed to join relatives in South Florida after waiting 15 years-but to probe a question: How could Fidel Castro allow the hemorrhaging of the Cuban population? Ojito's parents were apolitical and thus undesirable in the communist country, where they were frequently targeted for ridicule and exiles were called gusanos (worms) for abandoning the revolution. Yet by the late 1970s, during the presidency of Jimmy Carter, a thaw began to develop between Cuba and the US, which had imposed an economic embargo on the nation for two decades but now hoped to negotiate for the release of native and American prisoners from Cuba's prisons. Castro trusted Carter's record on human rights and needed to boost a sagging Cuban economy by courting the exiles in America. A successful Cuban living in Panama, Bernardo Benes, was chosen to mediate the detente, which orchestrated return visits by Cuban-Americans (now called mariposas, butterflies) to spend dollars in Cuba. In the spring of 1980, an unemployed bus driver named Hector Sanyustiz made embarrassingly public the desperation of ordinary citizens seeking a way out of the country when he rammed a bus through the Peruvian embassy in Cuba and 10,000 asylum seekers flooded in. Amid complicated diplomatic wrangling, a plan was devised to bring expatriates in southern Florida on chartered boats to Mariel harbor, from which they would transport thousands of undesirable relatives out of the country. Ojito, areporter for the New York Times tells a suspenseful story, moving back from May 7, 1980, when police arrived at her family's Havana doorstep asking if they were willing to "abandon" their country, through the years preceding their triumphant arrival on American soil. A skillful melding of individual personalities with the grand currents of history.
From the Publisher
It’s impossible not to admire the boldness, the candor, the moral toughness of Ms. Ojito’s writing. In this wonderful memoir, she ransoms herself from the seductions of nostalgia, and reclaims instead the beleaguered Cuba of her childhood—a Cuba that is all the more interesting for not being looked at through the prism of longing and desire.”—The New York Times
“In Finding Mañana, Mirta Ojito goes a long way in righting the Mariel story and bestowing some belated dignity on this ragged stepchild of exile history.”—The Los Angeles Times
"Ms. Ojito's book is filled with the anguish of separation and the tragedy of living under a merciless regime. But it also celebrates familial bonds and undying love—not to mention freedom itself, a gift too often taken for granted by those of us who have never had to live without it.”—The Wall Street Journal
“The insight Ojito brings to bear, coupled with the crispness if her prose…make this memoir required reading for anyone interested in the history of post-Batista Cuba or Cuban-American relations.”—The Washington Post
“New York Times reporter Mirta Ojito melds the personal with the political in a moving account of her family's departure from Cuba. She also provides a solid historical context for those five months in 1980 when 125,000 Cubans arrived in Florida, a mass exodus that came to be known as the Mariel boat lift.”—People
“Ojito’s historical reconstruction is fascinating... (She) has created a poignant and poetic memoir of an important moment in Cuban and US history.”—The Washington Times
“…this is much more than one Cuban exile’s bittersweet tale; it’s the memoir of an entire era.” —Times-Picayune
“Ojito's book…is unlike most entries in the genre of the modern memoir. More than a novelistic exercise in creative recollection, it’s a skillful blend of reportage and family history about a pivotal international event.”—Sun-Sentinel
“Like many Cuban exiles, Ojito says she left part of her soul in Cuba. The good news is the rest of it came over with her intact. Plenty of it went into this book.”—St. Petersburg Times
“… a political drama … bound to be a page-turner.”—Palm Beach Post
“A thorough and exciting account…a suspenseful story…A skillful melding of individual personalities with the grand currents of history.”—Kirkus Reviews
“...fast-paced and riveting…Ojito uses her formidable research, eye for detail and interviewing skills to lay bare the behind-the-scenes machinations…through her writing, she has opened a window for others, and offers a fine introduction to the human face of history.”—Bookpage
“…a rich, but nuanced picture of life in Cuba under Castro and the intimately personal nature of politics.”—Library Journal
“Until I read this book, the Mariel refugees were headlines in a newspaper, stereotypes fed by political rhetoric. In Finding Mañana, Mirta Ojito has given me a peek behind the headlines, and a sense of how history affects the individual." —Esmeralda Santiago, author of When I was Puerto Rican
“Finding Mañana is a strongly written, straight-shooting and affecting memoir about one family’s experiences leading up to the Mariel boatlift out of Cuba. Rich in detail and concise in its capturing of that chapter of Cuban history, the book is also a touching tale of a young woman’s coming of age during a time of great political turmoil and personal travails.”—Oscar Hijuelos, author of The Mambo Kings Play Songs of Love
