First Impressions: A Novel of Old Books, Unexpected Love, and Jane Austen

First Impressions: A Novel of Old Books, Unexpected Love, and Jane Austen

by Charlie Lovett

Narrated by Jayne Entwistle

Unabridged — 10 hours, 51 minutes

First Impressions: A Novel of Old Books, Unexpected Love, and Jane Austen

First Impressions: A Novel of Old Books, Unexpected Love, and Jane Austen

by Charlie Lovett

Narrated by Jayne Entwistle

Unabridged — 10 hours, 51 minutes

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Overview

A thrilling literary mystery costarring Jane Austen from the New York Times bestselling author of The Bookman's Tale

Charlie Lovett first delighted readers with his New York Times bestselling debut, The Bookman's Tale. Now, Lovett weaves another brilliantly imagined mystery, this time featuring one of English literature's most popular and beloved authors: Jane Austen.

Book lover and Austen enthusiast Sophie Collingwood has recently taken a job at an antiquarian bookshop in London when two different customers request a copy of the same obscure book: the second edition of Little Book of Allegories by Richard Mansfield. Their queries draw Sophie into a mystery that will cast doubt on the true
authorship of Pride and Prejudice-and ultimately threaten Sophie's life.

In a dual narrative that alternates between Sophie's quest to uncover the truth-while choosing between two suitors-and a young Jane Austen's touching friendship with the aging cleric Richard Mansfield, Lovett weaves a romantic, suspenseful, and utterly compelling novel about love in all its forms and the joys of a life lived in books.

Editorial Reviews

DECEMBER 2014 - AudioFile

Jayne Entwistle narrates with a perfect combination of engaged enthusiasm and subtlety as bibliophile Sophie Collingwood is led into a scandalous mystery: Did her favorite author, Jane Austen, plagiarize PRIDE AND PREJUDICE? The chapters alternate between Sophie’s story in the present day and Austen’s story in the late 1700s. Entwistle delivers both delightfully with her sublime English accent and ability to completely disappear from the narration. She allows both stories to unfold at a leisurely pace as Lovett’s beautiful writing shines through. Even Entwistle’s American accent is excellent, just enough for listeners to get the idea without being distracted. There’s mystery, danger, and romance as Sophie sets out to prove Austen’s innocence. Book lovers, Austen lovers, and cozy mystery lovers will find this an enchanting listen. M.M.G. Winner of AudioFile Earphones Award © AudioFile 2014, Portland, Maine

Publishers Weekly

08/11/2014
Lovett (The Bookman’s Tale) weaves two plots together in this well-designed, ingenious novel. One is the story of Jane Austen’s relationship with the Rev. Richard Mansfield, set in Hamphire, England, in 1796; the other follows Sophie Collingwood, lovingly described by her family as having an overactive imagination, in present-day England. Sophie is shocked to hear that her uncle was found dead with a broken neck at the bottom of a flight of stairs. Willed all his assets, she prepares to settle into his London home only to discover that his extensive library has been sold to pay off debts. She resolves to buy back as many of his books as possible and gains employment in a bookshop. While taking orders for rare books, she encounters two customers obsessively seeking the same edition of an obscure work by Mansfield. She is determined to find out why the book is so valuable to them and why one customer is desperate enough to threaten her—and perhaps even willing to commit murder—to gain possession of it. Ardent fans of Jane Austen and lovers of a gripping stories will enjoy following Sophie’s pursuit of the truth. (Oct.)

From the Publisher

A delightful novel.”
People
 
“[Lovett’s] story weaves together both past and present, fact and fiction, in pursuit of a secret that ­threatens to turn the literary world upside down….This novel is, at its heart, a love letter to fiction — not just for its writers, but also for its readers.”
Washington Post

“[A] thrilling romance.”
Woman’s Day, “WD Picks”
 
“A charming story.”
Christian Science Monitor
 
“Part mystery, part love story, First Impressions is a 100 percent thumping good read and a loving homage to one of literature’s most beloved authors. Lovett takes readers on a rollicking adventure that cleverly weaves in the best elements of Austen’s novels, while also giving life to Austen’s own personal history in a satisfying and captivating way. It’s a giddy novel that celebrates books and the people who love them as much as it entertains, making it the perfect read for bookworms and Janeites alike.”
Bookpage
 
“A completely captivating and charming book….the author’s passion for Jane Austen and his knowledge of printing methods and practices of the 1700s truly make this book a standout. The reader gets a nice adventure story, a little bit of romance and mystery, and a real feel for book collecting and for the author’s love of Jane Austen. If it’s a love you share, you may well find this book irresistible.”
Mystery Scene
 
“This novel is both beautiful and exciting….A must-read, especially for those who love books, writing and reading!”
Historical Novels Review
 
“A charming, entertaining story, perfect for bibliophiles and Austenphiles alike . . . Lovett’s storytelling and humor keep you captivated from the first page to the last.”
Burlington Times News
 
“Fans of Austen will devour the backstory. . . . Lovers of intrigue and romance will relish the presentday journey. . . . Bibliophiles will savor the interconnectedness of both stories. . . . First Impressions is an Austen appetizer—leaving the reader eager to explore or revisit works that have touched us for more than two centuries.”
—The Mountain Times
 
“A book about books . . . an intriguing story [about] an author whose stories have not lost their romantic appeal in two hundred years.”
Suspense Magazine
 
“[An] ingenious novel….Ardent fans of Jane Austen and lovers of gripping stories will enjoy following Sophie’s pursuit of the truth.”
Publishers Weekly
 
“[An] appealing combination of mystery, romance, and bibliophilism….An absolute must for Austen fans, a pleasure for others.”
Booklist
 
“A delightful read that Janeites will love….[Lovett] adds bookish intrigue to the life of another luminary of English literature.”
Library Journal
 
“Lovett’s tale is a lovely and entertaining one…that lovers of Austen and antiquarian books will adore.”
Shelf Awareness
 
“Lovett’s love of books and libraries once again energizes his storytelling.”
Kirkus Reviews
 
“Charlie Lovett’s delightful First Impressions weaves together two stories: one about a modern young woman who loves books and the other about the friendship between nineteenth-century novelist Jane Austen and a clergyman. The result is an inventive tale with elements of romance and suspense, wrapped around a bookish mystery that will please lovers of old libraries and Austen fans.”
—Deborah Harkness, #1 New York Times bestselling author of The Book of Life
 
“Jane Austen, true love, great books, and a literary mystery of epic proportions: Charlie Lovett packs all my favorite things into a thoroughly engaging story that keeps us enthralled to the very last page. Austen herself would adore the counter-point heroine, the bright and delightful Sophie Collingwood. A pure gem.”
—Katherine Reay, author of Dear Mr. Knightley
 
“Brimming with charm and intrigue, Charlie Lovett’s new novel will leave a lasting impression on lovers of books, literary enigmas, and the eternally fascinating Jane Austen. First Impressions spans centuries, but time ceases to exist as Lovett’s riveting story begins to unfold.”
—Erika Robuck, author of Hemingway’s Girl
 
“It is a truth universally acknowledged, that a reader in want of a marvelous mystery and lovely literary fiction must be in want of First Impressions. With a deep understanding of Jane Austen and a deft hand at mystery, Lovett strikes the perfect chord between literature and a first rate thriller.”
—Craig Johnson, New York Times bestselling author of the Walt Longmire Mysteries, the basis of A&E’s hit series Longmire

Library Journal

09/01/2014
In Lovett's debut novel, The Bookman's Tale, about an antiquarian book dealer, Shakespeare took center stage. This time the author adds bookish intrigue to the life of another luminary of English literature. While the few facts about Jane Austen's life are well known, many scholars have speculated about Austen's experience in love. How could she write so knowledgably about the subject when she never married? Lovett's story line speculates that Austen did have a great love, an elderly reverend named Richard Mansfield. New graduate Sophie Collingwood is trying to figure out her life after the stunning death of her Uncle Bertram. Sophie shared her uncle's love of books, so she finds a job at a rare bookstore. Two requests for an unusual book puts Sophie on the trail of Austen. When Sophie finds an early draft of Pride and Prejudice, she finds both her own life and Jane's reputation in danger. VERDICT While the ending is never in doubt and the formula is the same as Lovett's previous literary mystery, this is a delightful read that Janeites will love. [See Prepub Alert, 4/21/14.]—Lynnanne Pearson, Skokie P.L., IL

DECEMBER 2014 - AudioFile

Jayne Entwistle narrates with a perfect combination of engaged enthusiasm and subtlety as bibliophile Sophie Collingwood is led into a scandalous mystery: Did her favorite author, Jane Austen, plagiarize PRIDE AND PREJUDICE? The chapters alternate between Sophie’s story in the present day and Austen’s story in the late 1700s. Entwistle delivers both delightfully with her sublime English accent and ability to completely disappear from the narration. She allows both stories to unfold at a leisurely pace as Lovett’s beautiful writing shines through. Even Entwistle’s American accent is excellent, just enough for listeners to get the idea without being distracted. There’s mystery, danger, and romance as Sophie sets out to prove Austen’s innocence. Book lovers, Austen lovers, and cozy mystery lovers will find this an enchanting listen. M.M.G. Winner of AudioFile Earphones Award © AudioFile 2014, Portland, Maine

Kirkus Reviews

2014-07-23
Was Jane Austen a plagiarist? Modern-day bibliophile and Austen fan Sophie Collingwood hopes not, but can she establish the truth about her favorite author while exploring her beloved uncle's suspicious death and choosing between two attractive men, asks Lovett's lightweight new literary mystery? Who came up with the central plot of Pride and Prejudice? Elderly English cleric Rev. Richard Mansfield, suggests Lovett (The Bookman's Tale, 2013) in this parallel-narrative tale that explores Austen's friendship with Mansfield in the late 18th century alongside the contemporary life and loves of Sophie. Sophie became a bookaholic thanks to her uncle Bertram, who adored books and taught his niece to share his passion. When Bertram dies mysteriously, Sophie is heartbroken. Due to inherit his London apartment and book collection, she is further devastated to learn the books have been sold to cover her uncle's debts. Taking a job as an antiquarian bookseller, Sophie finds herself pursued by competing suitors: footloose American academic Eric Hall and smooth publisher Winston Godfrey, who first puts Sophie on the trail of the Rev. Mansfield's obscure second volume of A Little Book of Allegorical Stories—titled Little Allegories and a Cautionary Tale—which throws up the question about Austen's invention. Lovett's love of books and libraries once again energizes his storytelling, but this new plot is more conventional than his first, with Sophie's chapters verging on chick lit and Jane's testing the patience of non-Austen-ophiles. Intrepid Sophie, who steals books and has casual sex, is only temporarily outfoxed by the novel's cardboard villain and soon solves the men dilemma, too.The freshness that marked Lovett's debut is less evident in this second novel, a predictable tale of romantic suspense that becomes progressively weaker in its closing chapters.

Product Details

BN ID: 2940171875534
Publisher: Penguin Random House
Publication date: 10/16/2014
Edition description: Unabridged

Read an Excerpt

***This excerpt is from an advance uncorrected proof***

Copyright © 2014 Charlie Lovett

Steventon, Hampshire, 1796

Fond as she was of solitary walks, Jane had been wandering rather longer than she had intended, her mind occupied not so much with the story she had lately been reading as with one she hoped soon to be writing. She was shaken from this reverie by the sight of an unfamiliar figure, sitting on a stile, hunched over a book. Her first impression was that he was the picture of gloom—dressed in shabby clerical garb, a dark look on his crinkled face, doubtless a volume of dusty sermons clutched in his ancient hand. Even the weather seemed to agree with this assessment, for while the sun shone all around him, he sat in the shadow of the single cloud that hung in the Hampshire sky. Realizing how far she had come from home, Jane thought it best to retrace her steps without interrupting the cleric’s thoughts as he had unknowingly interrupted hers. During the long walk home, across fields shimmering with the haze of summer heat, she amused herself by sketching out a character of this old man, storing him away, like so many others, for possible inclusion in some novel yet to be conceived. He was, she decided, a natural history enthusiast, but his passion lay not with anything beautiful like butterflies or wildflowers. No, his particular expertise was in the way of garden slugs, of which he could identify twenty-six varieties.

By week’s end, Jane had filled in the pathetic details of his life. Disappointed in love, he had turned to natural history, where the objects of his pursuit were less likely to spurn his advances. As his passion for his study grew, and as he shared it more enthusiastically with those around him, his invitations to dine gradually declined until he was left alone on most evenings with his books and his slugs. He was a melancholy figure, which made it all the more shocking to find him, on Sunday morning, not only seated in the Austen family pew, but smiling broadly and greeting her by name.

Jane had led the family procession from the rectory to the small stone church of St. Nicholas, where her father was rector. The church stood on the far outskirts of the village, flanked by flat, green meadows. After passing through the rectory gates into the narrow lane that led to the church, the Austens had fallen in with several villagers. When she had concluded her pleasantries with these acquaintances, Jane had not a moment to respond to the stranger’s greeting before the service began and she found herself separated from him by her mother and her sister Cassandra; of her six brothers, none were currently in residence in Steventon.

The man’s robust baritone voice, evident in his hymn singing, exuded a spirit that was anything but melancholy. Jane endured a sharp elbow from Cassandra for not attending to the gospel reading; instead, she was trying to watch the man out of the corner of her eye. She failed to follow the thread of her father’s sermon, lost as she was in a reevaluation of the stranger’s history. By the time the service ended she was thoroughly intrigued and determined to secure a proper introduction to satisfy her curiosity about the true nature of his character.

“Go along home and I shall wait for Father,” she told her mother and Cassandra as they stood beside the ancient yew tree that clung to the west end of the church. Jane felt certain that a visiting clergyman with leave to occupy the Austen pew must be known to her father, and she expected Mr. Austen to make the necessary introduction, so it came as a surprise when she felt a tap on her shoulder and turned to face the stranger, who addressed her in a cheerful voice.

“Miss Jane Austen, if I am not mistaken.”

“You are at an advantage, sir,” said Jane. “You know my name, but I do not know yours.”

“Mansfield. Reverend Richard Mansfield at your service,” he said with a slight bow. “But we have nearly met already.”

“What can you mean, sir?”

“Only that two days ago you emerged from the waving grain of Lord Wintringham’s field and stopped in your tracks when you spotted me reading on a stile just outside Busbury Park. At the time I conceived the idea that you were a rather dull and impetuous young lady, but I already begin to suspect that I may have been mistaken.” His eyes twinkled in the morning sun as he said this, and his smile transformed from one meant for the general public to one that seemed to be reserved solely for Jane.

“I hope you will come to believe so, Mr. Mansfield. I have been accused of having many faults by those who know me well, but neither dullness nor impetuousness has been among them.”

“And of what faults do they accuse you?”

“My worst, or so I am told, are a too highly developed interest in fictionalizing my acquaintances and a tendency to form opinions of others hastily.”

“Opinions such as the one you formed of me when you saw me alone with my book?”

“You do me wrong, sir. You assume first that I saw you, second that I gave your appearance sufficient thought to form an opinion, and third that my opinion was ill considered.”

“In the first case,” said Mr. Mansfield, “I observed you myself, for though your mind may have been elsewhere, your eyes were certainly on me; in the second case, your father tells me, somewhat to my surprise, that you aspire to write novels, so I can only assume that anyone you meet may become a victim of your imagination; and in the third case it seems impossible that you would have guessed the extent to which our interests overlap.”

“I confess that shared interests did not occur to me. I imagined you a student of natural history, reading . . . but you will laugh when I tell you.”

“I enjoy a good laugh,” said Mr. Mansfield.

“I imagined you reading a book on garden slugs.”

Mr. Mansfield did laugh, long and heartily, before confessing the true nature of his reading. “It may shock you, Miss Austen, but in fact I was reading a novel.”

“A novel! You do shock me, sir. Do you not find novels full of nonsense? I myself find them the stupidest things in creation.”

“Then you read novels?”

“Novels! I’m surprised at you, Mr. Mansfield, suggesting that a young lady such as myself, the daughter of a clergyman, no less, could occupy her time with such horrid things as novels.”

“You tease me, Miss Austen.”

“Indeed I do not, Mr. Mansfield, for though you know that I aspire to write novels, you cannot expect that I would take my interest in the form so far as to actually read them.” Because Mr. Mansfield was old enough to be her grandfather, Jane took the bold step of adding a wink to this statement and turned toward the rectory. The congregation had dispersed and only the sounds of birdsong and the breeze in the yew tree disturbed the silence of the morning. Jane was pleased when Mr. Mansfield fell into step beside her as she made her way up the tree-lined lane. With the summer sun now high in the sky, she was grateful for the cooling shade.

“Surely, Mr. Mansfield, your shortest route to Busbury Park lies in the opposite direction,” said Jane.

“Indeed it does, but you are assuming again, Miss Austen. First that I am staying at the park, and second that I am taking my luncheon there.”

“And my novelist’s imagination has deceived me again?”

“Not entirely,” said Mr. Mansfield. “For I am a guest at Busbury Park, but though he can offer me only cold mutton, your father has asked me to take my luncheon at the rectory.”

“I confess, Mr. Mansfield, I am sorry to hear it.”

“And why is that? Are you so embarrassed to be seen in the company of a novel reader?”

“On the contrary, it is because you are a novel reader that I had rather hoped to keep you to myself. Once you enter the doors of the rectory, you will become a friend to my mother and my sister Cassandra, and you will no doubt retire after lunch to the study with my father and abandon the rest of us.”

“Surely, Miss Austen,” said Mr. Mansfield, “I can be both a visitor at the rectory and a special friend of the rector’s younger daughter.”

“I believe, Mr. Mansfield,” said Jane as she took the clergyman’s arm, “that I should like that very much indeed.”

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