Flickering Treasures: Rediscovering Baltimore's Forgotten Movie Theaters

Flickering Treasures: Rediscovering Baltimore's Forgotten Movie Theaters

Flickering Treasures: Rediscovering Baltimore's Forgotten Movie Theaters

Flickering Treasures: Rediscovering Baltimore's Forgotten Movie Theaters

Hardcover

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Overview

The riveting story of Baltimore’s movie theaters over the past century, eloquently told through extraordinary photographs and poignant reminiscences.

2018 Winner of the Preservation Award of the Baltimore Heritage

Baltimore has been home to hundreds of theaters since the first moving pictures flickered across muslin sheets. These monuments to popular culture, adorned with grandiose architectural flourishes, seemed an everlasting part of Baltimore’s landscape. By 1950, when the city’s population peaked, Baltimore’s movie fans could choose from among 119 theaters. But by 2016, the number of cinemas had dwindled to only three. Today, many of the city’s theaters are boarded up, even burned out, while others hang on with varying degrees of dignity as churches or stores.

In Flickering Treasures, Amy Davis, an award-winning photojournalist for the Baltimore Sun, pairs vintage black-and-white images of opulent downtown movie palaces and modest neighborhood theaters with her own contemporary full-color photographs, inviting us to imagine Charm City’s past as we confront today’s neglected urban landscape. Punctuated by engaging stories and interviews with local moviegoers, theater owners, ushers, and cashiers, plus commentary from celebrated Baltimore filmmakers Barry Levinson and John Waters, the book brings each theater and decade vividly to life.

From Electric Park, the Century, and the Hippodrome to the Royal, the Parkway, the Senator, and scores of other beloved venues, the book delves into Baltimore’s history, including its troubling legacy of racial segregation. The descriptions of the technological and cultural changes that have shaped both American cities and the business of movie exhibition will trigger affectionate memories for many readers. A map and timeline reveal the one-time presence of movie houses in every corner of the city, and fact boxes include the years of operation, address, architect, and seating capacity for each of the 72 theaters profiled, along with a brief description of each theater’s distinct character.

Highlighting the emotional resonance of film and the loyalty of Baltimoreans to their neighborhoods, Flickering Treasures is a profound story of change, loss, and rebirth.


Product Details

ISBN-13: 9781421422183
Publisher: Johns Hopkins University Press
Publication date: 09/19/2017
Pages: 302
Sales rank: 1,081,938
Product dimensions: 8.90(w) x 11.00(h) x 1.00(d)
Age Range: 18 Years

About the Author

Amy Davis has worked as a staff photographer at the Baltimore Sun since 1987.

Table of Contents

Foreward, by Barry Levinson
Preface
1. 1896–1909
2. 1910–1914
3. 1915–1919
4. 1920–1924
5. 1925–1929
6. 1930–1939
7. 1940–1949
8. 1950–2017
Afterword
Acknowledgments
Map and Timeline
Notes on Research
Credits
Index of Contributors
Index of Theaters

What People are Saying About This

W. Edward Orser

A sweeping, almost encyclopedic portrait of the movie theaters of Baltimore, Flickering Treasures should be well-received by general readers for its rich combination of background profiles and engaging interviews. Equally impressive, a virtually complete set of matching historic and modern photos chronicles both decay and adaptive reuse. Captivating.

From the Publisher

A sweeping, almost encyclopedic portrait of the movie theaters of Baltimore, Flickering Treasures should be well-received by general readers for its rich combination of background profiles and engaging interviews. Equally impressive, a virtually complete set of matching historic and modern photos chronicles both decay and adaptive reuse. Captivating.
—W. Edward Orser, author of Blockbusting in Baltimore: The Edmondson Village Story

Both a celebration of the splendid glory of what was once the Baltimore movie palace experience and a funereal dirge for what became of those grand old bijoux as the passing of time pulled them toward squalor. To behold the book is, in some sense, to behold the arc of America's cities in the twentieth and twenty-first centuries.
—Stephen Hunter, Pulitzer Prize-winning film critic, author of Violent Screen: A Critic's 13 Years on the Front Lines of Movie Mayhem

Stephen Hunter

Both a celebration of the splendid glory of what was once the Baltimore movie palace experience and a funereal dirge for what became of those grand old bijoux as the passing of time pulled them toward squalor. To behold the book is, in some sense, to behold the arc of America's cities in the twentieth and twenty-first centuries.

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