In a groundbreaking opening essay, Barter revisits the earliest days of folk-art collecting in Chicago, beginning in the 1890s. She pays special attention to the passionate individuals who sought out unique and expressive examples of American folk art, building private collections that they later donated to the Art Institute. Including beautiful reproductions and detailed entries for each of the sixty-one objects it features, this book highlights an array of masterworks such as "primitive" New England portraits, a face jug from South Carolina, New Mexican ceramics, a weathervane, and ship figureheads.
Distributed for the Art Institute of Chicago
In a groundbreaking opening essay, Barter revisits the earliest days of folk-art collecting in Chicago, beginning in the 1890s. She pays special attention to the passionate individuals who sought out unique and expressive examples of American folk art, building private collections that they later donated to the Art Institute. Including beautiful reproductions and detailed entries for each of the sixty-one objects it features, this book highlights an array of masterworks such as "primitive" New England portraits, a face jug from South Carolina, New Mexican ceramics, a weathervane, and ship figureheads.
Distributed for the Art Institute of Chicago
For Kith and Kin: The Folk Art Collection at the Art Institute of Chicago
120For Kith and Kin: The Folk Art Collection at the Art Institute of Chicago
120Hardcover
Product Details
ISBN-13: | 9780300179729 |
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Publisher: | Yale University Press |
Publication date: | 07/10/2012 |
Series: | Art Institute of Chicago |
Pages: | 120 |
Product dimensions: | 9.80(w) x 8.70(h) x 0.60(d) |