Forest Penjing: Enjoy the Miniature Landscape by Growing, Care and Appreciation of Chinese Bonsai Trees

Forest Penjing: Enjoy the Miniature Landscape by Growing, Care and Appreciation of Chinese Bonsai Trees

by Qingquan Zhao
Forest Penjing: Enjoy the Miniature Landscape by Growing, Care and Appreciation of Chinese Bonsai Trees

Forest Penjing: Enjoy the Miniature Landscape by Growing, Care and Appreciation of Chinese Bonsai Trees

by Qingquan Zhao

Paperback

$18.95 
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Overview

The word penjing can be roughly translated from the Chinese as "potted scenery." It is the original, older form of the art of bonsai. Penjing aims to embody entire natural scenes within individual works. Penjing is sometimes described as Chinese landscape painting in three dimensions. It aims to make viewers feel as though they were really in nature, contemplating the ripples on the surface of a lake or sheltering from the sun in the shade of a tree. It is an art form that is still, yet full of dynamic energy, embodying the natural beauty of trees, stones, and water. The book gives detailed guidance and instruction to those who wish to create a vivid miniature landscape of their own. It also describes the creation process of several outstanding examples of forest penjing, with accompanying photographs from each stage of their “journey” towards completion. Meant for beginners and experts alike, the information and techniques outlined in this book can help sow the seed of a new love for penjing or to refine the craft of a seasoned penjing designer.

Product Details

ISBN-13: 9781938368578
Publisher: Shanghai Press
Publication date: 01/25/2022
Pages: 116
Product dimensions: 7.25(w) x 10.25(h) x 0.40(d)

About the Author

Zhao Qingquan (1949-) is a master of the Chinese art of penjing, an International Bonsai Instructor at Bonsai Clubs International, and an International Consultant for the World Bonsai Friendship Federation. He pioneered a new form of penjing—the water-and-land penjing. An internationally renowned master, Zhao has attended conferences and given lectures and demonstrations around the world. In 2001, his penjing Trident Maples was added to the collection of the National Bonsai and Penjing Museum of the US National Arboretum.

Read an Excerpt

Forest Penjing (excerpt)
 
Penjing can be viewed as the sculpture of natural scenes. Jointly created by man and nature, it is an art form that combines natural beauty and artistic beauty, the two aspects for which penjing is appreciated.
1. Natural and Ecological Beauty
Trees are the main materials for forest penjing. They possess not only natural forms and colors, but also vital signs and natural charm. Therefore, a forest penjing made of trees is like a living work of art, exhibiting a relationship between plants that mirrors that of a natural forest. The work changes with the growth of the trees and presents different scenes with the alteration of the seasons, making viewers feel as if they were right at the source. Realistic and overflowing with the energy of nature, these works exhibit natural and ecological beauty.
The vital signs of forest penjing determine that the creation of penjing is a process of continuity. Unlike a work of painting or sculpture which, once completed, requires no further changes, a forest penjing usually cannot be completed once and for all but needs continuous effort because the trees keep growing and changing. Some works may not be satisfying now, but as the plants grow, they may improve with time. But, on the other hand, they may also lose their desired shape. Therefore, continuity in creation is a special charm of the penjing art form, because it can fill viewers with boundless expectations.
The natural and ecological beauty of forest penjing is embodied not only in the beauty of the root, trunk, branch, leaf, flower, and fruit, but also in the beauty of the community of trees, changing of the seasons, and different kinds of forests.
Beauty of the Root: Some roots stretch in all directions, solid and stable; some rise up high, revealing themselves in the air; some intertwine with the roots of other trees, forming an organic whole; some have plants growing out of them, forming a grove; some penetrate cracks in rocks, struggling to survive in a harsh environment (fig. 10). They come in varied forms, each displaying their own unique beauty.
Beauty of the Trunk: Trunks come in a diverse range of shapes. Some grow straight up, vigorous and tall; some lean in a certain direction, displaying great momentum; some are gracefully twisted, rich in variety; some combine all the aforementioned shapes, displaying unity in diversity. In addition, different species of trees have different kinds of bark. Some are covered all over with scales, some feel smooth and delicate, and some possess a primitive simplicity. Different trunks also have different colors; some of the common colors are yellowish-brown, ash black, dark red, dark green, and greyish white (fig. 11).
Beauty of the Branch: Branches vary with different tree species. Some are upright and expansive, some are twisted and revolving, some are vigorous, thick, and scattered, some are gently crooked and dense, some grow upwards like buckhorns, and some lower their heads like crab claws (fig. 12).
Beauty of the Leaf: This is mainly on display in the shape, color, and texture of the leaf. The leaf is often shaped like a needle, a scale, an oval, a palm, or a fan. The colors are usually light green, dark green, yellowish green, and red violet. Some even have a colorful edge or are patterned. Leaves can be thick or thin, hard or soft (fig. 13).
Beauty of the Flower: Flowers are more diverse in shape and color, displaying a rich variety of forms (see fig. 6 on page 9). The shape of a flower varies with different tree species. The colors are usually dark red, pink, purple, yellow, light green, or white. Some tree species may have flowers of different colors on the same branch.
Beauty of the Fruit: Fruits used for forest penjing are generally small and beautiful. They may be round, oval, cone-shaped, or gourd-shaped. Their colors include red, yellow, purple, orange, green and black (fig. 14).
Beauty of the Community of Trees: In forest penjing, the different parts of a tree may combine to form integrated beauty. Moreover, all the trees used are arranged according to the rule of natural ecology. They simultaneously compete and live in harmony, embodying the beauty of the whole and authentically reflecting the existence of life in nature to the fullest. This is unparalleled in other forms of penjing (fig. 15).
Beauty of Seasonal Change: As they grow, the trees in forest penjing may change in posture, color, and charm according to the passing of the seasons. This is especially true of forest penjing consisting of miscellaneous trees. They are tender green in spring, deeply shaded in summer, golden yellow in autumn, and desolate and lonesome in winter. The seasonal characteristics of forest penjing that contain flowers and fruit are even more evident. The beauty of seasonal change reflected in forest penjing is much greater than that present in other forms of penjing. It is thus of immense pleasure to watch the growth of the trees in forest penjing (fig. 16).
Beauty of Different Kinds of Forests: Forest penjing can display different kinds of forests in different ecological environments, such as forests in open country, in mountains, by water, along streams, on islands, along the seashore, in swamps, in deserts, and in tropical regions. The diverse scenes they embody enable the viewer to experience the pleasure of travel without going outdoors (fig. 17 and see fig. 18 on pages 20 and 21).
 

Table of Contents

Foreword Preface Chapter I The Beauty of Forest Penjing 1. Natural and Ecological Beauty 2. Poetic Beauty Chapter II Techniques of Forest Penjing Production 1. Types of Natural Forests 2. Material Selection for Forest Penjing 3. Forms of Forest Penjing 4. Tools and Instruments 5. Source Material Processing 6. Making Forest Penjing Chapter III Artistic Principals of Forest Penjing 1. Differentiating Between Primary and Secondary 2. Deciding on Orientation and Angle 3. Density Variation 4. Leaving Blank Space 5. Producing an Echoing Harmony 6. Creating Harmonious Competition 7. Tempering Hardness with Softness 8. Balancing Light and Heavy 9. Being Both Bold and Refined 10. Balancing Between Concealing and Revealing 11. Improving the Creator’s Comprehensive Quality Chapter IV Care and Maintenance of Forest Penjing 1. Placement 2. Watering 3. Fertilizing 4. Pruning 5. Shaping 6. Repotting 7. Pests and Diseases Chapter V Works of Forest Penjing 1. Sunlight Slanting Through a Thin Forest (Japanese Maple) 2. Spring Running Wild (Flowering Quince) 3. Autumn Colors (Japanese Maple) 4. Spring Blossoms and Autumn Fruits (Pomegranate) 5. Dancing Mountain Forest (Trident Maple) 6. Listening to Spring Water (Five-Needle Pine) Chapter VI Display of Forest Penjing 1. Outdoor Display 2. Indoor Display
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