Forging Fame: The Strange Career of Scharmel Iris
If poets are "liars by profession," Sharmel Iris was truly professional. Poet, plagiarist, imposter, and forger, Iris engaged in a lifelong campaign of self-promotion that linked him to a constellation of leading writers and public figures, among them T.S. Eliot, Robert Frost, Joyce Kilmer, Ezra Pound, Dame Edith Sitwell, Diego Rivera, Pablo Picasso, Salvador Dali, Winston Churchill, Theodore Roosevelt, Eleanor Roosevelt, William Wrigley, and Woodrow Wilson. "Of poets writing today, there is no greater," states a preface, signed by W. B. Yeats, to one of Iris's volumes of poetry—although at the time of publication Yeats had been dead for several years. Examining Iris' grandiose fantasy, Craig Abbott exposes his forgery, plagiarism, and imposture.

As a child, Iris had emigrated from Italy with his mother, who arrived in Chicago in pursuit of the American dream. Driven by ambition and narcissism, he began publishing poetry in 1905, participated in the Chicago Renaissance, and continued publishing until two years before his death in 1967. With energy and persistance, the minor Chicago poet insinuated himself among the great and famous and simulated a life of literary stardom. Iris's self-projection as a neglected poetic genius often was designed to translate into monetary value, while confirming his role behind the scenes of twentieth-century literary history. Granting Iris the attention he haplessly courted all his life, Abbott discovers a forger of fame whose story provides a commentary, often parodic, on the place of poetry in his time.

"1110977813"
Forging Fame: The Strange Career of Scharmel Iris
If poets are "liars by profession," Sharmel Iris was truly professional. Poet, plagiarist, imposter, and forger, Iris engaged in a lifelong campaign of self-promotion that linked him to a constellation of leading writers and public figures, among them T.S. Eliot, Robert Frost, Joyce Kilmer, Ezra Pound, Dame Edith Sitwell, Diego Rivera, Pablo Picasso, Salvador Dali, Winston Churchill, Theodore Roosevelt, Eleanor Roosevelt, William Wrigley, and Woodrow Wilson. "Of poets writing today, there is no greater," states a preface, signed by W. B. Yeats, to one of Iris's volumes of poetry—although at the time of publication Yeats had been dead for several years. Examining Iris' grandiose fantasy, Craig Abbott exposes his forgery, plagiarism, and imposture.

As a child, Iris had emigrated from Italy with his mother, who arrived in Chicago in pursuit of the American dream. Driven by ambition and narcissism, he began publishing poetry in 1905, participated in the Chicago Renaissance, and continued publishing until two years before his death in 1967. With energy and persistance, the minor Chicago poet insinuated himself among the great and famous and simulated a life of literary stardom. Iris's self-projection as a neglected poetic genius often was designed to translate into monetary value, while confirming his role behind the scenes of twentieth-century literary history. Granting Iris the attention he haplessly courted all his life, Abbott discovers a forger of fame whose story provides a commentary, often parodic, on the place of poetry in his time.

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Forging Fame: The Strange Career of Scharmel Iris

Forging Fame: The Strange Career of Scharmel Iris

by Craig Abbott
Forging Fame: The Strange Career of Scharmel Iris

Forging Fame: The Strange Career of Scharmel Iris

by Craig Abbott

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Overview

If poets are "liars by profession," Sharmel Iris was truly professional. Poet, plagiarist, imposter, and forger, Iris engaged in a lifelong campaign of self-promotion that linked him to a constellation of leading writers and public figures, among them T.S. Eliot, Robert Frost, Joyce Kilmer, Ezra Pound, Dame Edith Sitwell, Diego Rivera, Pablo Picasso, Salvador Dali, Winston Churchill, Theodore Roosevelt, Eleanor Roosevelt, William Wrigley, and Woodrow Wilson. "Of poets writing today, there is no greater," states a preface, signed by W. B. Yeats, to one of Iris's volumes of poetry—although at the time of publication Yeats had been dead for several years. Examining Iris' grandiose fantasy, Craig Abbott exposes his forgery, plagiarism, and imposture.

As a child, Iris had emigrated from Italy with his mother, who arrived in Chicago in pursuit of the American dream. Driven by ambition and narcissism, he began publishing poetry in 1905, participated in the Chicago Renaissance, and continued publishing until two years before his death in 1967. With energy and persistance, the minor Chicago poet insinuated himself among the great and famous and simulated a life of literary stardom. Iris's self-projection as a neglected poetic genius often was designed to translate into monetary value, while confirming his role behind the scenes of twentieth-century literary history. Granting Iris the attention he haplessly courted all his life, Abbott discovers a forger of fame whose story provides a commentary, often parodic, on the place of poetry in his time.


Product Details

ISBN-13: 9780875803760
Publisher: Cornell University Press
Publication date: 07/16/2007
Edition description: 1
Pages: 204
Product dimensions: 5.50(w) x 8.50(h) x 0.88(d)
Age Range: 18 Years

About the Author

Craig Abbott, a professor emeritus of Northern Illinois University, is author of several studies on modern American poetry.

Table of Contents

Preface
1. Youth of Genius, 1889–1913
2. New Poet, 1913–1922
3. Apparitional Schemer, 1923–1939
4. Nonpublishing Poet, 1940–1949
5. Resurrected Genius, 1950–1953
6. International Poet in Residence, 1954–1959
7. Autobiographer, 1950s and 1960s
8. Local Celebrity, 1960–1967

Notes
Index

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