Frijid Pink's self-titled debut album is a slashing, seriously soulful example of late-'60s
Detroit rock near its best. Although they never registered with critics or
rock historians the way
MC5 or
the Stooges did,
Frijid Pink had obviously learned something in the course of two years on the road, and with
Mike Valvano producing, they were able to channel the excitement of their work onto the grooves of this album very neatly. Those who bought the number seven single
"House of the Rising Sun" weren't disappointed with the bluesy
boogie sound of
"I'm on My Way" or the slowed-down
Yardbirds approach of
"Drivin' Blues" (somehow, when
Kelly Green sang "My woman loves me" it seemed to matter), and even if
"Tell Me Why" was a tuneless mess,
Gary Thompson made up for it with a fuzz-out guitar performance that sounded like speaker burnout in slow motion. They were back in form on the next number, the crunchy, pumping rocker
"End of the Line," where
Green,
Thompson, and company move into
Led Zeppelin territory very effectively (you can just imagine them switching gear into
"Black Dog" in a jam to this song on-stage), with a killer performance by
Rich Stevers on the drums. And that was all leading up to
"House of the Rising Sun." "Boozin' Blues," which closed the original LP, is a
blues workout reminiscent of
Cream's version of
Willie Dixon's
"Spoonful"; a virtuoso effort by
Thompson and
Green, it shows off a more reflective and studied side of the band's sound. [The 1991
Repertoire Records reissue includes the singles
"Heartbreak Hotel" and
"Music for the People" (which features a gorgeous and perfectly appropriate
gospel chorus) as bonus tracks.] ~ Bruce Eder