From France With Love: Gender and Identity in French Romantic Comedy
Love stories have always been at the heart of French cinema, but romantic comedies have, until recently, been absent from it. In 2001, the global success of Amelie catalysed a major development in the Western world's second-largest film industry: the appropriation of the 'Hollywood' romantic comedy genre (or Rom-Com a l'Americaine). In From France with Love, Mary Harrod explores this contemporary phenomenon, examining both local hits and films with international status. Using socio-cultural data, box-office figures and analysis of critical reception, she reveals the ways in which these films mirror shifting attitudes towards gender roles within French society, as well as the increasingly important interrelation between French national cinema and transnational filmmaking paradigms.
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From France With Love: Gender and Identity in French Romantic Comedy
Love stories have always been at the heart of French cinema, but romantic comedies have, until recently, been absent from it. In 2001, the global success of Amelie catalysed a major development in the Western world's second-largest film industry: the appropriation of the 'Hollywood' romantic comedy genre (or Rom-Com a l'Americaine). In From France with Love, Mary Harrod explores this contemporary phenomenon, examining both local hits and films with international status. Using socio-cultural data, box-office figures and analysis of critical reception, she reveals the ways in which these films mirror shifting attitudes towards gender roles within French society, as well as the increasingly important interrelation between French national cinema and transnational filmmaking paradigms.
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From France With Love: Gender and Identity in French Romantic Comedy

From France With Love: Gender and Identity in French Romantic Comedy

by Mary Harrod
From France With Love: Gender and Identity in French Romantic Comedy

From France With Love: Gender and Identity in French Romantic Comedy

by Mary Harrod

Hardcover

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Overview

Love stories have always been at the heart of French cinema, but romantic comedies have, until recently, been absent from it. In 2001, the global success of Amelie catalysed a major development in the Western world's second-largest film industry: the appropriation of the 'Hollywood' romantic comedy genre (or Rom-Com a l'Americaine). In From France with Love, Mary Harrod explores this contemporary phenomenon, examining both local hits and films with international status. Using socio-cultural data, box-office figures and analysis of critical reception, she reveals the ways in which these films mirror shifting attitudes towards gender roles within French society, as well as the increasingly important interrelation between French national cinema and transnational filmmaking paradigms.

Product Details

ISBN-13: 9781784533588
Publisher: Bloomsbury Academic
Publication date: 05/21/2015
Series: International Library of the Moving Image
Pages: 280
Product dimensions: 5.50(w) x 8.60(h) x 1.20(d)

About the Author

Mary Harrod is Assistant Professor in French Studies at the University of Warwick. Prior to this, she was a Teaching Assistant at King’s College London, where she received her PhD. Before embarking upon an academic career in 2007, she worked in film production and development for five years.

Table of Contents

List of Figures ix

Acknowledgements xi

Introduction 1

1 Romantic Comedy - and its Discontents 14

2 Romance Today 28

3 Gendered Identities in Love 81

4 Family Affairs 129

5 Genre, Style and Transuationalism 166

Concluding Remarks: Rom-Com into the 2010s 208

Notes 215

Bibliography 221

French rom-coms 1990-2010 with Box-Office Admissions 241

Index 247

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