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Overview
Product Details
ISBN-13: | 9781890650469 |
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Publisher: | Omnidawn Publishing, Inc. |
Publication date: | 09/01/2010 |
Edition description: | New Edition |
Pages: | 136 |
Product dimensions: | 6.00(w) x 9.00(h) x 0.40(d) |
About the Author
Table of Contents
/ hacha / uno / ichi / one / • from sourcings • from tidelands • ginen preterrain • from all with ocean views • from aerial roots • ginen organic acts • from aerial roots • from preterrain • ginen all with ocean views • from tidelands • / hugua / dos / ni / two / • from sourcings • ginen tidelands • from preterrain • from all with ocean views • from aerial roots • ginen organic acts • from preterrain • ginen all with ocean views • from aerial roots • from tidelands • / tulu / tres / san / three / • from sourcings • from tidelands • ginen all with ocean views • from preterrain • from aerial roots • ginen organic acts • from aerial roots • ginen preterrain • from all with ocean views • from tidelands • / fatfat / kuatro / shi / four / • ginen sourcings • from tidelands • from all with ocean views • from preterrain • ginen aerial roots • ginen organic acts • from all with ocean views • ginen aerial roots • from preterrain • from tidelands • / lima / singko / go / five / • from sourcings • ginen tidelands • from all with ocean views • from preterrain • from aerial roots • ginen organic acts • from preterrain • ginen tidelands • ginen all with ocean views • ginen aerial rootsWhat People are Saying About This
“from unincorporated territory [saina] continues Craig Santos Perez’s epic investigation of Chamorro culture, language, and identity. It is by turns ferocious and elegiac, historical and lyrical; it is a book of generations, of sedimentary language, of the ability and power to say “us,” of how a human family might actually be claimed. Filled with tidal spaces, broken by waves, garlanded by islands of brilliant attention and sub-surface groundings, Perez’s poem convenes an oceanic poetics. But if the indigenous canoe that sails through the book is freighted with immigration and emigration, colonialism and national piracies, its real cargo remains cultural authority and the incontestable wonder of origin. Ancestors weep and dance to have generated such creative reclamation as this poem achieves. Perez inherits, inhabits… and a great poem flows…”
“In from unincorporated territory [saina], Craig Santos Perez––whose very name sounds a poem–– sends his reader out on a simultaneously sturdy and yet amorphous canoe, to discover, explore, circle and espy the oldest and most continuous global story: the imperialist, systematic destruction of a culture. Perez takes the water, sky, land, lost legends, ancestral spirits, and survivors of the Pacific Islands into his own tongue, complicated by “torrents of English,” enlivened by Chamoru. This is a great seafarer’s tale of our own lost oceans, lost no more. Reading this book, I was disabused of the notion that ‘poetry does nothing’.”
“Saina reinscribes the contested territories of home(land) with shards of language and form. Fragments of English and Chamoru, Spanish and Japanese, trace violent routes of empire, colliding, weaving, one into the other. With admirable craft, Craig Santos Perez stitches together patches of jagged memory – Grandma and Grandpa forced to bow to Japanese soldiers; tradition – ‘flying proas’/ sea-going outriggers, fastest in the world; and the continued trauma of US military occupation in Guam into a garment of uneasy identities so characteristic of our neo/colonial moment. With its powerful, discordant music, Saina is a warrior response to the ‘call’ of empire. Bravo.”
“from unincorporated territory [saina], Craig Santos Perez’s second book of poems, is a touching and loving tribute to his grandmother, Milan Martinez Portusach Santos Reyes. As a central figure in his poems, “Grandma Santos” comes across as one of the more powerful metaphors and realities of survival in Guam: the sakman, or the long-range voyaging canoe. Perez and Santos thus embark on an oceanic journey from Guam to California, where they now reside, reflecting on a shared past of colonial violence and on an equally fraught and sometimes uncertain present. In the end, Grandma Santos assures Perez that her sakman, their sakman, will always be a vessel through which generations of Chamorros may navigate their respective futures. Saina and Sakman, Perez and Santos. These are the threads which link the poetic forms presented in Craig Santos Perez’s latest collection, which, to be sure, is a pleasure to read.”