Gays on Broadway
Writing with his customary verve and wit, author Ethan Mordden follows the steady liberation of gay themes on the American stage. The story begins in the early twentieth century, when gay characters were virtually banned from productions. The 1920s saw a flurry of plays closed on moral grounds as well as the Wales Padlock Act, which forbade representation of "sex degeneracy". While authorities made consistent attempts to shutter the movement, the public remained curious, and after a few decades of war making, a truce broke out when The Boys In the Band became a national smash hit. From this point on, gay theatre proved too popular to abolish.



With this change, theatre was graced with a host of unforgettable characters-from thrill killers to historical figures to drag performers, as well as professional gays (such as the defiantly effeminate window dresser in Kiss of the Spider Woman), closeted gays, and those run-of-the-mill citizens who don't reside entirely within the colorful nonconformist identity (like the two male lovers in the comedy Norman, Is That You?).



Spoken plays and musicals, playwrights, directors, and actors all played their part in popularizing the gay movement through art. Gays on Broadway is an essential chronological review of the long journey to bring the culture of gay men and women onto the American stage.
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Gays on Broadway
Writing with his customary verve and wit, author Ethan Mordden follows the steady liberation of gay themes on the American stage. The story begins in the early twentieth century, when gay characters were virtually banned from productions. The 1920s saw a flurry of plays closed on moral grounds as well as the Wales Padlock Act, which forbade representation of "sex degeneracy". While authorities made consistent attempts to shutter the movement, the public remained curious, and after a few decades of war making, a truce broke out when The Boys In the Band became a national smash hit. From this point on, gay theatre proved too popular to abolish.



With this change, theatre was graced with a host of unforgettable characters-from thrill killers to historical figures to drag performers, as well as professional gays (such as the defiantly effeminate window dresser in Kiss of the Spider Woman), closeted gays, and those run-of-the-mill citizens who don't reside entirely within the colorful nonconformist identity (like the two male lovers in the comedy Norman, Is That You?).



Spoken plays and musicals, playwrights, directors, and actors all played their part in popularizing the gay movement through art. Gays on Broadway is an essential chronological review of the long journey to bring the culture of gay men and women onto the American stage.
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Gays on Broadway

Gays on Broadway

by Ethan Mordden

Narrated by Daniel Henning

Unabridged — 11 hours, 8 minutes

Gays on Broadway

Gays on Broadway

by Ethan Mordden

Narrated by Daniel Henning

Unabridged — 11 hours, 8 minutes

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Overview

Writing with his customary verve and wit, author Ethan Mordden follows the steady liberation of gay themes on the American stage. The story begins in the early twentieth century, when gay characters were virtually banned from productions. The 1920s saw a flurry of plays closed on moral grounds as well as the Wales Padlock Act, which forbade representation of "sex degeneracy". While authorities made consistent attempts to shutter the movement, the public remained curious, and after a few decades of war making, a truce broke out when The Boys In the Band became a national smash hit. From this point on, gay theatre proved too popular to abolish.



With this change, theatre was graced with a host of unforgettable characters-from thrill killers to historical figures to drag performers, as well as professional gays (such as the defiantly effeminate window dresser in Kiss of the Spider Woman), closeted gays, and those run-of-the-mill citizens who don't reside entirely within the colorful nonconformist identity (like the two male lovers in the comedy Norman, Is That You?).



Spoken plays and musicals, playwrights, directors, and actors all played their part in popularizing the gay movement through art. Gays on Broadway is an essential chronological review of the long journey to bring the culture of gay men and women onto the American stage.

Editorial Reviews

AudioFile - JULY 2023

Daniel Henning's uplifting performance brings out the best in this audiobook exploring the importance and prevalence of gay culture on "The Street." Ethan Mordden's comprehensive research spanning the years 1910-2010 opens wide the closet doors, and Henning revels in the flamboyant anecdotes and colorful quotes that tumble out. Mordden credits early warriors such as 1920s female impersonator Julian Eltinge and Eva LeGalliene's lesbian repertory company with paving the way for shows with gay characters and themes. Henning has a delightful feel for the content, capturing mischievous grins as secretly gay writers manage to slip "insider" jokes into mainstream shows. With entertaining discussions of "out" writers and amusing analyses of both straight and gay productions, this is a wonderful listen! S.J.H. Winner of AudioFile Earphones Award © AudioFile 2023, Portland, Maine

Publishers Weekly

04/24/2023

Theater critic Mordden (Pick a Pocket or Two) gallops through a century of gay American theater in this uneven history. Surveying 1910 to 2010, Mordden spotlights the “plays and the people” that brought queer culture to the American stage, including productions with gay characters, those written by gay creatives, or those “whose sense of parody or outright camp... are at least gay-adjacent.” Mordden traces historical themes, including an uptick in sympathetic portrayals of gay men leaving their wives in the 1960s, and the “problem plays” of the ’90s and aughts in which gayness served as a “social controversy that the principals discuss.” Mordden is most successful with close analysis, as in his consideration of the 1968 The Boys in the Band (“wildly funny... and a tiny bit unbelievable, yet so reflective of what gay life was like in New York in 1968 that the show is almost a documentary”). But his semi-stream-of-consciousness style and catty tone too often distract—he describes Truman Capote as possessing the “attitude of a malicious petit four” and pedantically corrects popular pronunciations of Madame Butterfly—and while Stonewall is referenced, the history is largely isolated from broader trends in culture and media. Queer theater fans will be piqued, though Mordden’s style is a love-it or leave-it proposition. (June)

From the Publisher

"A gossipy, insightful survey of the (often closeted) gay contribution to American theatre." — David Benedict, The Guardian

"I can't think of a writer better equipped than Ethan Mordden to take on this important subject. Erudite, free-wheeling, and dishy, Gays on Broadway brings over a century of gay theater to vivid life-the plays and personalities, as well as the politics and peril of true representation, both on and off the stage. This is a bracing, provocative, and wildly entertaining read." — Jonathan Tolins, playwright, Buyer & Cellar

"Filled with passion for his subject, fascinating if sometimes eccentric insights, and delicious backstage gossip." — M. Clum, New York Journal of Books

"Several of this collection's essays demonstrate just how high toward heaven the musical has allowed gays to kick." — Raymond-Jean Frontain, The G&LR

"Recommended. General readers." — Choice

The Guardian (London)

A gossipy, insightful survey of the (often closeted) gay contribution to American theater.”

AudioFile

Daniel Henning’s uplifting performance brings out the best in this audiobook…Henning revels in the flamboyant anecdotes and colorful quotes…Henning has a delightful feel for the content, capturing mischievous grins as secretly gay writers manage to slip ‘insider’ jokes into mainstream shows. With entertaining discussions of ‘out’ writers and amusing analyses of both straight and gay productions, this is a wonderful listen! Winner of the AudioFile Earphones Award.”

Library Journal

★ 04/01/2023

The impact of gay people on American theater is impossible to quantify, but musical theater expert Mordden's (Pick a Pocket Or Two: A History of British Musical Theatre) excellent study of more than 100 years of Broadway history provides a nuanced look at the influence and representation of gay culture on stage. Beginning in the 1910s with the earliest drag queens, a fair amount of subtext and overtly gay story lines and lyrics permeated the next 30 years. That's until the post-war era saw an increase in censorship and the lingering effects of the 1927 Wales Padlock Law, which prohibited any form of sexual "perversion" on stage. The following decades, however, witnessed a steady rise in gay representation, from serious dramas to musicals, providing some of the most influential productions in Broadway history. In addition to a seemingly endless list of actors, writers, and directors, the book explores the stories behind key productions, such as The Captive, Tea and Sympathy, The Boys in the Band, Angels in America, Fun Home, and dozens of lesser known but important contributions. Mordden's knowledge and research are impeccable, and his lively, conversational tone draws readers in for more. VERDICT Mordden's book is authoritative proof that the legacy of American theater is eternally indebted to gay culture.—Peter Thornell

July 2023 - AudioFile

Daniel Henning's uplifting performance brings out the best in this audiobook exploring the importance and prevalence of gay culture on "The Street." Ethan Mordden's comprehensive research spanning the years 1910-2010 opens wide the closet doors, and Henning revels in the flamboyant anecdotes and colorful quotes that tumble out. Mordden credits early warriors such as 1920s female impersonator Julian Eltinge and Eva LeGalliene's lesbian repertory company with paving the way for shows with gay characters and themes. Henning has a delightful feel for the content, capturing mischievous grins as secretly gay writers manage to slip "insider" jokes into mainstream shows. With entertaining discussions of "out" writers and amusing analyses of both straight and gay productions, this is a wonderful listen! S.J.H. Winner of AudioFile Earphones Award © AudioFile 2023, Portland, Maine

Kirkus Reviews

★ 2023-04-11
A chronological study of how queer creatives have greatly impacted the theater world.

In his latest book, Mordden, who has written extensively about American and British theater, focuses on the influences of “homosexuals, bisexuals, transsexuals, metrosexuals, and the sexually fluid” on American stage productions throughout the 20th century. The author begins with profiles of high-profile drag queens like illusionist Julian Eltinge and lesbian repertory firebrand Eva Le Gallienne, who, alongside many others, paved the way for gay characterizations and storylines through both “serious drama” and “minty repartee” roles in the 1920s. Another major figure of this time was Mae West. “In a way,” writes Mordden, “she was like a hetero version of your gay uncle, a bank of information about the world that was far more intriguing than anything you heard from your parents.” The author then moves on to discuss Hollywood’s suppression tactics, including the 1927 Wales Padlock Law, which banned any form of “sex degeneracy” from appearing onstage. But the resurgence was swift in subsequent decades as luminaries like Tallulah Bankhead, Harvey Fierstein, and an exhaustive list of others ushered in new sex-positive, gay-identifiable productions like The Boys in the Band, Torch Song Trilogy, The Normal Heart, and Angels in America. Despite its brevity, Mordden’s book is filled with hilariously quippy biographical information—e.g., “portly and owlish” Alexander Woollcott was as gay “as a parade of candy canes”; Joan Crawford “was one of Golden Age Hollywood’s great phallic women”—and contributes uniquely detailed backstage stories from celebrated productions that have continued to shape American theater. As intolerance faded, queer culture thrived, moving well beyond the strict artistic censorship and homophobia that proliferated in the early decades of the 20th century. Gay historians and theater buffs of any persuasion will appreciate this terrific, condensed 100-year retrospective.

A lively, highly knowledgeable report on queer culture’s significant contributions to Broadway.

Product Details

BN ID: 2940177989082
Publisher: Tantor Audio
Publication date: 06/01/2023
Edition description: Unabridged
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