God Loves Hair: 10th Anniversary Edition

God Loves Hair: 10th Anniversary Edition

God Loves Hair: 10th Anniversary Edition

God Loves Hair: 10th Anniversary Edition

Hardcover(Revised ed.)

$21.95 
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Overview

A tenth-anniversary edition of the poignant YA story collection that celebrates racial, gender, and religious diversity.

Product Details

ISBN-13: 9781551528137
Publisher: Arsenal Pulp Press, Limited
Publication date: 09/15/2020
Edition description: Revised ed.
Pages: 128
Sales rank: 900,059
Product dimensions: 8.00(w) x 5.00(h) x (d)
Age Range: 12 - 17 Years

About the Author

Vivek Shraya's previous books include the novel She of the Mountains, the poetry book even this page is white, and the children's picture book (with Rajni Perera) The Boy & the Bindi (all published by Arsenal Pulp Press), as well as I'm Afraid of Men and What I Love About Being QUEER. She is editor of the Arsenal Pulp Press imprint VS. Books, dedicated to work by new and emerging Black or Indigenous writers or writers of color. She is an assistant professor in the University of Calgary's Department of English.

Juliana Neufeld is an award-winning illustrator and mixed media artist living in Toronto. Her work has been inspired by the whimsy of children's illustration, journal art, and an obsession with textiles. Her work can be found in books, album covers, and nooks and crannies throughout the internet.

Cherie Dimaline is a member of the Georgian Bay Metis Community. Her 2017 book The Marrow Thieves, won the Governor General’s Award and the Kirkus Prize for Young Readers. Her most recent book is Empire of Wild.

Read an Excerpt

GOD LOVES HAIR
My mother grows up in a big house in Ceylon with wide balconies and open windows.
Her mother tells her that she is the sunlight. She is loved.

But she is a girl.

From the instant a girl is born, her parents worry. How will we keep her safe? How will we make sure that she is educated enough, worthy enough for a husband? How will we afford to pay for her wedding, her dowry? My mother is part of a collective of four daughters, each one representing a series of burdens. She has a brother too, but his presence in the home is light or at least one the family is happy to bear and even display proudly. He is his parents’ greatest achievement, the assurance that the family name will live on. No one worries about him. He is a man, he can stand on his own two feet.

My mom does her best to lessen her weight, combing the knots out of her younger sister’s hair, fetching water from the well. Her fluency in French and actress-like beauty also guarantee that she won’t have too much trouble receiving a proposal from a doctor, engineer, or lawyer when she’s ready. But when her father unexpectedly dies, every day that she and her sisters remain unwed is another day their mom, now a single parent of five, spends in distress. The pressure is on my mother and marry wise is replaced by marry fast. She finds that she is no longer as attractive to potential suitors because the absence of a father suggests the absence of a dowry. You should have just married the neurosurgeon who came to see you last month. He was from a rich family, he would have been good to you. Then I would have one less daughter to worry about. She silently promises to herself that she will marry the next suitor who knocks on her door. The lucky beneficiary of this promise is the man from Canada with the thick sideburns, the multicoloured tie, and only a Master’s degree. My dad. They meet, are engaged, and then married in the span of ten days.

When the time comes to have children of her own, my mother is unwavering about her desire to have sons. Two healthy sons. So she does what any determined Hindu would do: she barters with God. If You grant me two healthy sons, I vow to give them their first haircuts at the Temple of Seven Hills in Tirupathi, India. It is believed that the hair on your head is what makes you beautiful. Shaving it off pleases God because it means you have chosen Him over your appearance.

My mother is pregnant. I am a basketball. As her tiny body expands, her prayers intensify. Let him be a boy. Let him look just like his father. Let him live. Every other firstborn in her family has died through miscarriage or stillbirth. She is comforted every time I kick. I am born the day after Valentine’s Day. My mother examines me closely. I have a penis. No missing toe or spare finger. She is overjoyed and cries: God is great! Like most Indian babies, I have a full head of jet-black hair. It grows fast and long, testing my mom’s resolve. But true to her word, no scissors or razor come near my head. My parents decide it would be best for their wallet if they try to make another baby boy right away.

This would save them from having to go to India twice to fulfill my mother’s end of the bargain. In the interim, my hair is managed into several mini-pigtails and eventually into one long, thin ponytail.

My, what a cute baby girl you have! Your daughter is so pretty! How old is she? She looks just like her dad. What’s her name? She has such chubby cheeks!

My first haircut is in Tirupathi, next to my baby brother, just as my mother prophesized. I cry as the barber pours warm water over my newly shaven head, the small cuts, made by his severe grip and his old razor, burning. God is happy. I am two years old.

LIPSTICK
The sky is a promising blue but the empty house is all mine. My mother and her younger sister are drinking chai on the front porch. My five-year-old mind races through all my favourite things to do, deciding how best to use this extraordinary time and space. I think about eating the Play-Doh kept in the craft corner of the basement or maybe sucking the vanilla pudding out of the tin cups that I am not trong enough to fully open. Then I picture my mother’s makeup case.

It is unguarded!

This is my chance to know her secrets, access her powers. I rush up the stairs, almost tripping into her washroom, and tear open her magic kit. I am blinded. All the bright colours are dazzling. But I am greedy for the colours that hide, the glossy surprises caged within lipstick shells. They call to me. One by one, I remove their lids, twist the blushing sticks to the top, smear my face like oil on canvas. Then I smash the lids back on, completely crushing the lipsticks.

My mother and aunt come inside to find lipstick casualties strewn across the washroom floor and my stained face, beaming and proud. My aunt spanks me until I am blue in the bum. Some of the lipsticks were hers.

DRESS UP
My brother and I live in a Lego world, building amusement out of unsuspecting materials. Couch pillows become forts, quilts become flower-patterned wings, and his headboard becomes a stage for puppet shows. We have also discovered a secret cave under his bed, perfect for hiding in, which is particularly useful when mom yells from downstairs: Fold the laundry! But the change I love most happens when we play dress up. We wear each other’s clothes. His are smaller and tighter than my own. I like the feeling of the fabric choking my body. It’s like being touched all over.

I like dressing up at school too. Whenever there is a school play, I beg for the girl roles. Girls get to have long, flowing hair, some days French-braided, other days curled. They get to show off shiny earrings and delicate bracelets. And girls get to wear actual colours. Like popsicle pink and poppy red. Why should they have all the fun? It’s pretty easy convincing everyone that it would be funnier for a boy to play a girl, my pre-pubescent high-pitched voice an asset, but secretly I just want the chance to put on my mother’s velvet emerald-coloured dress. It too is small and tight, with a life of its own. I step into the dress and close my eyes. I let her Estée Lauder scent envelop me and feel her like a current of electricity, both warm and fierce. I become her. I am beautiful.

When we travel to India to visit my parent’s family, my aunts tell me how pretty I am. I seize the opportunity to test out their observations. Maybe you should dress me up in a sari and see what I would look like as a girl, I say coyly. They jump at the chance. They spread out their rainbow sari collections on the bed, and I feel like a princess as I choose the bold magenta and black one. It looks like something my mom would wear. They spin me around in the endless sheer fabric that smells like oil and mothballs and pleat it a couple times at the front so it looks like an accordion hanging from my waist. But my transformation isn’t complete. Bangles all the way up to my elbows, thick black eyeliner, a string of white jasmine flowers in my hair. From afar, my dad thinks I am some sweet village girl. I am the prettiest little girl in the world.

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