The New York Times Book Review - Alec MacGillis
[Good Kids, Bad City is] the story of a grave injustice, whose long-overdue correction delivers a strong emotional punch when it finally arrives. More broadly, it's a story about negligence, about all the ways in which residents of cities such as Cleveland have been left abandoned by government and society at large. There's so much talk these days about the great urban rebirth that the persistent struggles of non-superstar cities are too often overlooked. Swenson does a service simply by capturing the daily demoralization of existence in such a place…
From the Publisher
"A compelling, beautifully written book that goes well beyond that initial journalistic probe into a grave injustice ... A powerful addition to the growing literature on the failures of America’s criminal justice system. It is also a gripping, novelistic account of what happened to the three defendants and their lone accuser after the convictions, a frank confession of the methods and emotions of an obsessed reporter, and a poignant meditation on the dark side of Cleveland."—Mark Whitaker, The Washington Post
"It's the story of a grave injustice, whose long-overdue correction delivers a strong emotional punch when it finally arrives."—Alec MacGillis, The New York Times Book Review
"Investigative journalist Swenson turns his expertise towards uncovering the truth about how—and why—three African-American men were charged, convicted and sent to prison for decades for a murder they didn’t commit. This incredible true story about the three men’s eventual exonerations lays bare the biases of a very broken justice system." —Parade.com
"[A] vivid, extensively researched debut...Cinematically written, this powerful tragedy of racial injustice and urban dysfunction will make readers question the idea that America can promise 'justice for all.'" —Publishers Weekly (starred review)
"Compelling and heartfelt...In this sharply written, emotionally resonant rendering, the author makes crystal-clear the heartbreaking realities of wrongful imprisonment, race, and the many flaws of the American criminal justice system." —Kirkus Reviews
"With dramatic, cinematic detail, Swenson connects this to a larger problem by showing how federal policies on both the war on drugs and the war on crime have devastated targeted communities in Cleveland and across the country, and have resulted in one of the most overburdened and draconian justice systems in the western world. Though small reforms and cosmetic changes may be slowly lifting the burden of history, this book questions the very nature of the justice system—and whom it benefits."—BookPage
"Good Kids, Bad City is a searing examination of a wrongful conviction case made all the more outrageous—and thus, necessary reading—in the context of an incisive examination of Cleveland, and how criminal justice failures are a microcosm of the city's problems. With heart and brio, Kyle Swenson illuminates the plight of three men done cruelly wrong for far too many decades, and the work required to ensure this cannot keep happening." —Sarah Weinman, author of The Real Lolita: The Kidnapping of Sally Horner and the Novel That Scandalized the World
“With novelistic storytelling, Swenson explores long-standing issues in Cleveland's police department and justice system, outlining other wrongful convictions and the rise of DNA evidence in trials. With clear current relevance, Good Kids, Bad City is essential for readers of U.S. history, law, and culture." —Booklist
“A blistering indictment of the justice system and a hard-boiled portrait of post-industrial America, Good Kids, Bad City lays out the constellation of institutional failures that put three innocent men behind bars for decades. Kyle Swenson captures the pain, the frustration, and the hopes of these men with sensitivity and heart, while addressing his native Cleveland with the tough love of a local who hasn't yet given up on his town.” —Albert Samaha, author of Never Ran, Never Will
“Kyle Swenson is a marvelous reporter with an equally keen eye for small human moments and sweeping civic history. Good Kids, Bad City tells a new Midwestern history and examines the brutality of our justice system, but above all I will remember the people—the lives—that Swenson depicts in all their glorious intimacy. This book sings." —John Lingan, author of Homeplace: A Southern Town, a Country Legend, and the Last Days of a Mountaintop Honky-Tonk
"Kyle Swenson lays bare the full spectrum of American tragedy: from the volatile streets of 1970s Cleveland to the cold machinations of the city’s justice system to the sparks of hope and outrage that refuse to dim in the hearts of those railroaded by that system’s blatant racism. Good Kids, Bad City is relentless reporting and impactful storytelling at its best." —Joshua Wheeler, author of Acid West
“Good Kids, Bad City got its grimy Rust Belt hooks in me from the opening line and never let me go. It's a page-whizzing narrative, but it's also a critical work of history, an investigative triumph, and a gorgeously rendered portrait of innocent men who deserved so much more from their city and their government.” —Joe Tone, author of Bones: Brothers, Horses, Cartels, and the Borderland Dream
Library Journal - Audio
06/01/2019
Swenson, a staff writer at the Washington Post, documents the systemic and pervasive assault on East Cleveland and the African American community residing there over the last half century. He alternates the historical narrative with the true story of an outrageous miscarriage of justice for three young men. Accused of a brutal robbery and murder, convicted on the shaky testimony of one witness, and left in prison, these men never lost hope and were eventually exonerated. However, the city's woes are still present. J.D. Jackson's strong, pleasant voice delivers an excellent listening experience. The story moves along quickly and provides numerous "driveway moments." VERDICT Highly recommended for medium and large public libraries or where there is subject interest. ["Swenson's exposé lays bare the criminal justice system's failures, along with the politicization that the war on crime and war on drugs promoted. A must-read": LJ 2/19 review of the Picador hc.]—Gretchen Pruett, New Braunfels P.L., TX
Kirkus Reviews
2018-11-12
An empathetic report on the longest wrongful incarceration in the history of the United States to conclude with exoneration.
In his debut book, an expansion of his popular Cleveland Scene feature, Washington Post journalist Swenson weaves together the dramatic details of a 1975 incident in Cleveland in which three black men were falsely accused and convicted of the murder of Harry Franks, a white man, outside of a convenience store. The author begins with a sweeping history of Cleveland, especially the 1960s and '70s, when increasing racial tensions and unrest haunted the region alongside rampant discrimination, urban infrastructural decay, and the crack epidemic that ushered in and decimated the city in the 1980s. Swenson introduces us to Kwame Ajamu, Wiley Bridgeman, and Rickey Jackson, boys for whom Cleveland had become their playground and true home. The author's portraits of the boys are carefully and lucidly drawn, as he captures their maturation into young men who were in the wrong place when Franks was fatally shot. At their trial, the prime witness, a 12-year-old neighborhood boy named Edward Vernon, testified against them, and all were charged with the murder despite a glaring absence of physical evidentiary support. Swenson also delivers a vital portrait of Vernon's adult life, plagued by drug abuse and unhappiness, and of his shocking retraction just as Bridgeman was paroled after 27 years in prison. Compelling and heartfelt, the author's cinematic chronicle moves swiftly through these events, and embedded in this tale of gross criminal injustice is the frustrating history and scarred legacy of Cleveland, a city harboring a "deepening woe" and mired in political corruption, racial conflict, and unbridled crime. Through in-person interviews and extensive, diligent research, Swenson brings this travesty of justice into impressive, necessary focus.
In this sharply written, emotionally resonant rendering, the author makes crystal-clear the heartbreaking realities of wrongful imprisonment, race, and the many flaws of the American criminal justice system.
