Google Archipelago: The Digital Gulag and the Simulation of Freedom

Google Archipelago: The Digital Gulag and the Simulation of Freedom begins with familiar cultural politics as points of entry to the book's theme regarding the reach, penetration, and soon the ubiquity of the digital world. In a book about enormous sea changes brought about by digital technology, Google Archipelago begins and ends with the political, in particular with the objectives of the Big Digi­tal conglomerates as global corporate monopoly capitalists or would-be-monopolies.

Google Archipelago argues that Big Digital technologies and their principals represent not only economic powerhouses but also new forms of governmental power. The technologies of Big Digital not only amplify, extend, and lend precision to the powers of the state, they may represent elements of a new corporate state power.

In contrast to academics who study digital media and bemoan such supposed horrors as digital exploitation, in Google Archipelago, Michael Rectenwald argues that the real danger posed by Big Digital is not digital capitalism as such, but leftist authoritarianism, a political outlook shared by academic leftists, who thus cannot recognize it in their object of study. Thus, while imagining that they are radical critics of Big Digital, academic digital media scholars (whom Rectenwald terms the digitalistas) actually serve as ideological smokescreens that obscure its real character.

Two chapters interrupt the book's genre as non-fiction prose. Part historical science fiction and part memoir, these chapters render the story of a Soviet Gu­lag survivor and defector, and the author's earlier digital self. Google Archipelago intentionally blurs the lines between argument and story, fact and artifact, the real and the imaginary. This is necessary, Rectenwald argues, because one cannot pretend to describe the Google Archipelago as if from without, as something apart from experience. In any case, soon one will no longer go on the Internet. The Internet and cyberspace will be everywhere, while humans and other agents will be digital artifacts within it.

The Google Archipelago represents the coextension of digitization and physical social space, the conversion of social space and its inhabitants into digital artifacts, and the potential to control populations to degrees unimagined by the likes of Stalin, Hitler, or Mao.

"1133062687"
Google Archipelago: The Digital Gulag and the Simulation of Freedom

Google Archipelago: The Digital Gulag and the Simulation of Freedom begins with familiar cultural politics as points of entry to the book's theme regarding the reach, penetration, and soon the ubiquity of the digital world. In a book about enormous sea changes brought about by digital technology, Google Archipelago begins and ends with the political, in particular with the objectives of the Big Digi­tal conglomerates as global corporate monopoly capitalists or would-be-monopolies.

Google Archipelago argues that Big Digital technologies and their principals represent not only economic powerhouses but also new forms of governmental power. The technologies of Big Digital not only amplify, extend, and lend precision to the powers of the state, they may represent elements of a new corporate state power.

In contrast to academics who study digital media and bemoan such supposed horrors as digital exploitation, in Google Archipelago, Michael Rectenwald argues that the real danger posed by Big Digital is not digital capitalism as such, but leftist authoritarianism, a political outlook shared by academic leftists, who thus cannot recognize it in their object of study. Thus, while imagining that they are radical critics of Big Digital, academic digital media scholars (whom Rectenwald terms the digitalistas) actually serve as ideological smokescreens that obscure its real character.

Two chapters interrupt the book's genre as non-fiction prose. Part historical science fiction and part memoir, these chapters render the story of a Soviet Gu­lag survivor and defector, and the author's earlier digital self. Google Archipelago intentionally blurs the lines between argument and story, fact and artifact, the real and the imaginary. This is necessary, Rectenwald argues, because one cannot pretend to describe the Google Archipelago as if from without, as something apart from experience. In any case, soon one will no longer go on the Internet. The Internet and cyberspace will be everywhere, while humans and other agents will be digital artifacts within it.

The Google Archipelago represents the coextension of digitization and physical social space, the conversion of social space and its inhabitants into digital artifacts, and the potential to control populations to degrees unimagined by the likes of Stalin, Hitler, or Mao.

19.99 In Stock
Google Archipelago: The Digital Gulag and the Simulation of Freedom

Google Archipelago: The Digital Gulag and the Simulation of Freedom

by Michael Rectenwald
Google Archipelago: The Digital Gulag and the Simulation of Freedom

Google Archipelago: The Digital Gulag and the Simulation of Freedom

by Michael Rectenwald

Paperback

$19.99 
  • SHIP THIS ITEM
    Qualifies for Free Shipping
  • PICK UP IN STORE
    Check Availability at Nearby Stores

Related collections and offers


Overview

Google Archipelago: The Digital Gulag and the Simulation of Freedom begins with familiar cultural politics as points of entry to the book's theme regarding the reach, penetration, and soon the ubiquity of the digital world. In a book about enormous sea changes brought about by digital technology, Google Archipelago begins and ends with the political, in particular with the objectives of the Big Digi­tal conglomerates as global corporate monopoly capitalists or would-be-monopolies.

Google Archipelago argues that Big Digital technologies and their principals represent not only economic powerhouses but also new forms of governmental power. The technologies of Big Digital not only amplify, extend, and lend precision to the powers of the state, they may represent elements of a new corporate state power.

In contrast to academics who study digital media and bemoan such supposed horrors as digital exploitation, in Google Archipelago, Michael Rectenwald argues that the real danger posed by Big Digital is not digital capitalism as such, but leftist authoritarianism, a political outlook shared by academic leftists, who thus cannot recognize it in their object of study. Thus, while imagining that they are radical critics of Big Digital, academic digital media scholars (whom Rectenwald terms the digitalistas) actually serve as ideological smokescreens that obscure its real character.

Two chapters interrupt the book's genre as non-fiction prose. Part historical science fiction and part memoir, these chapters render the story of a Soviet Gu­lag survivor and defector, and the author's earlier digital self. Google Archipelago intentionally blurs the lines between argument and story, fact and artifact, the real and the imaginary. This is necessary, Rectenwald argues, because one cannot pretend to describe the Google Archipelago as if from without, as something apart from experience. In any case, soon one will no longer go on the Internet. The Internet and cyberspace will be everywhere, while humans and other agents will be digital artifacts within it.

The Google Archipelago represents the coextension of digitization and physical social space, the conversion of social space and its inhabitants into digital artifacts, and the potential to control populations to degrees unimagined by the likes of Stalin, Hitler, or Mao.


Product Details

ISBN-13: 9781943003266
Publisher: World Encounter Institute/New English Review Press
Publication date: 09/30/2019
Pages: 216
Sales rank: 1,050,477
Product dimensions: 5.50(w) x 8.50(h) x 0.50(d)

About the Author

Michael Rectenwald is a recently retired Professor of Liberal Studies at New York University, where he taught cultural and social history as well as academic writing since 2008. He is the author of eight books, including Springtime for Snowflakes: 'Social Justice' and Its Postmodern Parentage (New English Review Press, 2018), Nineteenth-Century British Secularism: Science, Religion and Literature (Palgrave Macmillan, 2016), Academic Writing, Real World Topics (Broadview Press, 2015), and Global Secularisms in a Post-Secular Age (De Gruyter, 2015). Rectenwald is a prominent spokesperson for academic freedom and free speech and an expert on the history and character of the 'social justice' movement. He has published articles and essays on these topics in several periodicals and news outlets and has appeared regularly on national television networks, as well as on numerous radio and Internet shows.

Table of Contents

Dedication v

Acknowledgments ix

Foreword by Dr. Robert Conan Ryan xi

Preface xxiii

Introduction: Two Archipelagos 29

1 - Woke Capitalism, Corporate Leftism, and the Google Archipelago 41

2 - Corporate Socialism 54

3 - The Digitalistas and the Digital Gulag 66

4 - Digital Maoism 75

5 - Inside the (Digital) Gulag 93

6 - Google Marxism 111

7 - AI with Chinese Characteristics? 128

8 - Inside the (Digital) Gulag, Part II: The Transistor 148

Conclusion: New Knowledge, or Does “the Real” Exist? 161

Appendix A: Additional Articles Not Sourced in Main Text 171

Appendix B: Best Facebook Statuses, Year to Date 186

From the B&N Reads Blog

Customer Reviews