Groove Theory is an essential addition to scholarship on funk. Tony Bolden does important work here, replacing the vague musical definitions that too often accompany his subject with deeply researched histories and carefully analyzed sonic descriptions. Despite Bolden's precision and knowledge, he never freezes this vital music in amber, but helps us to appreciate its cultural power anew. Chapter after chapter he leads the reader to view famous figures like Chaka Khan in a whole new light, while revealing fresh insights into lesser-known artists like Betty Davis. This is the book on funk we have all been waiting for, so put a glide in your stride, a dip in your hip, and come on up to the Mothership!--Nate Sloan, assistant professor of musicology, University of Southern California Thornton School of Music, and coauthor of Switched on Pop: How Popular Music Works and Why It Matters
Dr. Tony Bolden successfully endeavors to reconnect funk music with its blues roots in a thorough examination of the history, evolution, societal impact, and importance of funk as a continuous commentary on society.--Christian Shoemaker "MUSIC REFERENCE SERVICES QUARTERLY"
For many years Tony Bolden has been evangelizing a theology that considers funk as an aesthetical practice, rather than simply a musical genre. Groove Theory is his fully realized exegesis of the interconnectedness of blues, funk, black literary practices, and identity politics. This book is an eloquent and illuminating study that employs a more expansive theoretical and historical lens than what has been advanced through funk historiography. It is timely and much-needed work as it reminds us of how black folks have continually used language, rhythm, and sound to advance epistemologies that have been central to their survival in America.--Tammy L. Kernodle, professor of musicology, Miami University in Ohio
In Groove Theory, Tony Bolden takes his readers 'to the bridge and drops them off into some funk.' Through songs, literary fiction, interviews, memoirs, and provocative case studies on Sly Stone, Chaka Khan, Gil Scott-Heron, and the inimitable Betty Davis, Bolden identifies funk's fundamental essence as grounded in the blues. His interdisciplinary riffs on the musicians, histories, and social contexts that led to the funk genre brilliantly address the reasons this musical style is considered a musical lingua franca of the pop world. As a songwriter said, 'funk not only moves, it can remove--dig?' Groove Theory does both and with style.--Guthrie P. Ramsey Jr., author of Race Music: Black Cultures from Bebop to Hip-Hop and The Amazing Bud Powell: Black Genius, Jazz History, and the Challenge of Bebop
In a holistic critique of the meanings of funk and the multiple black vernacular expressions that collectively have shaped the funk aesthetic, Tony Bolden's Groove Theory: The Blues Foundation of Funk takes readers on a cultural and historical journey. Using vivid illustrations of music making for over four centuries--beginning with African ritualized practices, their manifestations as the impulse and emotive character of both spirituals and blues that carried over into jazz and gospel--Bolden identifies specific cultural and musical traditions as progenitors of funk in its development as a distinctive musical genre. This indispensable monograph undoubtedly will influence new approaches to the study of funk.--Portia K. Maultsby, coeditor of Issues in African American Music: Power, Gender, Race, Representation and African American Music: An Introduction, Second Edition
