Haruki Murakami and His Early Work: The Loneliness of the Long-Distance Running Artist

by Masaki Mori

Overview

Haruki Murakami and His Early Work first discusses Murakami Haruki’s real-life activities and interests, such as his self-identity as a Japanese novelist, his position in the Japanese literary canon, music, translation and running. In this context, three short stories as pivotal to his early writing career are examined, including “The Second Bakery Attack,” “The Elephant Vanishes,” and “TV People.” Written in an easy style to read, and with the content full of references to select contemporary popular culture and consumer products, his fiction in general tends to invite criticism of irrelevance and frivolity. Against their nonsensical, even humorous appearance, however, the book’s close analysis reveals his persistent concern with the plight of today’s humanity in postindustrial reality. Through the bewildering stories, Murakami delivers a covert critique of aspects of the sociopolitical system, including unbridled consumerism, relentless pursuit of efficiency, and electronic media saturation, that brings people into total submission without their realization of the plight in which they are placed. In this respect, these short stories rival his acclaimed novels while showing his essential concerns and literary creativity more succinctly.

Product Details

ISBN-13:	9781793635990
Publisher:	Lexington Books
Publication date:	04/13/2023
Pages:	134
Product dimensions:	6.06(w) x 8.77(h) x 0.41(d)

About the Author

Masaki Mori is associate professor and head of the department of comparative literature and intercultural studies at the University of Georgia.

Table of Contents

Chapter 1: Murakami’s Self-Conscious Ambivalence as a Japanese Writer

Chapter 2: Beyond National Canonicity: Murakami and the Japanese Literary Canon

Chapter 3: Translation as a Beneficial Diversion for Murakami’s Fiction Writing

Chapter 4: “The Second Bakery Attack”: The Induced Burial of Young Aspirations

Chapter 5: “The Elephant Vanishes”: What Efficiency Produces

Chapter 6: “TV People”: The Slick Assault by Electronic Media

Chapter 7: Televisual Appropriation and Fear in “TV People” and Ringu

Editorial Reviews

An insightful analysis of Haruki Murakami's early works, Mori's slim yet substantive volume delves deep into the heart of Murakami's unique standing in the canons of both Asian and Asian American literature. Never has Murakami been so thoroughly analyzed by a compatriot whose authority and command of the Japanese sensibility confer authority on the close readings. Eschewing the raw commercialism of Japan's economic rise in the 1970s and 1980s, Murakami--from his school days onward--espoused Western culture, especially American writing. His fastidious devotion to translating works by such Western writers as Raymond Carver and J. D. Salinger afforded him the tools to create what some critics have called his postmodern style, a designation Mori challenges. Mori argues that Murakami's works exemplify an Asian "premodern" world view in which the living and the dead intermingle. This prominent Edo period belief, Mori argues, sets Murakami apart from postmodern writers, rendering Western critics' discussion of his books from the postmodern perspective inaccurate and imprecise. Murakami refuses to be pigeonholed into any identity as a writer. Brief and to the point, Mori's volume makes a valuable contribution to Western literary analysis of living Asian writers. Highly recommended. Lower-division undergraduates through faculty; general readers.

In this fine, cross-cultural study, Masaki Mori draws an intriguing portrait of Haruki Murakami--one of those controversial contemporary writers who do not belong to one national culture or literary cannon, but to the global literary community as a whole. Through his perceptive, close analyses of Murakami's early short stories, Professor Mori reveals this enigmatic, cosmopolitan writer's essential humanism that runs through his forty-year long artistic career. He shows in careful detail how underneath Murakami's occasionally flippant and absurdist fiction, or his problematization of contemporary life through a uniquely humorous artistic vision, lies this writer's profound humanistic concern about the precarious existential condition in which we moderns have placed ourselves, as well as his deep distrust of the bureaucratic power structures that we have allowed to control our lives. Masaki Mori's study, written in an accessible and elegant style, is not only a valuable contribution to a better, in-depth understanding of one of the most popular contemporary Japanese writers, but also an exemplary critical addition to the burgeoning field of intercultural studies within a global reference frame.

In this outstanding series of essays, Masaki Mori probes in insightful and illuminating ways the origins, motivations, and implications as well as both Western and Japanese influences on the early writings of Murakami Haruki, the renowned contemporary Japanese author admired for the sense of loneliness that pervades his art. Mori draws out supranational and magical realist aspects of Murakami as keys to understanding the continuing worldwide popularity of his diverse publications. The book's Appendix provides a useful bibliography of Murakami's works and their translations.

From the Publisher

An insightful analysis of Haruki Murakami’s early works, Mori's slim yet substantive volume delves deep into the heart of Murakami’s unique standing in the canons of both Asian and Asian American literature. Never has Murakami been so thoroughly analyzed by a compatriot whose authority and command of the Japanese sensibility confer authority on the close readings. Eschewing the raw commercialism of Japan’s economic rise in the 1970s and 1980s, Murakami—from his school days onward—espoused Western culture, especially American writing. His fastidious devotion to translating works by such Western writers as Raymond Carver and J. D. Salinger afforded him the tools to create what some critics have called his postmodern style, a designation Mori challenges. Mori argues that Murakami’s works exemplify an Asian “premodern” world view in which the living and the dead intermingle. This prominent Edo period belief, Mori argues, sets Murakami apart from postmodern writers, rendering Western critics’ discussion of his books from the postmodern perspective inaccurate and imprecise. Murakami refuses to be pigeonholed into any identity as a writer. Brief and to the point, Mori’s volume makes a valuable contribution to Western literary analysis of living Asian writers. Highly recommended. Lower-division undergraduates through faculty; general readers.

Choice Reviews

In this outstanding series of essays, Masaki Mori probes in insightful and illuminating ways the origins, motivations, and implications as well as both Western and Japanese influences on the early writings of Murakami Haruki, the renowned contemporary Japanese author admired for the sense of loneliness that pervades his art. Mori draws out supranational and magical realist aspects of Murakami as keys to understanding the continuing worldwide popularity of his diverse publications. The book’s Appendix provides a useful bibliography of Murakami’s works and their translations.

Steven Heine

In this fine, cross-cultural study, Masaki Mori draws an intriguing portrait of Haruki Murakami—one of those controversial contemporary writers who do not belong to one national culture or literary cannon, but to the global literary community as a whole. Through his perceptive, close analyses of Murakami’s early short stories, Professor Mori reveals this enigmatic, cosmopolitan writer’s essential humanism that runs through his forty-year long artistic career. He shows in careful detail how underneath Murakami’s occasionally flippant and absurdist fiction, or his problematization of contemporary life through a uniquely humorous artistic vision, lies this writer’s profound humanistic concern about the precarious existential condition in which we moderns have placed ourselves, as well as his deep distrust of the bureaucratic power structures that we have allowed to control our lives. Masaki Mori’s study, written in an accessible and elegant style, is not only a valuable contribution to a better, in-depth understanding of one of the most popular contemporary Japanese writers, but also an exemplary critical addition to the burgeoning field of intercultural studies within a global reference frame.

Mihai Spariosu

An insightful analysis of Haruki Murakami’s early works, Mori's slim yet substantive volume delves deep into the heart of Murakami’s unique standing in the canons of both Asian and Asian American literature. Never has Murakami been so thoroughly analyzed by a compatriot whose authority and command of the Japanese sensibility confer authority on the close readings. Eschewing the raw commercialism of Japan’s economic rise in the 1970s and 1980s, Murakami—from his school days onward—espoused Western culture, especially American writing. His fastidious devotion to translating works by such Western writers as Raymond Carver and J. D. Salinger afforded him the tools to create what some critics have called his postmodern style, a designation Mori challenges. Mori argues that Murakami’s works exemplify an Asian “premodern” world view in which the living and the dead intermingle. This prominent Edo period belief, Mori argues, sets Murakami apart from postmodern writers, rendering Western critics’ discussion of his books from the postmodern perspective inaccurate and imprecise. Murakami refuses to be pigeonholed into any identity as a writer. Brief and to the point, Mori’s volume makes a valuable contribution to Western literary analysis of living Asian writers. Highly recommended. Lower-division undergraduates through faculty; general readers.

Choice