Publishers Weekly
★ 10/30/2023
The luminescent latest from Canadian novelist and poet Michaels (Fugitive Pieces) follows a family across generations through love and war. The story opens in 1917 Cambia, France, where John, an English soldier fighting in WWI, lies wounded in the snow and thinks of his artist wife, Helena. Three years later, reunited with Helena but traumatized from battle, John attempts to continue his work as a portrait photographer. He’s both frightened and awed when he discovers that his photographs contain ghostly images of the subjects’ loved ones. The narrative then jumps to 1984, when Helena and John’s granddaughter Mara, a doctor who is four months pregnant, leaves her widowed father Peter and her journalist husband Alan in Suffolk, to join her former medical team in an unnamed war-torn country. Another section takes place in 1903 Paris during a seance with medium Madame Palladino and a group of scientific observers, including the Curies. Michaels links the various threads by exploring the thin divide between the living and the dead and the ways memory can carry her characters between worlds. Her stunning prose sustains the book’s enchanted mood from start to finish (John remembers how as a child, his grandfather’s boots were like “two holes into which his own child-legs could vanish entire”; Helena sees her middle-aged body as “A pear turning soft in the bowl”). Each page of this masterpiece has a line worth savoring. Agent: Andrew Wylie, Wylie Agency. (Jan.)
From the Publisher
Held may be one of the most romantic books I’ve ever read . . . Gorgeous . . . Surprisingly expansive . . . Hauntingly beautiful . . . The whole novel is spiked with little detonations of awe . . . Michaels publishes novels so deliberately that each one entrances readers of a new decade.”
—Ron Charles, Washington Post
“This episodic, philosophical novel orbits a group of loosely connected characters living between 1917 and 2025 . . . Throughout, characters ponder the boundaries between the physical and the ineffable, the mortal and the spiritual.”
—The New Yorker
“Dazzling . . . Held breaks new ground . . . It’s clear that Michaels’s writing continues to stand head and shoulders above most other fiction.”
—The Observer
“Michaels offers a profound literary experience that is executed with subtlety, grace, and an exquisite intuition for the secret burning pulses of humanity that thrum beyond time . . . There is an intense, mysterious beauty that infuses Michaels’s precise prose with a compelling power that is exquisite . . . Michaels illuminates how the internal life of one person can transcend all external influence. How the interiority of an individual—their capacity for love, empathy, and desire for connection—can be an invisible force of agency that effects change in almost unfathomable ways . . . Michaels has continued to spellbind readers across the globe.”
—Irish Times
“Michaels is a writer who moves gracefully between award-winning poetry and captivating fiction—and there is a lyrical beauty to the novel . . . Her descriptions are full of clarity and unsettling insight . . . The gorgeous Held confirms why she believes that ‘hope is never a luxury. It is a necessity, and it is powerful.’ With Anne Michaels, you know you are in the presence of a real and rich sensibility.”
—Independent, Best Books of 2023
“Few authors balance the atrocities of history with the consolations of human relationships quite so effectively as Anne Michaels. She has an uncanny talent . . . Her alchemical abilities are undimmed . . . There is a truth to the humanity she depicts.”
—Financial Times
“A cleverly fragmented tale of love, memory, and time shuffles the hopes and dreams of four generations . . . She demonstrates that fugitive pieces can make up a structure as strong and as meaningful as a finished monument.”
—The Guardian
“Beautifully and sensitively accomplished . . . Readers should feel lucky . . . I found myself reading back over whole paragraphs just for the pleasure of it.”
—The Arts Desk
“Michaels’s grave, graceful third novel is a timely, resonant reminder of the trauma of war and the wreckage that it inflicts . . . Michaels has such a delicate touch as she deals with these weighty matters.”
—Daily Mail
“Held is a powerful, prophetic, and poetic work . . . Readers [should] hold tight to Held, a novel for our times—one that starts with war, then moves forward and backwards and forward again with love and with hope.”
—Winnipeg Free Press
“A poignant, singular work that ruminates on the ways in which we touch one another’s lives . . . Anne Michaels tells this story in accomplished prose that engages the reader effortlessly; it’s difficult not to inhale this strange, lovely novel in a single sitting . . . [A] thematically rich work, the compassion and tenderness it has for its characters and their complicated relationships feels like its most profound gift.”
—BookBrowse
“‘Gorgeous,’ ‘sublime,’ ‘intensely beautiful’—this novel lives up to every word of praise contained in its glowing reviews . . . A pleasure to read, each elegant chapter is set in a distinct place and moment in time, connecting multiple generations of characters and the ghosts that walk beside them.”
—National Post
“Exquisite . . . There is a profound richness to this novel . . . The narrative momentum never falters. Just as the characters are held by their love for others, readers are safely held in the utterly tactile and emotional embrace of this incredible novel.”
—Candace Fertile, Quill & Quire (starred review)
“A gorgeous meditation on whether the ghost in the machine is actually in our hearts . . . Michaels artfully extracts, and reweaves, the often-invisible threads connecting the lives of her characters . . . A multi-faceted and subtle discussion of what keeps animating the web of existence.” —Kirkus Reviews (starred review)
“Sublime . . . The joys and sorrows of passionate love and grief and the physics of memory are conveyed through the characters’ profound and lyrical musings . . . Michaels brings her poet’s finesse and soulfulness to this exquisite, deeply moving paean to love and life’s insistence and beauty.” —Donna Seaman, Booklist (starred review)
“I was blown away by the scale, beauty, weave and thinking of this book . . . It dances with words, time and ideas in a way that seems to reinvent everything I know about the novel . . . and it’s such a transporting read too. It’s exquisite—I am in awe.” —Rachel Joyce, author of Miss Benson’s Beetle
“Luminescent . . . Her stunning prose sustains the book’s enchanted mood from start to finish. Each page of this masterpiece has a line worth savoring.” —Publishers Weekly (starred review)
“Anne Michaels’s compelling novel, Held, couldn’t be more timely: war and its damages, passed through generations over a century. Through luminous moments of chance, change, and even grace, Michaels shows us our humanity—its depths and shadows.” —Margaret Atwood, via Twitter
Kirkus Reviews
★ 2023-11-04
A poetic exploration of the liminal spaces and invisible forces in our lives.
Canadian poet and novelist Michaels artfully extracts, and reweaves, the often-invisible threads connecting the lives of her characters—some fictional, some historical—from the early 1900s to the near future. The scarifying effects of war are made obvious from the outset through the thoughts and memories of John, a British soldier lying gravely wounded on a World War I battlefield. As the interrelated characters move through the years, traumas, and relationships of their lives, those initial musings are among the topics Michaels explores, includingthe persistence of desire, the effects of observation on the observed, the finite nature of life versus the (purported) unending nature of death, the presence of the past at all points in life. The physics and metaphysics of life come under Michaels' microscope, but the arts and sciences of photography and radiography are employed as well. (Marie Curie and her acquaintances appear as regular people, not icons of scientific discovery.) Meandering back and forth across generations, Michaels' narrative captures moments of winsome (apparent) coincidence as well as heartbreaking sorrow; more than one young woman loses a husband to death and the threat of war echoes across generations. What is consistent throughout the interwoven lives of the photographers, hat makers, artists, war correspondents, and international crisis workers presented here is the persistent examination of what forces brought them to their destinations. The possibilities include love, chance, particle theory, hope, and desire; Michaels' poetic amalgamation of the lot results in a multi-layered and subtle discussion of what keeps animating the web of existence.
A gorgeous meditation on whether the ghost in the machine is actually in our hearts.
