After quickly tracing French painter Matisse’s journey to becoming an artist (“He was happy, and his paintings made people happy”) and explaining how illness left him unable to paint at the end of his life, Winter (Kali’s Song) describes his discovery of a medium less physically demanding than painting but just as expressive: painted paper and scissors. “Why didn’t I think of it earlier?” he asks delightedly. Simple, folk-style paintings show Matisse in a wheelchair in a studio amid his collages; in a quiet visual cue, a plant with oversize leaves suggests inspiration for their big, organic shapes. He continues to create until his death, another moment Winter handles gracefully: “The rainbow of shapes cradled the old artist and carried him into the heavens.” Old age can be fertile and useful, Winter implies; disability doesn’t mean the end of creating, and triumph is possible where only sadness could have been foreseen. All of these messages lie obliquely in the text, but even readers who don’t dig that deep will share Matisse’s joy. Ages 5–8. Agent: Susan Cohen, Writers House. (Aug.)¦
In ‘Henri’s Scissors,’ Jeanette Winter rushes through the story of Henri Matisse’s childhood, but no worries: it’s his second (far more interesting) childhood that fascinates her. After becoming one of the greatest artists of the 20th century, whose only peer, it could be argued, was the aggressively prolific Picasso, Matisse has grown old. Now infirm and confined to bed, he reflects on his past triumphs in a room colored in the deepest blues and purples. But inspiration strikes, and using a pair of common household scissors as his magic wand, Matisse cuts shapes out of brightly colored paper and transforms his sick-room into a mystical garden full of flowers and birds. Then, in the final and greatest feat of his career as artist-sorcerer, ‘the rainbow of shapes cradled the old artist and carried him into the heavens.’
The New York Times Book Review, August 25 2013 - Dan Yaccarino
"The young reader gets a taste of Matisse’s art and a flavor of his creativity in the late period of his life.... Share this picture book biography with the art teacher. Incorporate the title in a story hour about imagination, color, or the beginnings of modern art."
January/February 2014 Library Media Connection
"In her latest picture book biography...Winter focuses on Henri Matisse’s later life, during which the painter took up collage.... With text that is straightforward and unflowery, Winter relies, successfully, on the strength of her own art to capture the essence of Matisse’s. A brief author’s note explains her specific interest in this portion of the artist’s oeuvre."
September-October 2013 Horn Book Magazine
"The accessibility of cut paper makes it a particularly child-appealing medium, and Matisse is certainly the grand master of the art, so audiences will be pleased to see the championing of this oeuvre...the art is strong and vigorous, with a hat-tip to Matisse himself in the form of the open window (a famous Matisse subject) that allows the old man to view the sea; the playfulness and imaginative employment of actual Matisse collage shapes effectively convey the way art and life vision can blend together."
October 2013 The Bulletin of the Center for Children’s Books
* “Masterful picture-book biographer Winter (The Watcher , 2011) offers an elegant, accessible portrait of expressive artist Henri Matisse…. As an old man, Matisse becomes ill, and the book turns a stylistic corner, spending the balance of its pages exploring the changes in his circumstances and the subsequent development of his medium and his genius. Unable to paint, he begins cutting shapes from paper and dives into the process, allowing his shapes to grow with his imagination. And the book adapts in turn, the imagery now sprawling across pages, filling the space with rich color in exuberant compositions…. With a gentle narrative dotted with quotes from the artist himself, luminous illustrations, and a warm, celebratory spirit, this exemplary picture-book biography delivers a clear, sensitive portrait of the whole man, story and soul alike.
"The accessibility of cut paper makes it a particularly child-appealing medium, and Matisse is certainly the grand master of the art, so audiences will be pleased to see the championing of this oeuvre...the art is strong and vigorous, with a hat-tip to Matisse himself in the form of the open window (a famous Matisse subject) that allows the old man to view the sea; the playfulness and imaginative employment of actual Matisse collage shapes effectively convey the way art and life vision can blend together."
October 2013 The Bulletin of the Center for Childrens Books
"The accessibility of cut paper makes it a particularly child-appealing medium, and Matisse is certainly the grand master of the art, so audiences will be pleased to see the championing of this oeuvre...the art is strong and vigorous, with a hat-tip to Matisse himself in the form of the open window (a famous Matisse subject) that allows the old man to view the sea; the playfulness and imaginative employment of actual Matisse collage shapes effectively convey the way art and life vision can blend together."
October 2013 The Bulletin of the Center for Children’s Books
* “Masterful picture-book biographer Winter (The Watcher , 2011) offers an elegant, accessible portrait of expressive artist Henri Matisse…. As an old man, Matisse becomes ill, and the book turns a stylistic corner, spending the balance of its pages exploring the changes in his circumstances and the subsequent development of his medium and his genius. Unable to paint, he begins cutting shapes from paper and dives into the process, allowing his shapes to grow with his imagination. And the book adapts in turn, the imagery now sprawling across pages, filling the space with rich color in exuberant compositions…. With a gentle narrative dotted with quotes from the artist himself, luminous illustrations, and a warm, celebratory spirit, this exemplary picture-book biography delivers a clear, sensitive portrait of the whole man, story and soul alike.
In her extensive picture-book–biography oeuvre , Winter has proven to be particularly attuned to selecting the just-right elements of her subjects' complex lives while making them both accessible to and readily understood by young children. Here she limns the major biographical details of Matisse's long life: A French law student recovering and on bed rest after an appendectomy is given a paint set; he discovers his true calling, abandons the law, moves to Paris and embarks on a long career as a member of the Fauvist movement. Many years later, once again bedridden and frail, he begins the final and perhaps most enduring stage of his work. Winter both describes and employs Matisse's signature, late-career technique of brilliantly colored, hand-painted, cut-paper compositions. She enlivens the simple text with liberal yet judicious quotes from Matisse's letters and comments from contemporaries. This is a beautifully designed book that will certainly connect with readers, although the closing spreads may be too poetically obscure for the intended school-age audience. Winter writes that at Matisse's death, "the rainbow of shapes cradled the old artist and carried him into the heavens." The book's final question, "Are some of the stars we see at night coming to us from Henri's scissors?" seems forced. This soaringly sentimental resolution notwithstanding, the book is a charming introduction to a widely reproduced, child-friendly artist, one that children will assuredly encounter and affirmingly embrace. (author's note) (Picture book/biography. 5-8)