Publishers Weekly - Publisher's Weekly
The creator of this pop-up version of the classic epic poem should be commended for a well-intentioned effort, but the result is only somewhat palatableneither the paper engineering nor the realistic watercolor pictures can stand up to Longfellow's shimmering language. While a picture book version could have made the poem more accessible, this has only six spreads because of the production limitations. The pop-ups do not illuminate the poem for young readers, and older children may shy away from the format. All ages. (April)
School Library Journal
Gr 5 Up Six excerpts from Longfellow's Song of Hiawatha are illustrated with double-page pop-up illustrations. The pale watercolors do little more than create a static three-dimensional scene, pleasant enough but offering little additional illumination to the text. The pallid illustrations do not reflect the mood of the texta misty birch forest and a blue heron, for example, accompany ``Dark behind it rose the forest/ Rose the black and gloomy pine-trees.'' Longfellow's epic deserves more serious attention than this toy book. Kathleen Whalin, Public Library of Columbus and Franklin County, Reynoldsburg, Ohio
DEC 05/JAN 06 - AudioFile
For many readers, William Hootkins's reading of Longfellow's classic nineteenth-century poem will evoke memories of elementary or middle school. Longfellow's extended narrative is set in a regular, easily recognized rhythm. This rhythm guides Hootkins's delivery, as this is more of a performance than a simple reading. He powerfully underscores the moments of import, giving the impression of a traditional storyteller revisiting a familiar piece. The one weakness in Hootkins's performance may come from matching Longfellow's poetry too closely. At times, the poem seems to drive on in the same vein for too long, with too many attempts at peak moments. G.T.B. © AudioFile 2001, Portland, Maine
