07/13/2020
Medie’s busy debut turns on a family drama caused by polygamy in Ghana. Afi Tekple, a seamstress living with her widowed mother in Ho in 2014, is surprised when wealthy matriarch Aunty Faustina Ganyo engineers a proposal to Afi from Faustina’s son, Eli. Faustina hopes Afi can lure Eli away from Muna, Eli’s de facto Liberian wife, whom the Ganyos disapprove of. Eli, busy with business travel, marries Afi in absentia and the Ganyos move Afi into an apartment in Accra. Afi, recognizing her role as “the key to other people’s happiness,” pursues her own fulfillment by using the Ganyo family connections to enroll in a prestigious fashion design program. Even after Afi becomes pregnant, Eli refuses to move her into his house and evict Muna, and the pain of sharing her husband with Muna and her responsibilities to the Ganyos pushes Afi to her breaking point. Afi’s narration is driven by a series of episodes, from Afi insisting on learning to drive to selling her designs to the country’s first lady, and while the relentless pacing leaves little room for reflection on her emotional turmoil, Medie succeeds at channeling Afi’s desires and desperation. This stirring tale sings when Afi learns to flex her limited power. Agent: Kiele Raymond, Thompson Literary Agency (Sept.)
★ 2020-07-01
A Cinderella story set in Ghana.
“I think I would have been less apprehensive if Eli himself had been present.” Probably so, since this is Afi’s wedding and Elikem is the groom, whom she has barely met. This delightful debut novel from Medie, who was born in Liberia, educated in Ghana and the U.S., and teaches at the University of Bristol in England, is anything but academic. As it begins, Afi—gorgeous, talented at sewing, dirt poor, and very country—is being married in a traditional ceremony to an absent young man whose wealthy and powerful family, the Ganyos, will do anything to separate him from his Liberian mistress. An aging woman known as Aunty is the Don Corleone of the clan, obeyed and feared by all—or almost all. Her selection of Afi as designated daughter-in-law immediately improves the desperate straits of Afi’s widowed mother and a whole slew of other relatives, who begin receiving deliveries of rice and other supplies as part of her bride price. Eli’s brother, Richard, sets Afi up in a fancy apartment in Accra and his sister Yaya helps her enroll in fashion design school. Now…if only Eli would show up. By the time he does, Afi is so lonely and miserable that she might have fallen in love with him even if he weren’t incredibly good looking, generous, and sweet. Unfortunately, he is also completely unwilling to break things off with his other woman, who lives in his primary residence with their daughter. Medie subtly develops Afi’s character as she—mentored by her brother-in-law’s mistress, who lives down the hall—goes from being an innocent, awestruck village girl to a sophisticated, confident woman, accustomed to privilege and luxury, set on a creative career...and mad as hell. She gradually pieces together the scoop on her rival, who “moved to Ghana reluctantly, her cigarettes and booze clutched in one hand and her baby in the other” and now has Eli so wrapped around her little finger that she takes off on a solo vacation to Spain while he’s out of town on business. Afi deserves better. This is war.
A Crazy Rich Asians for West Africa, with a healthy splash of feminism.
