Publishers Weekly
★ 06/26/2023
Watkins (Perish) portrays West Texas characters faced with loss, disappointment, and betrayal in this stunning collection. In “The Mother,” a woman is hounded by journalists about her recently deceased adult son, Joshua, who claimed to be the Messiah. The unnamed narrator of the title story reckons with her past sexual trauma after her teenage son is accused of rape. In a gut-wrenching turn, Watkins illuminates the extent to which the narrator goes to protect her child even as doing so threatens to undo her. Many of the stories hinge on the revelation of a woman’s power, whether she’s a fierce mother or a taken-for-granted wife. For example, “Sweat” finds Lotrece caught in a lackluster marriage to Clayton, who cheats, smokes, overeats, and fails to follow through on household repairs. But Lotrece has the last laugh when she wakes Clayton in the middle of the night by pointing his own pistol at him. (“His fear in that moment gave her the first delight she’d felt in a long while,” Watkins writes). Adding to the fierce characterizations, Watkins beautifully conveys a sense of place (“Whole house ain’t no thicker—no stronger than a big old piece of plywood,” says the narrator of “The Mother”). These kinetic stories are no less powerful than Watkins’s marvelous debut novel. Agent: Samantha Shea, Georges Borchardt Agency. (Aug.)
From the Publisher
A New York Times Editors’ Choice
One of Library Journal’s Best Books of the Year
Featured in San Antionio Current's ''10 Notable 2023 Books From Texas Authors"
One of The Millions’ Most Anticipated Titles of 2023
One of The Texas Observer's 2023 Must-Read Lone Star Books
Included in Ebony's "August Required Reading"
One of Bookish's "30 Summer Books to Have on Your Radar"
Included in Essence's "15 New Books We Can't Wait to Read This Summer"
Included in Lone Star Literary Life's "August 2023 Texas Books Preview"
Featured in LitHub's list of "New Books Out Today"
A Kirkus Most Anticipated Book of the Fall
“The collection asks: Whom can we protect and at what cost? Atmospheric and cinematic, Holler, Child is well worth your time.” —The New York Times Book Review
“A poignant collection about the loves, losses, and struggles of a Black community in West Texas . . . Watkins plumbs the depths of our emotions with compassion and nuance, offering a complex understanding of the human condition.” —TIME, “The 100 Must-Read Books of the Year”
“Above all, Holler, Child is an engrossing showcase of ordinary people struggling to get by, carefully and compactly drawn… Watkins’s spare, evocative prose turns painful subject matter into thoughtful, transcendent art… an unforgettable collection.” —The Washington Post
“In this début short-story collection, a varied group of voices—male and female, young and old, parent and child—grapple with profound disruptions, from infidelity to illness . . . Though all the protagonists appear to chafe against what those they’re closest to expect of them, the stories’ prevailing sentiment is clear: ‘People need people. That’s heaven.’” —The New Yorker, Briefly Noted
“LaToya Watkins has surpassed the high bar set by her beautifully crushing debut novel, Perish,” with a collection of short stories titled Holler, Child… profound… an excellent collection with true staying power. Every single story could stand on its own but works beautifully toward the whole.” —Associated Press
“Powerful… Holler, Child, with equal fidelity, visits the extraordinary and the ordinary, the neglected and the grave… In Watkins’ very capable hands, grief often shines a light on the labyrinthian quality of love.” —San Francisco Chronicle
“Part of what makes Watkins' collection so enveloping is her mastery of the slow reveal...Watkins [is] so good at capturing the depth of her characters, sometimes finding redemptive moments amid all the pain. She has an acute eye for the resentments and betrayals that can accumulate over a long marriage and the untenable sacrifices others can demand of us, but she also captures how love can sometimes be enough to hold things together.” —Minneapolis Star Tribune
"A profound, haunting collection that follows Black men and women in West Texas...The tragedies that haunt the pages of this collection are rendered beautifully and with great care; they are the kind a reader will carry with them forever." —Electric Lit, "Best Short Story Collections of 2023"
“A book for anyone who likes surprises in their stories, for short-story fans…Find Holler, Child and enjoy.”—Bookworm Sez
“Watkins’ collection is pitch perfect and bittersweet…Holler, Child is a masterful and deeply heartful look into the lives of a diverse set of emotionally complicated characters.” —Southern Review of Books
“Watkins’ characters are people most of us know, or at least people we know about. They live right here in Texas, and they touch all of our lives in myriad ways, be it intimately or merely in passing.” —Dallas Morning News
“Luminous...Despite betrayal, violence, and loss, the decision to survive—sometimes, with a hope to someday thrive—thrums loudly throughout this profound collection.” —Shelf Awareness
“The stories explore themes of love, betrayal and forgiveness and leave you wanting more.”—The Root, "Books by Black Authors We Can't Wait to Read"
“Riveting…Race, power, and inequality is woven throughout each of these stories featuring men and women alike.”—Upscale Magazine
“Watkins (Perish) portrays West Texas characters faced with loss, disappointment, and betrayal in this stunning collection… Adding to the fierce characterizations, Watkins beautifully conveys a sense of place…These kinetic stories are no less powerful than Watkins’s marvelous debut novel.”—Publishers Weekly, *starred review*
“Eleven searingly alive stories about Black men and women from West Texas explore the ways remorse and resentment can coexist in secrecy…Granular yet transcendent storytelling.”—Kirkus, *starred review*
“These tales explore fractured relationships between mothers and sons, couples grappling with the aftermath of infidelity, and children rejected by their families because of their choice of partner…Recommend Watkins to fans of Brit Bennett, Angela Flournoy, and Lakeshia Carr.”—Booklist, *starred review*
“Watkins’ second book is packed full of intriguing, fully realized characters—a real feat, give that they appear only for the length of a short story—living in the middle and aftermath of personal crises and discoveries…If you are looking for expertly crafted writing in your summer reading, this is an obvious choice.”—Jezebel, "11 Books You Should Read This Summer"
"Every story, every character, every line of LaToya Watkins's Holler, Child is a revelation. But it's the devastating voices of her characters that linger most. I got lost, in a good way, in these pages, in the complex, intimate worlds Watkins conjures so beautifully. Alluring, intense, and utterly original, this collection is a treasure!"—Deesha Philyaw, author of the National Book Award finalist The Secret Lives of Church Ladies
"With her debut book Perish, LaToya Watkins proved herself to be a masterful novelist right out of the gate. Now, with Holler, Child, Watkins shows herself to be a master of the short story as well. Each of these gorgeous, note-perfect stories packs the full-bodied punch of a novel, but with an economy and compression that are nothing short of miraculous. How does she do it? I don't know, but what I do know is that I very much want her to keep doing it."—Ben Fountain, author of National Book Award-finalist Billy Lynn's Long Halftime Walk
"Holler, Child is a triumph of storytelling. With compassion, urgency, and exhilarating craft, Watkins plunges headlong into the voices, hearts, and minds of these unforgettable characters. This collection is outstanding—fearless, timely, and beautifully layered."—Kimberly King Parsons, author of National Book Award-nominated Black Light
"Holler, Child forced me to stop everything I was doing and surrender to its stories—richly turbulent with faith, violence, sorrow, reckoning, and exquisite tenderness. LaToya Watkins weaves together character and place with a poetry that evokes Toni Morrison's Song of Solomon. A heart-stopping collection."—Cristina García, author of Dreaming in Cuban and the forthcoming Vanishing Maps
“LaToya Watkins is a singular and fearless storyteller. She writes masterfully about moments of terrible, impossible choice, when everything that makes life worth living is on the line. These are intimate, richly textured portraits of West Texas life, full of longing and tenderness, inevitably tethered to betrayal and heartache. Every story in Holler, Child will confront you—heart, mind, and soul—and hold you, in its deep beauty. You won’t be the same after reading this extraordinary book!”—Jean Chen Ho, author of Fiona and Jane
Library Journal
12/22/2023
Set in the same Black Texas community as Watkins's debut novel, Perish, a Black Caucus ALA Honor book, this debut collection uses vivid, edgy writing to tell powerfully affecting stories about people meeting life's challenges. An ailing woman refuses to give up her secrets to a series of clueless young white reporters; a survivor of rape who adores the grown son that resulted from her assault fiercely calls him out on his predatory behavior; a sister sets out to find the estranged brother who's always had her back; and a wife fed up with a mismatched, emotionally careless husband pulls a gun on him that may or may not work. VERDICT Watkins expands her grasp with stories that are distinctive yet create an indivisible, propulsive whole, and readers will be hard-pressed to put the book down.—Barbara Hoffert
Kirkus Reviews
★ 2023-07-13
Eleven searingly alive stories about Black men and women from West Texas explore the ways remorse and resentment can coexist in secrecy.
The opening story, “The Mother,” carries an emotional wallop while setting up the collection’s theme through the voice of a self-proclaimed “old junkie whore” forced to face troubling memories about her role in shaping her long-abandoned son, a cult leader who claimed to be the Messiah and led his mostly white followers to commit mass suicide. The title story, another tour de force, also concerns a single mother, who must decide how far she’ll go to protect her “good kid” after he’s accused of a violent act not unlike one she suffered but keeps secret. Children, in person or memory, haunt these pages, beloved even when sources of grief. For mothers, of course, but in a refreshing turn, Watkins also pays serious attention to the importance of paternal love. After the death of his infant son in “Dog Person,” a father’s problematic attachment to his Great Dane—animals play symbolic roles throughout—obscures the secret betrayals destroying his once-perfect marriage. In “Tipping,” a woman almost overlooks her dead husband’s cheating and lying because he was a loving stepfather. Watkins’ protagonists want to rise above traumatic childhoods but fear, often correctly, that they are failing as parents and spouses. The politics of race are a given in these stories, and equally important are the socioeconomic differences—money, social status, education—that cause divisions difficult to surmount. “Cutting Horse” is an aria about the doomed attempts of a “part gangster, part cowboy” to reinvent himself for his genteel accountant wife. Watkins powerfully depicts unsustainable relationships, but she offers solace in the tough-minded love story “Moving the Animal,” about a woman caring for her husband after his stroke. In the final story, “Time After,” a sister’s search for the brother she rejected out of religious rigidity reveals love’s redemptive possibilities.
Granular yet transcendent storytelling.