Honest Bodies: Revolutionary Modernism in the Dances of Anna Sokolow

by Hannah Kosstrin

Overview

Honest Bodies: Revolutionary Modernism in the Dances of Anna Sokolow illustrates the ways in which Sokolow's choreography circulated American modernism among Jewish and communist channels of the international Left from the 1930s-1960s in the United States, Mexico, and Israel. Drawing upon extensive archival materials, interviews, and theories from dance, Jewish, and gender studies, this book illuminates Sokolow's statements for workers' rights, anti-racism, and the human condition through her choreography for social change alongside her dancing and teaching for Martha Graham. Tracing a catalog of dances with her companies Dance Unit, La Paloma Azul, Lyric Theatre, and Anna Sokolow Dance Company, along with presenters and companies the Negro Cultural Committee, New York State Committee for the Communist Party, Federal Theatre Project, Nuevo Grupo Mexicano de Clásicas y Modernas, and Inbal Dance Theater, this book highlights Sokolow's work in conjunction with developments in ethnic definitions, diaspora, and nationalism in the US, Mexico, and Israel.

Product Details

ISBN-13:	9780199396931
Publisher:	Oxford University Press
Publication date:	08/21/2017
Edition description:	New Edition
Pages:	280
Sales rank:	276,892
Product dimensions:	6.10(w) x 9.10(h) x 0.70(d)

About the Author

Hannah Kosstrin researches Jewishness, gender, and movement analysis in modern and contemporary dance. At The Ohio State University, she is Assistant Professor in the Department of Dance and is affiliated with the Melton Center for Jewish Studies.

Table of Contents

Contents

Preface: Honest Bodies
Acknowledgments
Abbreviations
Introduction
1. Dances of All Nations: Choreographing Communism
2. Revolutionary Exile in Postrevolutionary Mexico City: Jewishness and Mexican Modernism
3. The Wandering Frog that Did Not Travel Well: Jewishness, Mexicanidad, and Ethnic Dance
4. White Rooms, Red Scare: Sokolow Defines America
5. Modernist Forms in a Jewish State
Epilogue: No Fists in the Air: Anna Sokolow and the Cold War
Selected Bibliography
Index

Editorial Reviews

"Kosstrin uses interdisciplinary methodologies from dance studies and history to analyze movement and archival materials ... The compelling passages that detail Sokolow's performances support the larger argument that her choreography had a political punch." — Elizabeth Schwall, Latin American Research Review

"A refreshing and groundbreaking analysis of Anna Sokolow's choreographic work from a variety of perspectives." — Studies in Theatre and Perfomance

"Kosstrin's rigorously researched, beautifully written book demonstrates how Anna Sokolow merged communism, Jewish culture, feminism, and modernist aesthetics to wage a revolution in American dance and beyond. A significant contribution to both dance and Jewish studies, Honest Bodies deftly delineates the power of dance and dancers to engage politics and activate publics across national lines."—Rebecca Rossen, author of Dancing Jewish: Jewish Identity in American Modern and Postmodern Dance

"Adventurous and path-breaking, Honest Bodies charts new territory in the re-consideration of choreographer Anna Sokolow's life and work, both in the contexts of American modernism and the transnational Left. Hannah Kosstrin firmly situates Sokolow in the pantheon of choreographic innovators, while, at the same time, revealing how Sokolow's Jewishness was the unifying factor coupling communism, modernism, and gender in her work. Rigorously argued, beautifully illustrated, and paying keen attention to the bodily archive, this book is a bold addition to the field of dance studies."—Rebekah Kowal, co-editor of The Oxford Handbook of Dance and Politics

"In Honest Bodies Kosstrin (Ohio State) investigates Sokolow's choreographic and performing career from the 1930s to the 1960s through the lens of communism, Jewish identity, and feminism... Kosstrin's research is rigorous and detailed, and her passion for the subject matter is a driving undercurrent. This book will be useful to those interested in modern dance of the first half of the 20th century and the history of the transnational Left and its shifting allegiances, as embodied in Anna Sokolow and her work." —E. McPherson, Montclair State University, Choice

From the Publisher